The Survivalist

Some unknown disaster has struck the planet causing a severe food shortage, it's every man for himself. The title character is held up all on his own in the woods, subsiding on the meagre scraps he can grow and repels anyone who encroaches on his land.

Then a woman and her, rather plain looking, daughter show up asking to trade. The Survivalist, devoid of all human contact apart from the marauders he kills, cannot resist the pull of some female companionship.

This film has a very small stage, concentrating entirely on the three central characters. Dialogue is minimal but effective, the Survivalist is especially grumpy and non-communicative.

There is a lot of nudity, expect dong shots and people washing their bits in the river and some very grubby sex scenes.

The scope of the story is small but the stakes for the characters are high. It has a poke around at desperation and necessity. Would you pimp your daughter out for a bowl of soup? I suppose it depends how hungry you are.

Well made, well acted, small budget but clever lighting makes it look gritty rather than cheap.

A very good, low octane watch.

The Survivalist is BAFTA nominated film about a man who is trying to survive in a post apocalyptic world where food is scarce and where people will kill to take it from you . He comes across a mother and daughter and isn't sure he can trust their intentions. This is Grim to say the least. Not grim in a bad way because the story dictates it should be that way but it is hard watch at times. It's graphic as well. Sexually and violently and the characters on display don't say match. Possibly because they are continuously suspicious of each other or maybe because of what they have witnessed in the past , words are as scarce as the food they crave. Good performances from Martin McCann ( we never get to know his name) and Mia Goth add up to an interesting film that might not be to everyone's taste.

This film is a prime example of how well researched material can take the smallest of budgets, minimal dialogue and a complete lack of soundtrack and turn this into a masterpiece.

The viewer is given no background story and none of the characters are fleshed out. There is next to no information on anyone in the film apart from the main character, and even with him, there is very little information given. But that is the point. The strength of the film lies not in the story but the idea of what one does to survive when life goes back to basics. The viewer's attention is drawn to the intensity of the situation, the survival skills that are actual knowledge one needs to survive in the wild. The cold and barren undertone of the film should have been the reason for its failure. Instead, it serves to emphasise the stark and bleak situation that all the characters are faced with. The script does not pull any punches and a strong stomach is needed for some scenes. And if you get the gist of the film so far, then you will already know whether there is a happy ending or not...

I overall liked the movie. It didn't try to take on a large topic. It wasn't fun or nice or had a happy ending, just a well told story. Many movies are trying to be more than they are, and this wasn't one of them. It was very well acted and has great visuals. Often times, movie will go for 1-3 minutes without any dialogue, which I found to be an effective way to tell the story.

Main 3 characters didn't have any allusions of hope; they were just there trying to survive day-to-day. I am a fan of the Dystopian genre; however, often times, it ends up being unrealistic or trying to a franchise maker. This didn't try any of it, and just succeeded to be a strong movie.

As a species, us humans have a curious fondness for grim and gloomy art. From skull tattoos to death metal bands, there is an unrelenting fascination with the macabre and morbid, and films are no exception. It's surprisingly difficult to recall a genuinely gloomy film which didn't get inexorable approval. From the true life horrors of Hotel Rwanda and The Elephant Man through to the fictional bleakness of The Road, Nil by Mouth and Tyrannosaur, there is something peculiarly fascinating about watching unrelenting despair and observing the malevolence of humanity on the big screen.

Intentionally set in an undefined year of the near future in an indeterminate part of the world, the human population has grown exponentially to the point of saturation; food is at a premium and from the movies sporadic intimations, society has regressed back to packs of hunter/gatherers. The survivalist (as we never learn his true name) has managed to create a small farmstead in the middle of a dense wood just large enough to keep himself self-sufficient. When mother and daughter couple Kathryn (Fouere) and Milja (Goth) appear at his door asking for food and shelter, the survivalist's controlled unaccompanied existence is threatened as his morals become confused; to keep himself safe or to assist his visitor's needs.

A sound method to keep costs low when producing a movie is to isolate the action to a restricted area, keep the number of actors limited and construct a simple and focused story line. The risk with this technique is that the movie becomes more of a theatrical production where each moment becomes intensified and less freedom is given to procrastination. It is unsurprising therefore that the lead character is given to an actor with an education in walking the boards. The film devotes a significant amount of time to building McCann's character, devoid of dialogue and with extensive intense close ups.

Due to the utter desperation of The Survivalist's plot, it requires total commitment to its audience and at times starts to meander yet manages to pull itself back every time just before the bleakness becomes tiresome.

There are enough plot and character surprises to keep the movie interesting, the acting is excellent and the limited scope of environment constantly feels claustrophobic but never artistically restrictive. The Survivalist demonstrates the way, once the whiteboard of social acceptability has been wiped clean, intimacy and sex become acceptable tradeable commodities.

The Survivalist is grim, depressing and about the least life- affirming film you're likely to see this year. Yet it is tense, wonderfully acted and a fascinating illustration of the instinctive brutality of humanity's will to survive.