Adicionar um enredo no seu idiomaTHE 12TH VICTIM Sheds new light on the infamous 1958 Charles Starkweather and Caril Ann Fugate murder case, in which the teenage couple was charged and convicted of brutally killing 11 victi... Ler tudoTHE 12TH VICTIM Sheds new light on the infamous 1958 Charles Starkweather and Caril Ann Fugate murder case, in which the teenage couple was charged and convicted of brutally killing 11 victims at random.THE 12TH VICTIM Sheds new light on the infamous 1958 Charles Starkweather and Caril Ann Fugate murder case, in which the teenage couple was charged and convicted of brutally killing 11 victims at random.
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This is probably the best documentary you will find on the Starkweather killings. Starkweather comes across, rightfully, as a unhinged evil monster yet, somehow, and we will never know why, acted out all this horror in some form of love bond with Fugate. And that is what has spawned so many movies, mostly bad, based on the duo.
The filmmakers have a ax to grind though. They want us to believe in Fugate's total innocence. They defeat this purpose in numerous ways. The film clips and pictures of Fugate during the time of her surrender and Starkweather's capture show a young girl with nothing but a cold, emotionless, blank face. There is zero indication that any of the absolute horrors had any effect on her in any way. In fact, she is wearing the expensive coat of the wealthy Lincoln wife that was brutally slain and bragging about how nice it is.
Fugate changes her personality the longer she is behind bars and the brutal realization that she may be there for life sinks in. The authorities saw this at the time.
The documentary does allow for some comments from non-believers in her innocence who feel she was in her element the whole time only giving up "when the jig was up" and that no one but Starkweather and Fugate really know what happened because they left no witnesses. A fair point.
Ultimately, the authorities in Nebraska in 2020 had the final word when they denied her pardon.
The filmmakers have a ax to grind though. They want us to believe in Fugate's total innocence. They defeat this purpose in numerous ways. The film clips and pictures of Fugate during the time of her surrender and Starkweather's capture show a young girl with nothing but a cold, emotionless, blank face. There is zero indication that any of the absolute horrors had any effect on her in any way. In fact, she is wearing the expensive coat of the wealthy Lincoln wife that was brutally slain and bragging about how nice it is.
Fugate changes her personality the longer she is behind bars and the brutal realization that she may be there for life sinks in. The authorities saw this at the time.
The documentary does allow for some comments from non-believers in her innocence who feel she was in her element the whole time only giving up "when the jig was up" and that no one but Starkweather and Fugate really know what happened because they left no witnesses. A fair point.
Ultimately, the authorities in Nebraska in 2020 had the final word when they denied her pardon.
Again I believe its noteworthy to point out that I can not remark upon the actual subject matter (other than it definitely being worthwhile of being told, in terms of human interest), but merely the mechanics and technical aspects of the film ITSELF - {which is wierd because this is only true in cases of documentary films}
Here is my biggest issue, and it's a big one - shortly into episode one, we hear 'the words' of Starkweather read to us as if its the man's voice and inflection and cadance and emphasis, HOWEVER it's not the voice of Starkweather at all, nay, it's a voice actor and that's not fair - that's not kosher - that's BAD BUSINESS - especially considering they never do tell the viewer that it's an audible recreation
Similarly, much of it is filmed in what I like to call 'Confuse-a-Vison', where they smash cut quickly between and thru still photos and images that are circa 1950s but have zero connection to the actual case - mere filler shown under the guise that the viewer might see this and feel that the film maker has all of this never before seen footage - however once again this is NOT the case
Now I'm not saying this is unacceptable, however at no time are we told about these recreations but rather left to either be cowed into believing that we're watching and listening to authentic relics of the case when simply we are not
That all being said, for me, it's a massive detractor.
