L'amour ouf
- 2024
- 2 h 46 min
AVALIAÇÃO DA IMDb
7,0/10
6,3 mil
SUA AVALIAÇÃO
Acompanha um relacionamento improvável entre duas pessoas. Uma garota de uma família de classe média alta e um rapaz de origem modesta se apaixonam, mas se afastam; ele acaba se tornando um ... Ler tudoAcompanha um relacionamento improvável entre duas pessoas. Uma garota de uma família de classe média alta e um rapaz de origem modesta se apaixonam, mas se afastam; ele acaba se tornando um criminoso e passa 12 anos na prisão.Acompanha um relacionamento improvável entre duas pessoas. Uma garota de uma família de classe média alta e um rapaz de origem modesta se apaixonam, mas se afastam; ele acaba se tornando um criminoso e passa 12 anos na prisão.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 16 indicações no total
Gilles-Alane Ngalamou Hippocrate
- Lionel (17 ans)
- (as Gilles-Alane Hippocrate)
Avaliações em destaque
Gilles Lellouche's near 3-hour epic crime romance adventure is quite ambitious. For Lelouche to explore some interesting themes about crime, angsty, love, and the extremely energetic tone, it's an accomplishment of French cinema in this current times.
Lellouche does offer some great aspects about it's concept. The strong performances, beautiful colorful production, tone, and camerawork really helps establish the environment, tone and setting. Unfortunately, what prevents it from being an epic masterpiece is the writing and structure. Oftentimes, Lellouche applies too much into the narrative. It's clear what the story is wanting to express and there are some pretty good aspects about it. But with a narrative that feels unnecessary stretched out and having characters that don't feel too emotionally connectable doesn't do much service to what Lellouche would have wanted.
I do appreciate some of the ambitious take Lellouche does. The fact he was able to capture the time period perfectly and have a good pacing does show the passion. But it's style over substance moments ends up over staying it's welcome. Realistically, this movie didn't have to be near 3-hours.
Lellouche does offer some great aspects about it's concept. The strong performances, beautiful colorful production, tone, and camerawork really helps establish the environment, tone and setting. Unfortunately, what prevents it from being an epic masterpiece is the writing and structure. Oftentimes, Lellouche applies too much into the narrative. It's clear what the story is wanting to express and there are some pretty good aspects about it. But with a narrative that feels unnecessary stretched out and having characters that don't feel too emotionally connectable doesn't do much service to what Lellouche would have wanted.
I do appreciate some of the ambitious take Lellouche does. The fact he was able to capture the time period perfectly and have a good pacing does show the passion. But it's style over substance moments ends up over staying it's welcome. Realistically, this movie didn't have to be near 3-hours.
The film is very long and pretty uneven between its first part when the characters are teenagers and the second part, ten years later.
The acting is really good. The young actors are fresh and genuine. Adele and François are top. Alain Chabat is a big teddy bear and as usual, you want to punch Benoit Poolvoorde.
The musical background really sets the 80's tone in small industrial French town. Mostly British and American songs but so grounded in the era.
You end the film with a smile on your face.
It is not the best film of the year but a beautiful crazy passionate love story. Despite being uneven, you follow Clotaire and Jackie all the way.
The acting is really good. The young actors are fresh and genuine. Adele and François are top. Alain Chabat is a big teddy bear and as usual, you want to punch Benoit Poolvoorde.
The musical background really sets the 80's tone in small industrial French town. Mostly British and American songs but so grounded in the era.
You end the film with a smile on your face.
It is not the best film of the year but a beautiful crazy passionate love story. Despite being uneven, you follow Clotaire and Jackie all the way.
Or something along those lines - so no pun intended. The bad boy syndrome ... you have it here too. And you have to suspend your disbelief for a few things so the movie can work in its entirety. The old he isn't that bad - I can save him route - is our character right this time? There are some indications early on where this might lead - question is if love can move anything and if so ... how much that would be.
