Jatuh Cinta Seperti di Film-Film

Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.

I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!

Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.

Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!

A movie within a movie, within a movie! Something to that effect in this little gem about the crazy process of movie making, and how a screenwriter deals with the creative approach by involving his personal life, and those of others with great consequences.

It ultimately ends up as a love story, but without the Indonesian melodrama. Instead just a clever and funny structure, thanks to the talents of Yandy Laurens, who has gone against the grain of Indonesian film styles, by creating characters of great empathy (and the cast did an amazing job) in this honest and heartfelt story that combines the zany struggles in movie making, the process of grieving and most importantly, love.

An excellent Indonesian film in meticulously combining a cheesy melodrama romance movie with a more artistic film. They bring both a popcorn-eating-couch movie and a film shown in award shows, by making the plot quite simple for general audiences to grasp, but also presenting cinematic techniques for critics to enjoy. This combination is prominent in how they add explanations of technical things in the dialogues. Which is also another amazing thing they succeed in, making exposition enjoyable.

Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.

Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!

At first i was like getting some bored because of the slow pace of the movie (i dont really like slow pace movies). But slowly i getting really interested about the characters development in this movie.

Instead of giving the audience some melodrama or ordinary romance movies out there, this movie really gives new expirience of watching rom-com movie.. and not to mention the black and white concept, it was really brilliant.

I really recommend this movie for all ages, because this movie just mixed our emotions and feelings, and also a great great shout out to Yandy Lauren for making this movie.

I can't wait to see your next extraordinary movies.

Such a wonderful film! I am a fan of meta films, and this is a prime example of how it is done. This film perfectly blurs the line between cinema and reality. The protagonist claims that this is a commercial movie, and not an art film. I will remain respectful to his opinion, and add that this is still a work of art.

It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.

The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.

Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.

As Cheline said during that scene, this film is "a cinematic experience".