O explorador Malcolm Murray, Ethan Chandler, Victor Frankenstein e Vanessa Ives se juntam para lutar contras as ameaças sobrenaturais na época victoriana em Londres.O explorador Malcolm Murray, Ethan Chandler, Victor Frankenstein e Vanessa Ives se juntam para lutar contras as ameaças sobrenaturais na época victoriana em Londres.O explorador Malcolm Murray, Ethan Chandler, Victor Frankenstein e Vanessa Ives se juntam para lutar contras as ameaças sobrenaturais na época victoriana em Londres.
- Indicado para 13 Primetime Emmys
- 17 vitórias e 93 indicações no total
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If heaven and hell are real I pray I'm forgiven for my fascination with such dark shows. Just by looking at the poster you know this is going to be something unholy. You got Frankenstein, demons, the Christian devil himself, God, vampires like Dracula and Dorian gray, werewolves, witches, and not the pretty kind, all put in a fiendish Victorian setting with a remarkable script and great cast lineup to go with it, how could you not love this show. It's heartbreaking that it only had 3 seasons but after Vanessa Ives character arc was completed it's hard imagining the show going forward despite the assemblage of characters they could have made center of the show. It just wouldn't be the same without her.
This is definitely one of my favorite shows ever, first show I ever binge watched too. I remember wanting to watch this after seeing how genius the poster is but didn't think a horror tv show could be interesting. I got S1 late afternoon on a Friday; that was when I learnt that horrors could be intellectual, not just jump scares and gory murders. By Sunday morning I was finished with the whole series, left me feeling void inside because I knew I wasn't going to find another series like it again. If you're a fan of the genre, here's a gem for you.
This is definitely one of my favorite shows ever, first show I ever binge watched too. I remember wanting to watch this after seeing how genius the poster is but didn't think a horror tv show could be interesting. I got S1 late afternoon on a Friday; that was when I learnt that horrors could be intellectual, not just jump scares and gory murders. By Sunday morning I was finished with the whole series, left me feeling void inside because I knew I wasn't going to find another series like it again. If you're a fan of the genre, here's a gem for you.
The pilot episode was a typical getting-to-know-you episode where it introduces most of the characters and some intriguing aspects. At first, I was like, "Oh gods above not another vampire show" - boy, was I wrong. By the end of the second episode, I was totally hooked by Eva Green's performance alone. Just stunning work by her in the séance scene. Totally blew me away.
Don't judge a show by it's pilot. Otherwise there would be none at all.
This show is definitely not your average telling of famous stories (vampires, Dorian Gray) as it takes the most gruesome aspects of those tales and incorporates them in whatever manner suits the storyline; Penny Dreadful does not shy away from the taboo, something that has been plaguing certain stories such as Frankenstein and Dorian Gray. This show loves the grotesque and downright sinister nature of storytelling and can depend on its actors to do the job right.
I am highly intrigued by what's to come. It's gritty, filthy, and utterly captivating. I can't see love triangles or any soap opera clichés on the horizon and that makes me optimistic.
Don't judge a show by it's pilot. Otherwise there would be none at all.
This show is definitely not your average telling of famous stories (vampires, Dorian Gray) as it takes the most gruesome aspects of those tales and incorporates them in whatever manner suits the storyline; Penny Dreadful does not shy away from the taboo, something that has been plaguing certain stories such as Frankenstein and Dorian Gray. This show loves the grotesque and downright sinister nature of storytelling and can depend on its actors to do the job right.
I am highly intrigued by what's to come. It's gritty, filthy, and utterly captivating. I can't see love triangles or any soap opera clichés on the horizon and that makes me optimistic.
Penny Dreadful is one of the better Supernatural/Horror TV series I've ever seen. While I have to admit that I'm not the biggest supernatural fan this hooked me from the start and kept me coming back for more until the next thing I knew I binged the entire series! Eva Green & Josh Hartnett are the stars here as they lead a pretty stellar cast! I'm glad I finally gave it a chance as should you.
All hail to Eva Green! What an actress! If for nothing else you should see it for her. And I must say for all the other actors - bravo.
The first season is amazing. I must say that I'm not overly fond of watching horror movies but this was something different. Let's say that not all episodes are horror.
The combination of characters, the writing, the dark atmosphere, everything was brilliant. It is an interesting journey through characters such as Frankenstein, Dorian Grey etc. But I must go back to the acting and once again say it's a masterpiece. I really recommend this one.
The first episode of Penny Dreadful does a number of things right, making me hopeful for the future of this series.
1. The atmosphere is perfect: dense, Gothic, surreal and unsettling. The camera work is fluid and imaginative, and the grimy London settings are really well designed, almost expressionist at times. I was particularly impressed by the scenes in the gentlemen's club, shot from a high angle, and laid out in a curious Victorian grid-pattern.
2. The characters range from predictable but very welcome, to genuinely unique. Timothy Dalton is the former: a generic British adventurer, about equally suggestive of Alan Quatermain, as seen in Alan Moore's League of Extraordinary Gentlemen, and Sir Richard Francis Burton, real-life explorer extraordinaire. But the pink-haired Egyptologist is a character I've never quite seen before. His dialog is colorful, erudite and truly off-beat.
