Aavesham
- 2024
- 2 h 35 min
Três adolescentes chegam a Bangalore para fazer o curso de engenharia e se envolvem em uma briga com os mais velhos. Eles encontram um gângster local chamado Ranga para ajudá-los a se vingar... Ler tudoTrês adolescentes chegam a Bangalore para fazer o curso de engenharia e se envolvem em uma briga com os mais velhos. Eles encontram um gângster local chamado Ranga para ajudá-los a se vingar.Três adolescentes chegam a Bangalore para fazer o curso de engenharia e se envolvem em uma briga com os mais velhos. Eles encontram um gângster local chamado Ranga para ajudá-los a se vingar.
- Prêmios
- 1 indicação no total
Gaurav Mahaur
- Birju
- (apenas creditado)
Avaliações em destaque
This is what you call a theatre experience. I don't think this film would have anywhere close to the impact it had in the theatre
Fahadh Faasil absolutely killed it, his screen presence is just too damn good. Its honestly a crime that he hasnt acted as a mass hero more often, such a blast everytime he was on screen.
As for the film more generally, the plot is almost non-existent but who cares. The music is genuinely brilliant, adding so much energy to the movie. The fight scenes are vibrant.
Something better would've to maybe flesh out the characters of Fahadh's sidekicks (e.g. Amban) a bit more, but considering the film is all about Fahadh we only really need his character to be nuanced and developed, which it truly is.
I can see Ranga becoming a cult character in the Malayalam film industry for sure, what a character, what a performance.
Fahadh Faasil absolutely killed it, his screen presence is just too damn good. Its honestly a crime that he hasnt acted as a mass hero more often, such a blast everytime he was on screen.
As for the film more generally, the plot is almost non-existent but who cares. The music is genuinely brilliant, adding so much energy to the movie. The fight scenes are vibrant.
Something better would've to maybe flesh out the characters of Fahadh's sidekicks (e.g. Amban) a bit more, but considering the film is all about Fahadh we only really need his character to be nuanced and developed, which it truly is.
I can see Ranga becoming a cult character in the Malayalam film industry for sure, what a character, what a performance.
As they were promised they did re introduce Fahad.
No one has ever seen FaFa like this. No one in the whole movie couldn't match with his energy and vibrant performance.
It was definitely an all and out Fahad movie.
Next thing should be mentioned is sushin shyam . He is now a brand, audience are gonna wait for sushin's music. People surely choose his movies not without taking another opinion.
Jithu madhavan is now on the list of most promising Malayalam Directors. His works gonna blow up in the future.
He can perfectly balance each emotion on its correct meter. No scenes were too emotional or cringey everything were perfectly balanced.
No one has ever seen FaFa like this. No one in the whole movie couldn't match with his energy and vibrant performance.
It was definitely an all and out Fahad movie.
Next thing should be mentioned is sushin shyam . He is now a brand, audience are gonna wait for sushin's music. People surely choose his movies not without taking another opinion.
Jithu madhavan is now on the list of most promising Malayalam Directors. His works gonna blow up in the future.
He can perfectly balance each emotion on its correct meter. No scenes were too emotional or cringey everything were perfectly balanced.
Aavesham is a Malayalam action-comedy that effectively leverages the star power of Fahadh Faasil. The film, directed by Jithu Madhavan, presents a simple plotline of three engineering students who seek the help of a local gangster to avenge their bullying.
The Good :-
Fahadh Faasil's Performance: The undisputed highlight of the film is Fahadh's energetic and unhinged portrayal of the gangster. He effortlessly switches between comedy and action, making his character both hilarious and intimidating.
Mass Appeal: The film is packed with commercial elements like catchy songs, stylish action sequences, and ample humor, catering to the mass audience.
First Half: The first half is a laugh riot, with the comedic timing of the characters and Fahadh's over-the-top antics keeping the audience entertained.
The Not-So-Good :-
Thin Plot: The plot is fairly straightforward and predictable, lacking depth and originality.
Second Half: While the first half is engaging, the second half loses some momentum and could have been tighter.
Character Development: The supporting characters, especially the three college students, could have been developed better to add more depth to the story.
Overall, Aavesham is a quintessential mass entertainer that delivers on its promise of providing mindless fun. While the plot might be simplistic, Fahadh Faasil's charismatic performance and the film's energetic pace make it a worthwhile watch for those looking for a commercial dose of entertainment.
