The Agency

For anyone who loves games of cat and mouse involved in the spy world then The Agency is for you. It's not the best spy series that I've seen but it's definitely worth watching. Michael Fassbender is perfect for roles like this, as is Jeffery Wright. The two of them are incredibly underrated actors. Add in Richard Gere, Katherine Waterston and Saura Lightfoot-Leon and you have one of the most talented casts on tv. The show might start off slow for some but stay with it because it does pick up. It just takes its time as it builds its world and its characters but if you don't have the patience for slow burn, well told shows then this isn't for you. The Agency does a great job of showing the cost and the sacrifices it takes to be in this line of work. I hope we get several seasons of this.

In 'The Agency' three stories compete for your attention.

In one (and the primary story by far) a CIA operative is attempting to rescue another spy who is captured behind Russian Lines near the Ukraine border.

In another, that same operative is attempting to save the life of his lover; a Sudanese Economist.

In the third, we follow the efforts of a young woman, new to the CIA, attempting to move up the ladder and land a prestige spy-assignment in Iran.

What is interesting is that these three stories are not tied together, either in terms of plot or character overlapping. With one exception: the spy 'handler' / 'mother hen' played by a wionderful Katherine Waterston who is linked to each of the three plot-lines. Fiercely protective, fiercely effective, likely in love with our CIA Operative, she is the strong force behind the ten episodes.

For a TV Series, this series' overall production is excellent. Set for the most part in London, U. K. we see that city as both grand and dangerous; its boulevards and architecture perfect backgrounds for the malice and double-dealing behind its walls.

The series is a bit overly complex; particularly the attempt to save the American spy; there are too many Russian Generals involved, too many Russian names that look and sound too much alike to be easy distinguished. This, added to by the story's slow movement / advancement may leave the viewer frustrated. The young woman advancing up the CIA ladder is a story tight, easy to follow, and suspenseful; more interesting is that we're never really certain of her motives. Saving the Sudanese woman is the love interest every good story needs, and in this case, gets.

Michael Fassbender is believable as the worn out CIA Operative. Jeffrey Wright has just the right amount of righteous indignation as Fassbender's immediate superior. Richard Gere as Wright's boss; kind of wasted in a role anyone might have played. I will never forget Jodie Turner Smith as the regal and vulnerable Sudanese woman. Nor Saura Lightfoot-Leon. As the ladder-climbing young agent; terrific.

Here's a series with difficulties, pARticularly in its earlier episodes. And I would never fault anyone for giving up on it. But for those who stick around, I've got the feeling you'll find it worthwhile.

This is a strange one, an spy action series without action.

I mean there is some action but that one is just complementary, the main part is psychology, building drama and staff.

It is a smart show but because things are moving with a slow pace you have time to think about it and process the plot, making the cracks more obvious.

I loved this approach of not filling me with dumb action that force you to shut down your brain to watch it, it was like a fresh breeze of air comparing to other action shows.

But stills sometime it feels odd and temporary spoils the pleasure of watching it.

Overall, not perfect but solid, didn't regret watching it.

A well-made series where Richard Gere and Michael Fassbender are wasted on it and play at 40-55 percent of their abilities and instead of the latter, though playing nicely and convincingly good, I would have liked to see Richard Armitage in his place and rank. The Russian and Ukrainian situations and visuals are mostly good as well as are the scenes with Sami Zahir and Danny.

A little suspension of disbelief here and there and you got yourself ten convincing episodes of high value targets drama.

Please bear in mind that it's mostly done right without stellar realism that are impossible to reach at a fictional level without making fuss, creating conflicts and deteriorating the storylines' plots.

• Screenplay/storyline/plots: 7.5
• Production value/impact: 7
• Development: 8
• Realism: 7
• Entertainment: 8
• Acting: 8
• Filming/photography/cinematography: 8.5
• VFX: 8.5
• Music/score/sound: 7
• Depth: 7
• Logic: 6.5
• Flow: 7.5
• Political/Drama/thriller/psychology/sp i: 7
• Ending: 7.

Don't believe the reviews that claim this is masterpiece nor those that claim this is bad. This is thoroughly engaging drama that meanders into the psychological stresses of being an agent more often than not. If you are looking for shoot 'em ups, you're on the wrong train. There is action mind you but that is second to storyline which is as it should be. This is more along the lines of Tinker Taylor rather than James Bond. If that is your cup of tea you will enjoy it.

As others have said the cast is quite good with nary a weak link. There are some traditional tropes throughout relating to the spy game and its role in international intrigue but you can't have it all.