3. The dialog, now that we're on the subject, is literate and dense. This alone would make the show worth watching. There's a Victorian flamboyance about it, but also some real intellectual content. When's the last time you heard the word "outré" spoken by a character in a TV series?
4. The pace, the steady evolution of the plot, are a refreshing change. Too many shows are forced to rush ahead because they're not really about anything. Moment-to-moment activity is all they've got. Penny Dreadful feels like it's building up something more than that. (Time will tell.)
5. Finally, a very welcome omission: the shortage of jump-scares. There's really just one, and it's placed in such a way that it's almost a spoof of itself. Several other situations, which most shows would have exploited for a cheap shock, are handled with admirable subtlety. There is some gore, but no more than needed to establish a seriously scary tone, a sense of danger.
Penny Dreadful isn't exactly going where no entertainment has gone before. It's clearly 'inspired by' two previous efforts. Most obviously, the League of Extraordinary Gentlemen, a comic that came off rather poorly on the big screen. But also the very under-rated film Van Helsing, which brilliantly re-imagined the classic horror movies of the 1930s, but failed to find an audience perhaps because of its highly energetic style.
Penny Dreadful seems to have learned from both of these sources. Where League of Extraordinary Gentlemen was lightweight and loose with logic, Penny Dreadful is atmospheric and well-plotted. Where Van Helsing was kinetic and flamboyant, Penny Dreadful is quietly creepy.
All in all, it's off to a great start. Let's hope the producers can continue 'in the same vein.'
UPDATE: Closing in on the end of the 2nd season, my admiration for this series continues to grow. The atmosphere of Victorian menace is denser than ever. The characters more flamboyant, the dialog more poetic. I'm not sure where the story is going, or, indeed, if it needs to be headed for any specific destination, when every moment of it is so enjoyable. Rating enthusiastically unchanged: a solid 9 out of 10.
1. The atmosphere is perfect: dense, Gothic, surreal and unsettling. The camera work is fluid and imaginative, and the grimy London settings are really well designed, almost expressionist at times. I was particularly impressed by the scenes in the gentlemen's club, shot from a high angle, and laid out in a curious Victorian grid-pattern.
2. The characters range from predictable but very welcome, to genuinely unique. Timothy Dalton is the former: a generic British adventurer, about equally suggestive of Alan Quatermain, as seen in Alan Moore's League of Extraordinary Gentlemen, and Sir Richard Francis Burton, real-life explorer extraordinaire. But the pink-haired Egyptologist is a character I've never quite seen before. His dialog is colorful, erudite and truly off-beat.
3. The dialog, now that we're on the subject, is literate and dense. This alone would make the show worth watching. There's a Victorian flamboyance about it, but also some real intellectual content. When's the last time you heard the word "outré" spoken by a character in a TV series?
4. The pace, the steady evolution of the plot, are a refreshing change. Too many shows are forced to rush ahead because they're not really about anything. Moment-to-moment activity is all they've got. Penny Dreadful feels like it's building up something more than that. (Time will tell.)
5. Finally, a very welcome omission: the shortage of jump-scares. There's really just one, and it's placed in such a way that it's almost a spoof of itself. Several other situations, which most shows would have exploited for a cheap shock, are handled with admirable subtlety. There is some gore, but no more than needed to establish a seriously scary tone, a sense of danger.
Penny Dreadful isn't exactly going where no entertainment has gone before. It's clearly 'inspired by' two previous efforts. Most obviously, the League of Extraordinary Gentlemen, a comic that came off rather poorly on the big screen. But also the very under-rated film Van Helsing, which brilliantly re-imagined the classic horror movies of the 1930s, but failed to find an audience perhaps because of its highly energetic style.
Penny Dreadful seems to have learned from both of these sources. Where League of Extraordinary Gentlemen was lightweight and loose with logic, Penny Dreadful is atmospheric and well-plotted. Where Van Helsing was kinetic and flamboyant, Penny Dreadful is quietly creepy.
All in all, it's off to a great start. Let's hope the producers can continue 'in the same vein.'
UPDATE: Closing in on the end of the 2nd season, my admiration for this series continues to grow. The atmosphere of Victorian menace is denser than ever. The characters more flamboyant, the dialog more poetic. I'm not sure where the story is going, or, indeed, if it needs to be headed for any specific destination, when every moment of it is so enjoyable. Rating enthusiastically unchanged: a solid 9 out of 10.
Você sabia?
- CuriosidadesThe language used in season two (Verbis Diabolo) is a fictional amalgam of Aramaic, Ancient Greek, Latin, and an obscure Arabic dialect called (in phonetic English) "Kan Allah Musali-Algins."The language, Verbis Diabolo was created specifically for the show by the curator of the London Historical Societies Emeritus Professor of ancient languages.
- Citações
John Clare: True evil is, above all things, seductive. When the Devil knocks at your door... he doesn't have cloven hooves. He is beautiful, and offers you your heart's desire in whispered airs. Like a siren, beckoning you to ruinous shores
- Cenas durante ou pós-créditosSeason 3 episode "The Blessed Dark" had a different opening title sequence and used a somber theme song to match the mood of the finale.
- ConexõesFeatured in The Wright Stuff: Episode #19.104 (2014)
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- Бульварні жахіття
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- Tempo de duração
- 1 h(60 min)
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- Proporção
- 1.78 : 1
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