This tells us the story in three different timelines and we are having a bit of a back and forth. That said, it not a frantic back and forth. Also get your mind out of the gutter - this is a love story ... with some violence in a different area ... if no one believes in an individual ... well he won't believe in himself either.
It is often on the verge of cliche, but never really falls off or flat. It works quite nicely - and the actors are the ones that make it work. You will always disappoint some people with the way your resolve or "end" things, but I think this chose the best way to go ... in all ways imaginable that is. A movie for almost everyone - drama baby, baby drama.
This tells us the story in three different timelines and we are having a bit of a back and forth. That said, it not a frantic back and forth. Also get your mind out of the gutter - this is a love story ... with some violence in a different area ... if no one believes in an individual ... well he won't believe in himself either.
It is often on the verge of cliche, but never really falls off or flat. It works quite nicely - and the actors are the ones that make it work. You will always disappoint some people with the way your resolve or "end" things, but I think this chose the best way to go ... in all ways imaginable that is. A movie for almost everyone - drama baby, baby drama.
Original scenario. Lellouch did really great with this movie, one of the best scenario and movie of the year. Great Nostalgie starting from the opening font style. Picture, music, image all other the movie is a great memory of the 80s and 90s.
The "kids" are playing very well, looking forward new movies, they are to become great actors. I was a bit afraid of Exarchopoulos as usually I don't really like her but she does pretty well on her scenes which are pretty made for her. Chabat is obviously great as the GOAT he is, i remind me of Didier at the start for thise who know, you'll know. Civil is perfect in the role, this dark style fits him very well.
The "kids" are playing very well, looking forward new movies, they are to become great actors. I was a bit afraid of Exarchopoulos as usually I don't really like her but she does pretty well on her scenes which are pretty made for her. Chabat is obviously great as the GOAT he is, i remind me of Didier at the start for thise who know, you'll know. Civil is perfect in the role, this dark style fits him very well.
I was so excited about watching this movie directed by Gilles Lellouch and casted with Adele exarchopoulos and Francois Civil who I really appreciated. There is every ingredient there to make a French Bockbuster but they missed it. The first part is far too long to set the scene of their young lives and love. After a while we wonder if we did not access the wrong projection room. Plus we start feeling the frustration for not having seen any of Adele and Francois after an hour. If this 1st loooong part was intended, the movie should have been in 2 releases. Because I do think, although too long, it was a good one.
The second part of their adult life is not credible in many aspects and not enough exciting. I found the adaptation of the script rather weak. Plus I did not feel any connection with this reunion love story. As to the end it was too easy. It's a pity as I feel we missed here the opportunity here to have a great movie.
Well done to Mallory Wanecque as Jackie and Malik Frikah as Clotaire young who offer a great performance.
The second part of their adult life is not credible in many aspects and not enough exciting. I found the adaptation of the script rather weak. Plus I did not feel any connection with this reunion love story. As to the end it was too easy. It's a pity as I feel we missed here the opportunity here to have a great movie.
Well done to Mallory Wanecque as Jackie and Malik Frikah as Clotaire young who offer a great performance.
Você sabia?
- CuriosidadesThe version of the film screened at the Cannes Film Festival in May 2024 had 166 minutes of runtime. The version released in theaters in October 2024 had 161 minutes. Gilles Lellouche said he kept editing the film up until the weekend before its theatrical release and cut 3 scenes out - the dance sequence at the end of the film and the scenes that showed adult Clotaire being violent and trashing Jackie's house while begging to talk to her.
- Erros de gravaçãoThe actresses who play Jackie have different eye colors.
- ConexõesReferences Amor, Sublime Amor (1961)
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Detalhes
Bilheteria
- Orçamento
- € 35.700.000 (estimativa)
- Faturamento bruto mundial
- US$ 36.258.323
- Tempo de duração2 horas 46 minutos
- Cor
- Mixagem de som
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