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IMDbPro

Todas as Coisas São Belas

Título original: Lust och fägring stor
  • 1995
  • Unrated
  • 2 h 10 min
AVALIAÇÃO DA IMDb
6,8/10
8,2 mil
SUA AVALIAÇÃO
POPULARIDADE
3.018
121
Todas as Coisas São Belas (1995)
DramaRomanceWar

O Stig, um aluno de 15 é atraído pela beleza de a Viola, sua professora de 37 anos, e ela, atraída por ele por sua juventude e inocência, sente que é um alívio enviado por Deus de seu marido... Ler tudoO Stig, um aluno de 15 é atraído pela beleza de a Viola, sua professora de 37 anos, e ela, atraída por ele por sua juventude e inocência, sente que é um alívio enviado por Deus de seu marido bêbado e miserável.O Stig, um aluno de 15 é atraído pela beleza de a Viola, sua professora de 37 anos, e ela, atraída por ele por sua juventude e inocência, sente que é um alívio enviado por Deus de seu marido bêbado e miserável.

  • Direção
    • Bo Widerberg
  • Roteirista
    • Bo Widerberg
  • Artistas
    • Johan Widerberg
    • Marika Lagercrantz
    • Tomas von Brömssen
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    8,2 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.018
    121
    • Direção
      • Bo Widerberg
    • Roteirista
      • Bo Widerberg
    • Artistas
      • Johan Widerberg
      • Marika Lagercrantz
      • Tomas von Brömssen
    • 25Avaliações de usuários
    • 17Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 6 vitórias e 7 indicações no total

    Fotos43

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    Ver pôster
    + 37
    Ver pôster

    Elenco principal47

    Editar
    Johan Widerberg
    Johan Widerberg
    • Stig
    Marika Lagercrantz
    Marika Lagercrantz
    • Viola
    Tomas von Brömssen
    Tomas von Brömssen
    • Kjell
    Karin Huldt
    • Lisbet
    Nina Gunke
    Nina Gunke
    • Stig's Mother
    Björn Kjellman
    Björn Kjellman
    • Sigge
    Kenneth Milldoff
    • Stig's Father
    Frida Lindholm
    • Olga
    Sigge Cederlund
    • Cinema Operator
    Gösta Ekstrand
    Per Olov Börjeson
    Monica Stenbeck
    • Gym Teacher
    George Bisset
    Hilda Suovanen
    Jörgen Svensson
    Nynne Schwartz
    Magnus Andersson
    • Klass 3B Malmö Kommunala Mellanskola
    Mikael Bengtsson
    • Klass 3B Malmö Kommunala Mellanskola
    • Direção
      • Bo Widerberg
    • Roteirista
      • Bo Widerberg
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários25

    6,88.1K
    1
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    10

    Avaliações em destaque

    7jugophon

    a surprise

    I caught this film on Canadian television, and I was startled by the risque content being broadcast on a non-pay station. This is a story of a growing adolescent boy in a war-torn Europe. The focus of the movie is in the complex relationships he holds with the people in his life. The controversial nature may deter the more conservative American; however, the characters are well-rounded and acted and the cinematography is superb. I have a feeling this director may be famous in his home country, there is a touch of epic brilliance in the movement of the scenes.
    random-70778

    Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape.

    Rape is rape. The "love scenes" are rape. Imagine if the genders were reversed or both the teacher an the child were male, you would see it clearly as rape. Teachers have authority and power over children and just like in the US -- in Sweden it is legally rape for a teacher in a school to have sex with a minor child who attends that school. There is no age under 18 where a minor may consent with a teacher

    Again if the genders were reversed in this and it were some 35 or 40 year old guy teacher and his 15-year-old girl student would we be saying, as some reviewers here are, that the "love scenes were "tender" and "beautiful." WTF?
    6stefan-144

    Something lacking, something unsaid

    This was to be director Widerberg's last movie. A sweet family farewell, since his son played the lead in it. What his last words may be, as expressed in this movie, though, is hard to say. There is no clear moral in it, for which I am thankful, but a somewhat distressing observation about love: it is a close neighbor to hate, and it will not leave without vengeance.

    The love affair between the school teacher and the teenage student is interesting when it starts to break up, but its beginning is too swiftly dealt with to make any sense, and its joyous, lustful phase is without depth. Only when things go awry, does the story get interesting, and the actors get to excel in their art.

    The title is from a psalm, which is traditionally sung by students when they leave school for the summer break - or for good. It's a hymn to the summer and its luscious splendor - therefore, a lust of another kind, than the carnal one the movie deals with. Some Widerberg irony, no doubt.

