First Shift

One of those movies that probably won't have anything that really sticks with you long term but there isn't really anything egregiously bad here. Some fun scenes, and a couple interesting scenes of action. Some dialogue is quite awkward and some parts of the movie feel like the characters had no reason to do what they ended up doing but I wasn't expecting anything groundbreaking from this. Uwe Boll has made many a bad movie in his time but this is definitely on the better end of his catalogue. I think that the overly negative reviews may be in part to his notorious reputation since over the years he has attracted a vast array of trolls.

Uwe Bolle the writer, director and producer of this filmed watched too many bad New York City cop films, before he wrote this one. This film is full of cliches and cliched characters. I'm always leery of films where the writer, producer and director are the same person, I'm more leery when they're also the star.

The first incident that they attend, a guy with a clever has been cutting himself but he stops bleeding and the only blood is on the clever. Where is the continuity, the guy should have blood dripping from him.

The dialog is inane. Angela has diarrhea of the mouth, I'd want to get away from her too. The acting is low budget. I gave up, there are much better films I'd rather watch.

It's a trifecta... poorly written, poorly acted and poorly directed. A possible career ender for all involved. From its nonsensical plot to the painfully wooden performances, this movie is a masterclass in cinematic mediocrity, leaving viewers with a profound sense of wasted time and a yearning for something, anything, to engage with on screen.

The narrative, if you can call it that, is a jumbled mess of poorly connected subplots that seem to have been thrown together haphazardly. Characters are introduced with no apparent purpose, their motivations unclear, and their arcs abruptly truncated without any satisfying resolution. The story attempts to tackle themes of love, loss, and redemption, but falls flat at every turn, leaving the audience bewildered and questioning if they missed some crucial piece of the puzzle that never actually existed.

Didn't expect to like it, but the movie has heart. It kept moving.

I understand the previous review's claim it was too slow, but it is a style.

Reminds me of the crime genre from yesteryear, sans the detective bent.

Would be great spun off into annual 3 or 6 episode BBC type miniseries.

Actors had good chemistry and situational dialogue was believable.

No spoilers, but I have a good iidea where the sequel is headed.

Enjoyable characters, felt like a pilot and went by fast.

With clever writing, the premise could go in many directions.

Wish I could tune back in next week.

Cross between Starsky and Hutch and Law And Order.

The trailer looked promising though when I saw Boll as the director I had some mighty reservations but all for naught. This was a very entertaining cop movie and certainly not deserving the low score it has here. And while there a few weirdly shot scenes the movie despite as others have said being somewhat disjointed is actually well directed. The strength of the entertainment is admittedly because of the two engaging lead actors ( I've seen him in guest parts on shows and a couple of movies; her never ) and their endless entertaining banter had my wife and I laughing quite a bit. If you're a dog lover there's a small subplot that you'll definitely enjoy. The only thing missing was a good cop shootout but like most cops work lives, that doesn't happen very often. If this were a show we'd definitely be watching but suffice that they have a possible part 2 in the works or already made. Be sure to hear the fantastic music at the beginning of the end credits.