Um garoto de dezessete anos navega por sua sobrevivência entre uma família criminosa explosiva e o detetive que acredita que pode salvá-lo.Um garoto de dezessete anos navega por sua sobrevivência entre uma família criminosa explosiva e o detetive que acredita que pode salvá-lo.Um garoto de dezessete anos navega por sua sobrevivência entre uma família criminosa explosiva e o detetive que acredita que pode salvá-lo.
- Indicado a 1 Oscar
- 39 vitórias e 60 indicações no total
- Hood #1
- (as Michael Vice)
Avaliações em destaque
Unlike so much high-energy Hollywood dreck, Animal Kingdom relies on a good script, a gripping story, good acting, solid characterisation and great directing. There is no gratuitous flashiness to cover up bald patches. This particular film's style is minimalist, the camera hand-held (as far as I can see) throughout. But that doesn't lead to tricksy artiness.
It allows the actors to act - it's what they do best after all - with none of them falling back onto the schtick they are always hired for - Bruce Willis being Bruce Willis, Tom Cruise being Tom Cruise, you get the picture. All I can say is if you get the chance to catch this, catch it. Oh, and keep making them, Australia.
The film centers on Josh (James Frecheville)--a very quiet and introverted young man who comes from an incredibly sick and twisted family. The film begins with his mother overdosing from drugs and he moves in with his grandmother and his uncles--and this new home is MUCH more destructive and sick! The uncles all sell drugs and are very violent men--and eventually the police home in on these sick folks and then things get REALLY crazy. I could say a lot more, but I don't want to ruin the suspense.
While I like films that fight against convention and formula, I had a problem with this film that you perhaps might not. I wanted all this sickness and dysfunction to somehow work out for the good and for there to be SOME sense of meaning. Instead, the ending just reinforced the complete lack of meaning and left me very cold. Well made but VERY depressing and unsatisfying--it's hard to like a movie where you really don't like anyone.
The matriarch is played chillingly by Jacki Weaver. She is mother or grandmother to the guys (except for one outsider) in the band of crooks. While she messes with your mind through the story, it's not until the final 15 minutes when she really kicks it up a notch and becomes flat out frightening in her power.
There are only a couple of actors that most people would recognize. Joel Edgerton plays the outsider in the group, and the one trying to go straight by playing the stock market with his "earnings". The other is Guy Pearce, who plays the detective trying to both solve the cases and rescue young Josh, played by newcomer James Frecheville.
Not only is this the type of story that sucks you in, it is a reminder of just how distracting movie stars can be a to film. The lack of stars allows us to really be absorbed into this family, or better, this world of crime, deceit, corruption and paranoia. There is not a single superstar who appears - one who can capitalize on his film history of characters and immediately generate recognition. Here, the viewer must get to know an entire family for who and what they are. This is powerful stuff for a film lover.
The winner for best psychopath is Ben Mendelsohn as Pope. His dead eyes will scare you. His demeanor will scare you. His actions will disgust you. There are two lines in the film that help us make sense of what occurs. Early on, the narrator tells us that "all crooks come undone" at some point. Later, the detective (Pearce) tells us that in the Animal Kingdom, you are either weak or strong. The lines seems pretty clear.
The focus of the film is on Josh (Frecheville) who gets plopped into this family of criminals after his mom dies of an overdose and he calls his grandmother (Weaver). Josh spends the rest of the film trying to blend in while staying clean. Of course, even his stoic mask doesn't save him from the path of destruction created by Pope.
In the end, the film is about survival, adaptation and defining what really defines strong and weak, good and bad. If you enjoy powerful crime thrillers, this one is worth checking out ... and be appreciative for the lack of Hollywood star power. That's part of why it works!
Você sabia?
- CuriosidadesPrior to filming, Ben Mendelsohn and Luke Ford made a conscious decision not to speak to each other as actors to help with their portrayal of two antagonistic brothers.
- Erros de gravaçãoJoshua J Cody is seen wearing a elastic hand prosthetic starting at around 00:01:19 - 00:02:19 the next scene shows his hand as normal.
- Citações
Detective Randall Roache: Look I know you got a problem Janine, but I don't see how this mess your boys are in has got anything to do with me. So if you've called me in here to see if there are some strings I can pull in your way of course. Is that what this is about?
Janine Cody: Hey Randall, before you go on, this boy who's currently being looked after, tell me if you agree with this, this boy who's being looked after, he knows who you are. And you know how these things go they're gonna ask him all sorts of questions about everything he's ever seen or done. Everyone he's ever met, the whole schmozzle. And you've done some bad things sweetie, haven't you? I want this part to be clear this is not about you doing me a favor or me blackmailing you or anything like that. It's just a bad situation for everyone. Ezra here's got the address, it shouldn't be too hard to set up a raid on the house. There'd be reasonable grounds, what with all the strange activity, the comings and goings, day and night, one of the neighbors might've seen a gun or something. This is your area of expertise, I'm not trying to tell you how to suck eggs. What do you think?
Detective Randall Roache: I really don't see how anything can be done, Janine.
Janine Cody: Randall, I feel sick about this. I'm not happy at all, not one little bit. But we do what we have to do, we do what we must. Just because we don't wanna do something doesn't mean it can't be done.
- ConexõesFeatured in At the Movies: Summer Special 2010/11 (2010)
- Trilhas sonorasAll Out of Love
Written by Graham Russell & Clive Davis
Performed by Air Supply
(c) All Rights Reserved on behalf of Nottsongs
Administered by Warner Chappell Music Australia Pty Ltd
By kind permission of Warner CHappell Music Australia Pty Ltd
Courtesy of Big Time Phonograph Recording Co Pty Ltd
Under license from EMI Music Australia Pty Ltd
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- AU$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.044.039
- Fim de semana de estreia nos EUA e Canadá
- US$ 61.968
- 15 de ago. de 2010
- Faturamento bruto mundial
- US$ 7.216.359
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1