Hacker

"This isn't about money. This isn't about politics. I can target anyone, anything, anywhere." After a terror attack hits a Chinese factory it is tracked to a malware attack. When it is found that parts of the code were written by Nick Hathaway (Hemsworth) he is brought in to help find the attacker. With his freedom on the line he must now work with the FBI in order to track down the cyber terrorist before they strike again, and execute a more horrific attack. Michael Mann is a very interesting director. Unlike most directors he assumes the audience can catch up to what is happening and doesn't treat us like we are incapable of figuring out the plot without exposition after exposition. He uses technical language throughout this movie, but as you watch you can figure out what is happening. I really appreciate that. As for the movie itself it is tense and exciting. Michael Mann has done movies like, The Insider, Heat, Collateral, and Miami Vice and this movie has the feel of those. Deliberately paced and tense with enough intrigue to keep you guessing. This is a good movie that I liked, but not something I think I would watch again. Overall, If you a fan of Michael Mann you will enjoy this. I give it a B.

I must say when I watched the trailer for this movie I was skeptical, there are only a few hacker- movies that are enjoyable to watch.

Sometimes I am wrong and the movie turns out to be better then I expected but not in this case. I actually got quite annoyed watching this. The computer action looked authentic by using existing OS-es and interfaces but they still made huge mistakes. IP's with numbers higher than 255 is just plain stupid and accessing a top-secret NSA program with some simple social engineering looked convincing on screen but I doubt the NSA allows simple user/pass access to such tooling. I could go on and on...

I did like the idea of the plot, too bad the execution was so terrible. Probably the only thing I really liked where the two big shootout scenes, you saw a bit of Heat's director Mann there:)

Unsynced audio and weird changes in volume where also very annoying, something you don't expect from a $70mil movie.

I'm giving this a +1 because it tried to be authentic so a 4 bumps up to a 5/10 rating.

I waited a long time watching this movie because of all the bad summaries and ratings, but, here is my opinion. - Blackhat is an entertaining movie with an interesting visual language and I was really surprised how "not that bad" it is. Yeah sure, it doesn't have the dept of a Heat or Aviator, but it is still a solid peace - I Have a feeling that a lot of the people didn't understand Manns intentions in terms of camera, picture language and dramaturgy. The same thing happened with Miami vice! - My advice, watch it and form your own opinion and do not make the same mistake as me not watching it due to the opinion of others.

'BLACKHAT': Three and a Half Stars (Out of Five)

A cyber-thriller directed by Michael Mann and starring Chris Hemsworth; as an expert hacker who's released from prison early, in order to help the US and Chinese governments stop a malicious hacker terrorist group. The film was also co-produced and co-written by Mann, along with Morgan Davis Foehl. It costars Tang Wei, Leehom Wang, Viola Davis, Holt McCallany, Ritchie Coaster, Yorick van Wageningen and John Ortiz. The movie received mostly negative reviews from critics (with a few notable exceptions) and it was a bomb at the box office, but I really enjoyed it!

After a dangerous hacker group attacks a nuclear plant in Hong Kong, and hacks into the Mercantile Trade Exchange in Chicago, the FBI decides to team up with the Chinese government, in order to stop them. Captain Chen Dawai (Wei) is put in charge of finding the culprits, in China. He suggests to the FBI, that they spring his old friend, Nick Hathaway (Hemsworth), from a 15-year prison sentence; in order to help them. It turns out that Hathaway is an expert computer hacker, and he and Dawai actually wrote the computer code, used in the terrorist attacks, many years earlier. It's a deadly race against time to stop the terrorist group, as Hathaway also bonds with Dawai's sister, Chen Lien (Wang); a networking engineer also assisting Dawai and Hathaway in their mission.

The movie is classic Michael Mann; it reminds me of the gritty action thrillers that Mann, and other stylized directors like him, used to make in the 80s and 90s. It's slick, brutally violent and dumb; just like a lot of great 80s and 90s thrillers (from yesteryear). It's hard to follow, and I don't think the film probably makes a lot of sense anyway, but that doesn't matter; because it's still a lot of fun. Mann is still at the top of his game, in stylish directing, and Hemsworth makes a very engaging, leading man action hero. It's definitely an action film that's worth the time to watch; if you like Michael Mann, you shouldn't be disappointed.

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This is one of the few, say past fifteen years, films with science and or high tech as an important plot element, whether sci-fi or just drama, that did its research and got the science/tech mostly right. And, it did so in a way that explained it with some entertaining clarity e.g. the opening, and a couple of other scenes, showing packets of data traveling through computer architecture was about as good as it can be. The rest of the film that dealt with cyber hacking was presented with accuracy and surprising clarity for a mass marketing film. Great location authenticity with filming in L.A. (OK, that's not so great), Indonesia, Malaysia, Hong Kong.

On the other hand the action scenes were basically just movie entertainment and at times a bit overboard. Such as, and a bit far-fetched, that our lead character (Hemsworth) is a world class coder (programmer) and some how had the time to become a world class action killing machine. Talk about being a Renaissance man! More of an international cast would have been interesting. Davis (with Tina Turner wig which made no sense for an agent) was stereotyped into filling the black FBI agent role which seems to be a popular character placement in film in recent years (e.g., recently, "Powers").