    Using his son as the student in the movie, was not that good an idea, although Johan Widerberg has a rare charisma on screen, and his own odd talent in acting. His father seems not to have been able to treat his son with the same merciless exploitation, as he was quite apt to do with other actors. So, the student is left hanging in a kind of vacuum, as if empty of his own intentions and conflicts. Things happen to him, as if he had nothing to do with them.

    In this type of drama, it is important that the characters are stripped naked - well, mainly their souls, but bodies too, if need be. Widerberg manages the latter with his son, briefly, but not at all the former. When wanting to protect his son, he actually abandons him - for no other reason than the inhibitions in his own fatherhood. Johan, on the other hand, seems to be prepared to do any sacrifice necessary, to make the movie work.

    I could be wrong. But the impression remains: the student's story never really gets to be told, because he is not allowed to be present, completely.
    8raymond-15

    More films of this standard are desirable

    How much I regret the passing of director Bo Widerberg who can create a film such as this one with its dramatic portrayal of human problems, human relationships and human emotions. It was not so much the dialogue but more the unspoken words that grabbed my attention and held me to the end. A long silence can be filled with meaning....a stolen look, a fleeting glance, a flicker of a smile, a movement of the eye....all these subtle messages electrify the air between Viola the teacher and Stig the student in the class room. We know at once that in some magical way their lives have been drawn together and as we are caught up in the drama we seem to know that eventually the ending will not be a happy one.

    Under the guise of having special coaching lessons, Stig gains entrance into his married teacher's household after his evening cinema job. Shy at first he soon experiences the delights of a continuing relationship with Viola who is a very competent teacher in all respects. Perhaps we can pardon Viola for her "cradle snatching" when we find out that her husband has taken to drink and seems almost permanently drunk.

    The love scenes are sensitively handled and the remarkable changes which develop in the characters create an imposing piece of cinema. Stig seems to take on a degree of security in a scene where he accuses the husband of the impossible situation. But who is really to blame? That is the intriguing part of the film.

    There are some aspects that are not explained thus the viewer becomes involved. As for the stolen encyclopaedia, why would Stig carry them off. Is he just in a vindictive mood and does it just to annoy Viola or have those volumes become special to him because they belonged to Viola.
    iota74

    I love this movie so much!

    I watched this movie by VCD and was so greatly touched by it that I watched it over and over again. There are much more I could feel than what I can put down for now. I really would like to know more about the story, its background and any information about the excellent actors and actress. What I have downloaded from the Internet was far from enough, even worse, most of them are written in Swedish. This totally denied me from having a better understanding of the movie. Unfortunately, I failed to get a Swedish-English/Chinese dictionary to help me out. (There is only a very brief one in Shanghai Foreign Book Trader with a price as high as 260 RMB).

    With all my knowledge so far, I think this movie is great in depicting how a youngster copes with whatever comes to him. Despite the sadness and confusion that he has gone through, he also gets the strength out of a kind of impotency. I really admire these artists of their talent in showing us the richness of life and in an elegant and natural way. In my eyes, there should be two kinds of arts: one is what "is", and the other is what "should be". As far as I've seen, many movies are relegated to what is not and what should not be. I just want to ask a favor to whomever you are, if you can help me with a Swedish dictionary and more about the movie. Of course, most importantly, your personal opinion about it.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Karin Huldt was 14 during filming.
    • Erros de gravação
      RCA Red Seal records are shown playing on the phonograph nearly every time Stig and Kjell are listening to classical music, and when Stig is listening to a classical recording at his home; none of the pieces on the soundtrack were RCA recordings.
    • Conexões
      Featured in Lust och fägring - En film om Bo Widerbergs sista (2015)
    • Trilhas sonoras
      Rinaldo: Lascia ch'io pianga
      Music by George Frideric Handel (as Händel)

      Performed by Lesley Garrett with The Philharmonia Orchestra

      Conducted by Ivor Bolton

      Silva Screen Records (UK)

    Principais escolhas

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    Perguntas frequentes16

    • How long is All Things Fair?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 8 de março de 2000 (Brasil)
    • Países de origem
      • Dinamarca
      • Suécia
    • Idiomas
      • Sueco
      • Inglês
      • Alemão
    • Também conhecido como
      • La belleza de las cosas
    • Locações de filme
      • Malmö, Escânia, Suécia
    • Empresas de produção
      • Per Holst Filmproduktion
      • Det Danske Filminstitut
      • Nordisk Film & TV-Fond
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • DKK 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 13.128
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 4.530
      • 10 de mar. de 1996
    • Faturamento bruto mundial
      • US$ 13.128
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 10 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby SR
    • Proporção
      • 1.66 : 1

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