Na década de 1960, uma avó prevê o desabamento de um prédio e salva da morte um grupo de pessoas. Décadas depois, sua neta também começa a ter visões da morte de seus familiares.Na década de 1960, uma avó prevê o desabamento de um prédio e salva da morte um grupo de pessoas. Décadas depois, sua neta também começa a ter visões da morte de seus familiares.Na década de 1960, uma avó prevê o desabamento de um prédio e salva da morte um grupo de pessoas. Décadas depois, sua neta também começa a ter visões da morte de seus familiares.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
April Telek
- Aunt Brenda
- (as April Amber Telek)
Avaliações em destaque
Really enjoyed this one! It's super brutal again, but the story was told differently this time with the whole Bloodlines twist, which made it feel fresh and exciting. The plot was good and kept me entertained all the way through, with lots of intense moments, great pacing, and a few cool surprises along the way. I watched it in D-Box with Dolby Atmos - the sound was absolutely amazing, super powerful, and the moving seats made it even more intense and fun. Definitely a unique cinema experience. If you enjoy brutal action, great sound, and a fresh twist, you should totally check it out. Solid 7/10!
Respect how they didn't kill off Tony Todd's character to finish the trilogy,due to his real health issues therefore we must imagine it for closure..
With that said,hope they let Final Destination-Rest In Peace versus milking it.
Outside of the cameo with the legendary TT everything else,was basically been there seen that production.. Nothing felt overly original,not clichéd or perhaps with plotholes.
Not disregarding some of the opening scene positives but was like they used the whole budget on that,as the remaining movie felt lackluster.
Did anyone think the home Iris created felt more like,she was trying to keep out walkers versus death? All those spikes,etc. Logic failure!
Notice movies that claim to be horror try to fit in the all type of categories,to get most viewership regardless these days.. Where it can be on Shudder for example,but also under Disney.
I'm rather shocked with the high ratings,but also feel people(certain generations)don't appreciate quality movies anymore.
Acting to actors chosen was tolerable,cinematography & music was fine.. However you just didn't care about anyone,rooting for them or upset if they died.
Not part of the trilogy will probably rewatch,but was worth viewing once.
Outside of the cameo with the legendary TT everything else,was basically been there seen that production.. Nothing felt overly original,not clichéd or perhaps with plotholes.
Not disregarding some of the opening scene positives but was like they used the whole budget on that,as the remaining movie felt lackluster.
Did anyone think the home Iris created felt more like,she was trying to keep out walkers versus death? All those spikes,etc. Logic failure!
Notice movies that claim to be horror try to fit in the all type of categories,to get most viewership regardless these days.. Where it can be on Shudder for example,but also under Disney.
I'm rather shocked with the high ratings,but also feel people(certain generations)don't appreciate quality movies anymore.
Acting to actors chosen was tolerable,cinematography & music was fine.. However you just didn't care about anyone,rooting for them or upset if they died.
Not part of the trilogy will probably rewatch,but was worth viewing once.
Not bad at all. It makes the most logically-connected sense out of all the FD series. But... Realism? Way less now. Personally, it's still between "mid" to the "quite good" level. The FD series have always stood out in the category of horror. This movie still has some questionable scenes that leaves me with slight curiosity on how some of the occurences could be avoided, but it didn't disappoint me. The casting is wonderful and so is the acting. Plus, this one's highly supernatural and not as gory as the others in terms of screen time. A lot relies on the sound/music, and angles. I watched it in Premiere so I got the benefit of the sound system's work. The special effects and lighting quality made every scene look realistic in portrayal. What impressed me is that this is one of those moderate-comeback horror thrillers that's categorized as supernatural but isn't involving a visible entity or character. These kinds of movies stand out to me. And I'm overall impressed by the tense moments FD is able to exhibit. Also, this is my first review on IMDb!
This sixth franchise installment keeps the same core concept as the previous films but takes a fresh approach to the story. This time, the accidents aren't shown through the typical dynamics of the characters, but focus on tragedies from the past of the main character's grandmother. The film doesn't just involve friends and loved ones, but also family, making the narrative much darker and more morbid.
The deaths are far more creative, and while the accidents themselves aren't typical for a horror movie, they're events you could imagine happening in everyday life. Still, these occurrences are something we haven't seen in the series before, making the film all the more unpredictable.
It's been 14 years since the last installment, and I'm glad the creators decided to bring Final Destination back. I think they nailed the essence of the story, and the film is just as good as the previous ones, if not better than some. The effects are incredible, the CGI is top-notch, and we've been lacking a high-quality horror film like this, especially in the last few years.
I have to mention that the film disgusted and shocked me more than the previous ones, which means they nailed the effects. This film not only satisfies fans of the franchise but also brings something new and revitalizes the series.
The deaths are far more creative, and while the accidents themselves aren't typical for a horror movie, they're events you could imagine happening in everyday life. Still, these occurrences are something we haven't seen in the series before, making the film all the more unpredictable.
It's been 14 years since the last installment, and I'm glad the creators decided to bring Final Destination back. I think they nailed the essence of the story, and the film is just as good as the previous ones, if not better than some. The effects are incredible, the CGI is top-notch, and we've been lacking a high-quality horror film like this, especially in the last few years.
I have to mention that the film disgusted and shocked me more than the previous ones, which means they nailed the effects. This film not only satisfies fans of the franchise but also brings something new and revitalizes the series.
Final Destination: Bloodlines isn't going to pull a rabbit out of its undead hat, reinvent the horror wheel, or stake its claim as a genre-defining masterstroke-but that's not the point.
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
Você sabia?
- CuriosidadesTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- Erros de gravaçãoDuring the "MRI" scene the magnetic force is so strong that it begins to affect objects outside of the room such as TV's, monitors and lanyards. However, inside of the actual MRI room, none of the monitors or other metal objects are affected outside of what has to "interact" with the characters.
- Citações
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Cenas durante ou pós-créditosTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme music.
- ConexõesFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- Trilhas sonorasBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Destino Final: Lazos De Sangre
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 138.130.814
- Fim de semana de estreia nos EUA e Canadá
- US$ 51.600.106
- 18 de mai. de 2025
- Faturamento bruto mundial
- US$ 285.330.814
- Tempo de duração
- 1 h 50 min(110 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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