Sovereign

While it's script could improve regarding it's structure and pacing, it's a slow-burn yet good exploration character study about the individuals who are anti-government "sovereign citizens" filled with a strong emotional and tenseful atmosphere, good direction, and two great performances from Nick Offerman and Jacob Trembaly.

What director Christian Swegal does well is that capturing the essence of what sovereign citizens are like, capturing their selfish and controversial beliefs without feeling forced or messy. The direction on the tone, the writing and what the purposes for the characters and choices were realistic and tense. Including great themes about the poison settings of indoctrination amongst people and how it can cause an affect on society. Alongside with the good camerawork and soundtrack, as mentioned, Offerman and Trembaly provides great performances to their chilling and uneasy characters, allowing them to have some great dialogue moments and tension between the topics of father and son.

Regarding it's faults, the emotional layer on certain elements and some writing moments did feel a bit short. As if there were patterns and decisions that could have been a bit better. But overall, it's strong debut direction and atmosphere showcases the extremist and unfortunate relevance of today's society in the United States.

Christian Swegal's directorial debut is truly encouraging, delivering a highly political thriller based on a true story about "Sovereign Citizens." A raw, intelligent, and highly political thriller that won't be to everyone's taste, but is well worth a chance.

The film solidifies its cast, especially Nick Offerman, who delves into his dramatic side in a highly developed and masterfully performed role. A character study that takes us on a journey through an extremist capable of dominating everything around him. We also find Jacob Tremblay, who reconnects with all the dazzling talent he gave us in The Room, and here he once again sustains a film with his sheer acting and stage talent.

The work also involves supporting actors such as Dennis Quaid, Thomas Mann, and Martha Plimpton, who do not lose the interpretive power of their two protagonists.

It's a raw, slow-burning thriller. In the first half, we empathize and even understand certain aspects of the protagonist's debate, and in the second half, everything explodes, shattering all that empathy with a heartbreaking climax. Its director and screenwriter invite us to reflect on the extremism of the new right in a compelling film that fits precisely with the current global times.

This intense thriller is worth your time. It may not be entirely perfect, but it's daring, thoughtful, and uncomfortable, providing an addictive watch with all its strengths and weaknesses, but establishing one of those films that hopefully won't be forgotten in a rather interesting 2025.

I saw this movie in theaters with a group of friends, all of us born and raised here in the Midwest. Afterwards the mood was pretty somber because everyone in the group recognized scenes from their own family upbringing. The kid sitting in the backseat listening to Dad rant about the government, cops being trained to immediately rely on overwhelming force, all of it building a system that pushes normal people into potentially violent situations over and over again until eventually somebody pulls a trigger. If you grew up in a working last neighborhood, I can guarantee you're gonna recognize some family members in these characters and chances are that you'll sympathize with each of the main characters. It's a great movie, but it's not a fun movie to watch.

A tense, absorbing character study that showcases Nick Offerman at his absolute best. Christian Swegal's debut feature, Sovereign, feels remarkably assured, smart, gripping, and full of striking little details that reward close attention. As an indie film, it makes the most of its modest scale to deliver a atmospheric experience that feels both personal and cinematic. Swegal leans into sharp writing, focused direction, and strong performances to build tension without relying on spectacle, proving that indie filmmaking, when done with this level of care and vision, can be just as impactful as big-budget thrillers. A confident, memorable thriller that lingers long after the credits roll.

I guess many people now can sympathise with the premise of this film: a man fighting big government to keep his house and live as a human. He teaches his homeschooled son only in the ways government ignore individual rights.

I personally sympathise with this..though I'm UK born. I was charged for a free teacher training course that it was impossible to prevent paying for, because the government can take cash directly out of your salary even if you are in dispute. I fought the government for 4 years to legally bring my wife into the country under European freedom of movement. You realise when it comes to politics the government don't care about the law, and they can fight in the courts forever because they have endless tax payers cash. When my wife had depression and became violent, I tried to get help, and being a man authorities(social services) ignored police reports and photos (I'd been stabbed a couple of times) and considered me the problem. Absolutely no due process I'm sure many people are in my position of seeing how the law is empty because the authorities break the law, ignore the law and have made it extremely difficult for the average person to get justice. Indeed now I live off grid in Africa and finally feel some freedom. Indeed I never realised how absolutely crazy and ruthlessly controlling the UK is until I lived in Africa for a while.

So, this film is important. But it isn't exciting. Definitely slow burn. Feel like it's balanced cos this guy is definitely on the fringe and occasionally pushes into unacceptable territory, but it does tie in to something I'm sure many in the west feel today - the need to bow your head to oppressive government that isn't quite following the law.