Here is my biggest issue, and it's a big one - shortly into episode one, we hear 'the words' of Starkweather read to us as if its the man's voice and inflection and cadance and emphasis, HOWEVER it's not the voice of Starkweather at all, nay, it's a voice actor and that's not fair - that's not kosher - that's BAD BUSINESS - especially considering they never do tell the viewer that it's an audible recreation
Similarly, much of it is filmed in what I like to call 'Confuse-a-Vison', where they smash cut quickly between and thru still photos and images that are circa 1950s but have zero connection to the actual case - mere filler shown under the guise that the viewer might see this and feel that the film maker has all of this never before seen footage - however once again this is NOT the case
Now I'm not saying this is unacceptable, however at no time are we told about these recreations but rather left to either be cowed into believing that we're watching and listening to authentic relics of the case when simply we are not
That all being said, for me, it's a massive detractor.
As far as the filmmaking style went it could have been better and more focused. But the actual story is good and it's about time that Carol got fair treatment! The system convicted her before she even went down trial. She has passed numerous lie detector tests and passed all of them and never once in all the years since 1958 has she ever changed her story. Most investigators will tell you that people are lying will change their story a lot. Furthermore, I knew Carol when I worked at the same hospital with her in Lansing and she was a sweet and loving person and everyone absolutely loved her. I have seen her cry many times over what happened to her and cried for the people who lost their lives, including her own family. I hope that she will get the part in that she deserves. I love you Caril and I was very proud to call you my friend.
Some interesting footage from the events inter-spliced with questionable use of hypnosis, lip reading, current feminism and the usual amount of spinning events toward the outcome desired by the title.
Fair enough. As expected. It's not advertised as even handed.
The Starkweather rampage is a seminal story in Lincoln and Lancaster County Nebraska. No one who has lived there as have I for long stretches, has not known or heard eyewitness accounts of the terror that prevailed. Lincoln at the time was more like a small town with a city population. To say everyone knew everyone is only slight exaggeration.
Many citizens had personal ties to officers closely involved with Fugate during and after her return from Wyoming. Near all, if not all, believed her demeanor was belligerent and showed little remorse.
So, as intimated we'll never know. But let us recognize that key questions remain unanswered.
Fair enough. As expected. It's not advertised as even handed.
The Starkweather rampage is a seminal story in Lincoln and Lancaster County Nebraska. No one who has lived there as have I for long stretches, has not known or heard eyewitness accounts of the terror that prevailed. Lincoln at the time was more like a small town with a city population. To say everyone knew everyone is only slight exaggeration.
Many citizens had personal ties to officers closely involved with Fugate during and after her return from Wyoming. Near all, if not all, believed her demeanor was belligerent and showed little remorse.
So, as intimated we'll never know. But let us recognize that key questions remain unanswered.
The fable of young outlaw lovers lives on -
at least in Lincoln, Nebraska.
As the story is passed on, each new generation has to put its imprint on the chronicle.
From pulp fiction to celluloid and VHS, the folktale develops from murks of desperate, illicit underage sex filled rampage to the essence of digital #metoo era.
The law is as it is interpreted. Charles was lucky enough not to be made a political exhibit of and fried fairly promptly, while luckless Caril was discerned too young and innocent to get the chair and too wicked to let go free, interpretations varying from a fire breathing termagant to a scared little orphan Annie.
Somehow, I can't make connection between Charles and James Dean, he has more like the air of James Cagney in 1937 "Angels with Dirty Faces".
Oh yeah, the Establishment has got its pound of flesh, alright.
As the story is passed on, each new generation has to put its imprint on the chronicle.
From pulp fiction to celluloid and VHS, the folktale develops from murks of desperate, illicit underage sex filled rampage to the essence of digital #metoo era.
The law is as it is interpreted. Charles was lucky enough not to be made a political exhibit of and fried fairly promptly, while luckless Caril was discerned too young and innocent to get the chair and too wicked to let go free, interpretations varying from a fire breathing termagant to a scared little orphan Annie.
Somehow, I can't make connection between Charles and James Dean, he has more like the air of James Cagney in 1937 "Angels with Dirty Faces".
Oh yeah, the Establishment has got its pound of flesh, alright.
Você sabia?
- CuriosidadesSpringsteen's chilling 1982 title song "Nebraska" is based on the true story of Starkweather and Fugate.
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