The Good :-
Fahadh Faasil's Performance: The undisputed highlight of the film is Fahadh's energetic and unhinged portrayal of the gangster. He effortlessly switches between comedy and action, making his character both hilarious and intimidating.
Mass Appeal: The film is packed with commercial elements like catchy songs, stylish action sequences, and ample humor, catering to the mass audience.
First Half: The first half is a laugh riot, with the comedic timing of the characters and Fahadh's over-the-top antics keeping the audience entertained.
The Not-So-Good :-
Thin Plot: The plot is fairly straightforward and predictable, lacking depth and originality.
Second Half: While the first half is engaging, the second half loses some momentum and could have been tighter.
Character Development: The supporting characters, especially the three college students, could have been developed better to add more depth to the story.
Overall, Aavesham is a quintessential mass entertainer that delivers on its promise of providing mindless fun. While the plot might be simplistic, Fahadh Faasil's charismatic performance and the film's energetic pace make it a worthwhile watch for those looking for a commercial dose of entertainment.
I don't wish to write a detailed, eloquent review for a film that only tries to present itself as a pure, no-holds-barred entertainer with just the right doses of everything (save for a romance). The character sketch of Ranga, along with an insane range of unpredictable emotions, is safe in the hands of FAFAA. He embodies the adorable, fun-loving thug with a penchant for violence (although he's under oath not to inflict any himself) like no other performer can, at least in Malayalam cinema. We've seen him play solemn, serious protagonists with consummate ease, but Aavesham gifts him the opportunity to fully embrace his zany side. If his foray into Tamil and Telugu cinema eventually led to him signing up for such an unhinged role in Malayalam, then I'm all in for those decisions.
The plot can be summed up in two or three lines, but director Jithu Madhavan is adept at keeping the proceedings tremendously enjoyable. As a result, we get a well-cooked mix of terrific action blocks, plenty of laugh-out-loud moments (major credit to Sajin Gopu), and even a little unexpected emotional depth to the protagonist. Sushin Shyam's songs and score are every bit an essential ingredient, without which, the mass moments would lack the necessary knock-out punch. The three guys who tag along with FaFaa also manage to hold up their end of the bargain, and their exchanges especially in the latter half, left me in splits. There are occasional signs of the screenplay running out of storytelling steam, but the fun factor never takes a dip. Once in a while, Malayalam cinema needs an injection of packaged entertainers like Aavesham where you slip into your most comfortable sitting position, clapping and hooting at the antics of an electrifying FaFaa.
The plot can be summed up in two or three lines, but director Jithu Madhavan is adept at keeping the proceedings tremendously enjoyable. As a result, we get a well-cooked mix of terrific action blocks, plenty of laugh-out-loud moments (major credit to Sajin Gopu), and even a little unexpected emotional depth to the protagonist. Sushin Shyam's songs and score are every bit an essential ingredient, without which, the mass moments would lack the necessary knock-out punch. The three guys who tag along with FaFaa also manage to hold up their end of the bargain, and their exchanges especially in the latter half, left me in splits. There are occasional signs of the screenplay running out of storytelling steam, but the fun factor never takes a dip. Once in a while, Malayalam cinema needs an injection of packaged entertainers like Aavesham where you slip into your most comfortable sitting position, clapping and hooting at the antics of an electrifying FaFaa.
10tstpqbs
This movie is on par with romancham, jithu madhavan is proving to be one of the best directors out there. There's mass, there's comedy, FaFa show through out!!! Amazing movie and a good treat for vishu! Sushin shyam as he mentioned, scene maatti crazy bgm crazy fight scenes. All the characters have performed really well in the movie, being from bangalore i could totally relate to the college life here, one of the best visualisations of a bangalore rowdy this movie is perfect for families and college goers alike. Cinematography was good as well. There was a small lag until fafa enters, but after that its just EDA MWONEEEE.
Você sabia?
- CuriosidadesIn the movie, the car Ranga used is mentioned in director Jithu Madhavan's debut movie Romancham (2023) along with its number plate.
- ConexõesFeatures Dabzee: Illuminati (2024)
- Trilhas sonorasGalatta
Written by Vinayak Sasikumar
Performed by Paal Dabba, Sushin Shyam
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Aavesham?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 3.694.257
- Tempo de duração2 horas 35 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente