Confinado

A man, sick and tired of people breaking into his car, traps the next thief and extend his torture for longer than necessary by making his own justice. A man willing and capable to do anything, and a youngster at the wrong place.

I wasn't expecting the sound design to be so crunchy, or for it to be as gore-y as it was. The setup isn't particularly memorable, and most of the dialogue isn't that good. I enjoyed Collateral (2004) much more than this for that simple reason. But it takes its premise and goes places with it.. but not enough to fill in 90 minutes. Sadly, there's a LOT of "empty space" and the pacing suffers a lot because of its content. The acting is good, but not great.

Overall, it's okay.

You understand what it is doing/saying, and you know where it is going to go (more or less). The sad part is that there is no particular reason to watch this.

My only advice for potential criminals who are reading this review is I would advise against breaking into a nice car lol. You will get locked in.

I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.

Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.

Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.

The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.

Anthony Hopkins must be in financial trouble to have taken on this major disappointment and waste of time. Even the free version of Copilot in Bing could've come up with a better plot and far better dialog.

The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.

The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.

The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.

I got back from the theaters a few mins ago

I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.

Long story short - the movie isn't good. You're better off waiting for streaming

The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive

The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind

The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe

4/10.

Locked (2025), the English-language remake of Argentina's 4x4, sets out with a chilling premise-a carjacker trapped inside a high-tech SUV turned psychological prison. Directed by David Yarovesky and starring Bill Skarsgård and Anthony Hopkins, the film delivers on claustrophobia and unease but falls short of leaving a lasting mark.

The plot unfolds as Eddie, a reckless thief, breaks into what he believes is just another luxury car-only to find himself ensnared in a twisted game of justice by a vigilante played briefly, but brilliantly, by Hopkins. While Skarsgård carries the majority of the film, shifting between fear and frustration, it's Hopkins' minimal screen time that lingers most-his voice alone lends gravitas the film sorely needs.

Technically, the film scores well-direction, editing, background score, and cinematography all pull their weight. But narratively, it's a slow-burner that doesn't quite ignite. The tension builds steadily, yet the climax arrives too suddenly and is followed by a rather muted epilogue, dulling the impact of the confrontation and its moral undertone.

In the end, Locked feels like a high-concept thriller that loses steam halfway. It grips, but doesn't quite throttle. A one-time watch, especially for fans of psychological tension, but not one that demands a revisit.

Rating: 3/5 A tense setup with strong performances, but the payoff doesn't quite justify the ride.