Os Últimos na Terra

New Zealand must be a beautiful country. I've never seen a movie filmed there that was not.

It's a not so ironic setting for a movie about the end of the world, as the film focuses on the emotions of three survivors of the apocalypse instead of the apocalypse itself. A good Christian woman left behind by her family who went to help others. A man of science looking to move forward and rebuilt, and the all-American heart throb who rains on the parade.

Chiwetel Ejiofor gave a compelling performance. it was so real, I think the majority of us would understand what he's going through. I was shocked by how outstanding Chris Pine was in this movie, just perfect. Margot Robbie was amazing as well, just a solid piece of acting by all.

It made for the perfect emotional love triangle. Even though only three people appear in this movie, it said so much about us as a society. I love sci-fi and I want to count this as one of the great Sci-fi stories ever told from beginning to end, and the outcome leads an interesting taste in my mouth.

It was a fantastic 97mins at the movies.

This is probably the quietest and most understated post-apocalyptic movies you'll ever see, but deep down, it is truly fascinating. With great performances, impressive directing and an intriguing plot, this film is massively engrossing and surprisingly simple to understand from start to finish.

First things first, however, this isn't a sci-fi in any way. The setting is in the post-apocalypse world, however that bears pretty much no relevance to the development of the plot as a whole, it's just a background to put these three characters together in a more desperate and dramatic situation.

Instead, this is more of an indie romantic drama, so be warned, sci- fi fans, there's nothing here for you if you're just looking for something exciting and action-packed.

What this actually is is a fascinating study of humans in their most basic state: survival and animalistic desires, relating itself almost to Adam and Eve and biblical theory.

Therefore, the most captivating part of this film is the relationships that develop between the three main characters, as each of the men gets closer to Margot Robbie's character, tensions begin to rise and a clash becomes inevitable, however watching these people act in such a basic way, driven by their pure desire for procreation, is hugely fascinating throughout, and at times even thrilling.

What really helps that to be so is the performances. Margot Robbie, in the female lead, is okay. It's not a stunning performance in any way, but her character isn't really the most interesting, as apart from her devout Christianity, she's only really there to set the spark off between the two men.

As a result, it's Chiwetel Ejiofor and Chris Pine that are most impressive. Pine plays a slightly smaller role, but successfully asserts his position within the trio and causes huge complications that turn Chiwetel Ejiofor's character into the most interesting. Ejiofor's performance perfectly conveys his character's natural frustration and desperation in this situation, and that makes him absolutely brilliant to watch.

Finally, something's got to be said about the directing here. Instead of fitting in in a long line of post-apocalyptic movies, this film, thanks to director Craig Zobel, doesn't feel cold and as if there is some intense impending danger, but the lush nature of the landscape that the film is shot against and the clear serenity of the environment makes this a much warmer and calmer film that makes it all the more pleasant and engaging to watch.

Z for Zachariah is the least conventional end-of-the-world film I've ever seen, and for the most part, I cannot figure out what to make of it. For the entire first half, it can't really figure out what it wants to do. There's no real story as Anne (Robbie) and John (Ejiofor), two separate survivors of a nuclear holocaust, meet and Anne nurses John back to health. Until Ejiofor is back on his feet, the film is relatively aimless as the director cuts between various shots of the valley and Robbie completing various chores. Even in the wider scheme of things, not much happens here - the film's plot is not much beyond building a water wheel while the characters interact around it.

As they talk, we gather how much they are worlds apart - John is an older, black man of science who relishes in typical vices and Anne is a young, pure, white Christian girl whose never touched drink and likely never looked at a man. John wants Anne, but is conscious of their differences, so when the script sweeps them together, John gently pushes back and says that they can take their time. After all, there's no competition.

But then there is. The mysterious and exceedingly polite Caleb appears in the valley out of nowhere, and he's everything John is not - he's a young white Christian boy who couldn't be more Anne's type if he tried. Here is where the film gets gripping. Director Craig Zerbel builds tension with a beautiful score, but this film is completely about the acting. Robbie dials back her supermodel good looks as best she can to play a plain-spoken country girl whose naivety is central to these two older men. Pine is unreadable and somewhat alluring, and his chemistry with Robbie is so off the charts that in one particular scene, I expected them to just start making out - despite John's presence in their midst.

Ejiofor is the only reason I watched this movie, and he's the best part. This doesn't scratch his performance in 12 Years A Slave, but he had me sold from his first screams of joy. His delirium and drunkeness are incredibly believable. He can convey so much emotion without even trying - jealousy as Anne and Caleb share smouldering glances, embaressment as his jokes of repopulation go over the naive Anne's head, rage and hurt as he gives a half-hearted blessing to what he feels is inevitable, and naked honesty as he speaks about an earth- shattering revelation. Tiny mannerisms in his performance make his third wheel status not only believable but completely uncomfortable, and as a result, makes John the most empathetic character.

The script is nothing special, but there is one reveal from John to Anne that actually made me drop what I was holding. Kudos all around. There's some beautiful mindgames between John and Caleb, with Caleb clearly outpacing John, who is clearly unaware of how to play this game. You just know that Caleb was wooing the local girls at school while John was in the library studying. When Caleb notes that something isn't in John's character, I completely agreed - because the characters created are so deep that I understood them intimately.

