Hide and Seek

Joanna Coate's Hide and Seek is an ode to beauty. Grace is everywhere, whether it be in the cinematography, the story, the characters or the actors.

The same way the characters in the film defy society by creating their own little utopia, the film generally defies our expectations regarding modern cinema. Coates has done away with the conventional plot. There is no beginning, no middle, no end to the story. She has done away with the socially-dictated faultless images of the body. Beauty in this movie can be found as much in its perfection as a unique picture, as in its deliberate imperfection.

Constructed around the central themes of nature, boundaries of intimacy, social non-conformism and freedom, Hide and Seek will leave you reflective. In our busy lives, few are the times we allow ourselves to escape reality and question things society has taught us to internalize. Could we be capable of undertaking the protagonists' journey? Would we be willing? What do we owe society that we shouldn't just seek to create our own utopias?

These are some pretty profound questions, yet there is something to be said about the softness of the film. A plot so uncomplicated, a setting so peaceful and stripped of business, the fact that most of the scenes happen in a small perimeter in and around the same house make for a pure, distilled, easy to watch film.

Hide and Seek is a triumph of artistry in that it glistens beauty through simplicity, and perfection through difference.

Oh dear! What a mess!

There's little storyline to the whole thing. Four twenty somethings drop out and do the fourth way kind of gig on a country farm. Think, let's make a little free love commune, without all the hippy paraphernalia. There's little back story to anyone and not much exposition in general. Quite honestly director and co-writer Joanna Coates doesn't appear to have done the hard yards on this project at all.

Lots of repetition of scenes; lying around the farm yard, pretentious little group concerts and plays (burning cardboard coffins?) and nightly musical beds. Some ex-boyfriend drops in for a bit and then leaves in a huff and it all ends up with an orgy, that drags on for a few minutes, where we don't see much, because it's filmed in such extreme close-up.

Way back in 1969 Paul Mazursky directed a (kind of) similar-themed movie called Bob & Carol & Ted & Alice. I never thought it was a particularly good film, though it was a resounding critical and commercial success. It had two big things going for it that Joanna Coates has completely ignored in her making of Hide & Seek. First it had some sort of story happening with its four main characters and second it had a sense of humour and didn't take itself too seriously.

The most interesting thing I can say about Hide and Seek is that Gemma Arterton's (one of my favourites) little sister Hannah, is one of the four "stars", all of whom had very little with which to work. One of them, Daniel Metz can take a certain portion of the blame for that too, as he co-wrote the very thin script with Coates.

Seen at the Edinburgh International Film Festival 2014. 'Hide and Seek' has a simple story: Leah, a young woman unsure of what she wants from life, inherits an isolated cottage in the country. She invites three other youngsters - a woman and two men - to move in with her on the understanding a different combination - female/male, female/female and male/male - will share what they call the 'marital bed' each night. In between bouts in the bed they while away the hours lazing in the garden or staging evening 'entertainments' (art class, a pretend camping trip, mock funeral etc).

And that's it, really; there's not much sign of a conventional storyline here, although the film does have a beginning, middle and end. Director Joanna Coates keeps the pace constant, if slow; and pulls off the difficult trick of making the sex scenes reasonably explicit but also rather discrete (a vigorous five-finger shuffle aside). (Incidentally, don't get the wrong idea - there aren't so many sex scenes, and they're all pretty brief - this isn't soft porn.) The four young leads - none of whom are drop-dead gorgeous, which adds to the realism of the piece, although none of them looks bad naked - cope well enough with their roles, although for me acting honours go to Hannah Arterton as the girl who breaks a romance of five years to join the group; she utilises a range of facial ticks which on another actor might have seemed too much like Acting - Arterton, however, makes them quite natural.

"Hide and Seek" is a tale of 4 young adults, who chose to move to the countryside, live in nature, share everything, be perfectly equal and free.

The two boys and two girls find innocent ways of entertaining each other and making the weeks pass, as if they want to reduce life to an infinite melancholic childhood experience.

This concept of pure escapism also involves the protagonists loving each other equally. The movie does not hold back on displaying sex and sexuality and it requires an open mind to appreciate it.

"Hide and Seek" is certainly no commercial entertainment and the narrative as it is makes it feel more like an art project than a fictional movie, but for a first-length feature the director show her talent and the brave performances of the cast are impressive.

An artsy fartsy attempt at 'film making' and acting. Unfortunately it is mostly 'fartsy imagery and actors at playtime' wrapped around a thread bare story or rather plot as there really isn't a story to be found.

So here's the deal - four beautifully young people, two girls and two boys, escape to the English countryside to live together in an 'open relationship' type arrangement. There are sure to be bruised ego's and they are too young to realize this. But they get a fair warning from one of the girls ex-boyfriend who shows up to hopefully convince her to leave with him because he can see the dead end to this life style. She doesn't leave. Plus it's interesting that a pudgy ugly guy was cast as the realist while the idealist dreamers are quite lovely to see.

By movies end you will be quite bored with these four shenanigans and touchy feely daily life style. They are pretty to see but the viewer is left with an empty plot and no direction. Then it's over. Pretty much a 'so-what big-deal' flick that will keep you marginally entertained.