Eric Love de 19 anos está na prisão. Em seu primeiro dia, ele agrediu outro preso e vários guardas. Foi-lhe oferecida terapia de grupo e seu pai, que também é um detento, está tentando falar... Ler tudoEric Love de 19 anos está na prisão. Em seu primeiro dia, ele agrediu outro preso e vários guardas. Foi-lhe oferecida terapia de grupo e seu pai, que também é um detento, está tentando falar com ele. Poderá ser reabilitado?Eric Love de 19 anos está na prisão. Em seu primeiro dia, ele agrediu outro preso e vários guardas. Foi-lhe oferecida terapia de grupo e seu pai, que também é um detento, está tentando falar com ele. Poderá ser reabilitado?
- Prêmios
- 17 vitórias e 22 indicações no total
- Nurse Bankford
- (as Aisha Walters)
Avaliações em destaque
Eric Love (Jack O'Connoll) is a couple of years younger than necessary to be transferred from a young offender's institution to an adult prison, but due to his explosively violent nature, a rare exception has been made. He seems under control, until he is disturbed while sleeping by another inmate and ferociously over-reacts. After trying and failing to talk his way out of the situation, his inflamed, anti-authoritarian streak bursts to life and he proves tricky for Governor Hayes (Sam Spruell) and his staff to deal with. From here, he encounters two people who may be the key to turning him round: dedicated social worker Oliver (Rupert Friend) and Neville (Ben Mendolsohn) the equally violent head of the wing...who also happens to be his dad.
While the harsh reality of prison life is rarely glossed over in any sort of filmed medium, save for maybe Ronnie Barker's hit sitcom Porridge, since the late '70's nothing quite like Alan Clarke's Scum has come close to matching the gritty brutality and hopelessness of prison life, leaving it a genre just begging to be dragged in to the 21st century with a fresh injection of raw adrenaline. The opening half of David Mackenzie's film seems to rely on atmosphere rather than exposition, with a dialogue light opening half as the lead protagonist is lead to his cell, and made to go through the various rituals and indignities on his way there until the door is locked shut. When O'Connoll first speaks (in a cockney accent!) it's with the prison lingo that will make no sense to those who don't know it, and from there on in he frequently opens his mouth with savage ferocity and intense profanity.
Starred Up is hailed as O'Connoll's 'break through' film, and there's no doubt he's running the show here, firmly commanding his presence as the explosive thug with raging personal issues blaring inside him, in a role that he's got form with and suits well. It's the closest thing he may well have in making him a household name, or at least getting a cult following among some. There are strong supporting turns also from Friend as the impassioned social worker and Mendolsohn as the closest thing to an authority figure O'Connoll will be made to respect. It's a film driven more by the nature of his respective relationships with these two men, and as such it feels more about these human dynamics rather than the story, which by the end has lost it's coherence a bit and loses your attention, despite the ensuing events still holding your attention for other reasons.
Still, sometimes, a film needs to come along that hits you like a punch in the dark, and Starred Up fits the bill perfectly, a brutal, unflinching expose of a world most of us probably don't want to imagine, a little flawed, but mostly solid. ****
The title "Starred Up", for people not native in English like me, describes the early transfer of a criminal from a young offender institution to an adult prison. The story is written by Jonathan Asser and is based on his experiences working as voluntary therapist at the largest adult prison in the UK in South West London in England. The plot follows the teenager Eric Love and is cruel and realistic, and may be consider a sociological study. The direction and performances are impressive, giving the sensation of a documentary and with no corny redemption. My vote is seven.
Title (Brazil): "Encarcerados" ("Imprisoned")
The film features Jack O'Connell ('71) in a star-making performance as a disturbed young man who has just been transferred (aka starred up) to men's prison from juvenile. To complicate things further, his own father is an inmate, and the two have a volatile relationship. I've seen the Australian actor Ben Mendelsohn before in a few Hollywood flicks and didn't think much of him, but he's a perfect fit for the part here.
A lot of the usual prison clichés are played out here, but they happen in a matter-of-fact and dare I say it grimly realistic way. The violence is brutal but not overdone, and it does serve a purpose rather than being gratuitous. And the realism is top-notch, reminding me of the BRONSON film at times. Despite all this writer Jonathan Asser manages to tell a believable storyline with an identifiable beginning, middle, and end. It's a good little film, although not for all tastes given the subject matter.
Você sabia?
- CuriosidadesBased on screenwriter Jonathan Asser's experiences working as a voluntary therapist at HM Prison Wandsworth.
- Erros de gravaçãoWhen Neville jumps the food queue behind Eric, he joins in front of a prisoner with long blonde hair. When the camera switches to a front view the prisoner has changed to a shaven headed male.
- Citações
Eric: I'm just saying. Said this therapy goes well and it changes my life and I rehabilitate. And then you lay it on for the next geezer and it works for him, and the next. And everything's sweet yeah? Crime rates starts to come down, police got less people to nick, courts got less people to convict.
Eric: Pretty soon you're out of a job.
Eric: [Prison Guard moans and twitches in discomfort] Do you mind?
- ConexõesFeatured in Projector: Starred Up (2014)
Principais escolhas
- How long is Starred Up?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Starred Up
- Locações de filme
- Belfast, County Antrim, Northern Ireland, RU(HM Prison Crumlin Road)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 54.915
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.358
- 31 de ago. de 2014
- Faturamento bruto mundial
- US$ 3.025.189
- Tempo de duração1 hora 46 minutos
- Cor
- Proporção
- 2.35 : 1