However, that goodwill cannot erase the aimlessness that permeates the first half of the film, and what did exist was lost to me when the film ends. The final ten minutes were completely out of context and gave almost no closure on any issue. The rivalry between John and Caleb is left hanging, with one outcome implied but then the opposite suggested as the truth. It felt like the screenwriter was told "pens down" and then hastily crammed together a few words while the teachers were collecting the papers. Considering the direction Z for Zachariah was going, to end so badly was the final blow in a film that had far tested my patience already. 95 minutes? Doesn't feel like it.

Science fiction movies have always aroused interest of directors and screenwriters and whetted the imagination of people. Z for Zachariah, based on the homonymous book by Robert C. O'Brien and directed by Craig Zobel, is a typical post-apocalyptic movie (to quote a recent film in that style we have the great The Survivalist - 2015) which focuses on drama and interpersonal relationships. Ann Burden (Margot Robbie, known for The Wolf of Wall Street - 2013) is a young woman who survived a nuclear disaster, which devastated almost the entire planet, in one of the only places not affected by the radiation: her family's farm. She lived alone with her dog Faro until the appearance of the scientist John Loomis (Chiwetel Ejiofor, known for 12 Years a Slave - 2013), which had managed to resist the tragedy thanks to its special costume. An affinity and a bond are established between them, but the arrival of another survivor, the mysterious Caleb (Chris Pine, known for the films Star Trek - 2009 and Star Trek Into Darkness - 2013), threatens the relationship between John and Ann and shatters the harmony of the place.

The pace of the film is slow, focused on drama and the internal conflicts of the three characters. Instead of external threats and great action scenes or destruction, the plot deals with the complexities of the human mind, such as game of interests, distrust, fear of being alone and people's different reactions when subjected to extreme situations. Thus, the success of this type of narrative depends on tension and suspense created by the script coupled to casting and director's skills.

The performances, by the way, left absolutely nothing to be desired. Chiwetel Ejiofor hands on all duality of his character, John, which is intelligent and skeptical, but at the same time, possessive and keeps some secrets. Margot Robbie embodies the role of Ann, a humble girl, religious, sweet and naive, which is vulnerable by the inexperience of life and the fear of loneliness. Chris Pine completes the cast of confused personalities with the mysterious and manipulative Caleb, who brings with him a dark past.

The photograph, taken with long shots to explore the beautiful nature of the region, and the good soundtrack are positive features in the movie. But small failures in script and direction eventually delivered a smaller film than it could be. The dialogues and the atmosphere of tension and conflict between the characters should be better developed, especially in the third act. There is a visible continuity error in the movie: Ann's dog simply vanish after Caleb's arrival, with no explanation at all. The end, built ambitiously to enable viewer's reflection and imagination, leave some loose ends which causes the feeling that a few scenes lacked depth. After all, Z for Zachariah creates tension and drama in some moments, besides having great performances.

Originally posted in: https://vikingbyheart.blogspot.com.br

"Z For Zachariah" (2015 release; 95 min.) brings the story of a couple of survivors of an unidentified contamination or radiation. As the movie opens, we see someone with a protective mask going through an empty town to pick up various things, including books from the library. When later the person takes off the mask, we see it is a young woman, named Ann. Ann and her dog live on their own, tending to the land and surviving as best they can. Then Ann runs into another survivor, a man named John. When John inadvertently takes a swim in a contaminated lake, he becomes very ill. Ann takes him home and nurtures him back to health. At this point we are 15 minutes into the movie, but to tell you much more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: first, the movie's end titles say that the is "Based on the book by Robert O'Brien", but it would have been better to have said "very loosely based on/inspired by Robert O'Brian's book", as the plot for this film version differs dramatically and almost unrecognizably from the 1974 book. Since it is featured openly in the movie's trailer, besides Ann and John (the two characters in the book), the movie introduces a third character, Caleb. Second, while the setting of the movie is post-apocalyptic, the movie really doesn't feel all that much sci-fi. It's just three characters playing out their lives in an unspecified location somewhere in the US. In fact, the movie feels just as much being a Nicolas Sparks-like romantic drama than it is a sci-fi movie. Other elements featured in the movie include religion, and race. Third, the acting performances are strong. Up-and-coming Aussie actress Margo Robbie (also in The Wolf of Wall Street) does great work. She is definitely going places, that much is clear. Chiwetel Ejiofor and Chris Pine play John and Caleb, respectively. Fourth, the movie was mostly shot on location in New Zealand, with some additional shooting in West Virginia. Gorgeous sceneries most of the time. Last but certainly not least, there is a very nice orchestral score, composed by Heather "The Instruments" McIntosh.

I had been looking forward to seeing this movie, and it finally opened this weekend at my local art-house theater here in Cincinnati. The matinée screening where I saw this at was attended okay but not great. If you are in the mood for a romantic drama with a slight sci-fi twist, you'll definitely want to check this out. On the other hand, if you read and loved the book, you will absolutely want to avoid this.