Pânico na Torre

THE TOWER is nothing more than a modern-day remake of the Irwin Allen disaster classic THE TOWERING INFERNO, updating the storyline with modern technology and modern effects but dealing with exactly the same type of logistical intrigue and scared survivors drama. It's slightly melodramatic, as is the case with a lot of Asian cinema, but it's also highly efficient with it. It may not be up there with the best of the genre, but it's better than the comparable likes of AFTERSHOCK and THE SINKING OF JAPAN.

The narrative takes on a familiar construction with the first half hour building the characters before letting rip with a major accident, then working its way through a series of alternative disaster scenarios. Survivors are fried, dropped, blown up and put into various perilous situations, and it's all handled with more than a modicum of efficiency by director Kim Ji-hoon. It's also well paced and technically efficient, with decent CGI adding to the peril and some well-placed comic relief offsetting the more dramatic moments.

Is THE TOWER original? Not a jot. Is it as good as the original? Not by a long shot. Is it entertaining? Oh yes. It may be no classic, but as modern disaster cinema goes this is one of the better ones you'll find out there.

I found it really good, always love watching foreign movies, and it made me cry so much at the end!!

As far as disaster movies go, 'The Tower' hardly reinvents the wheel, but even though it sticks to formula, audiences looking for B-movie thrills will love the adrenaline rush it gives you from start to finish. Clearly inspired by the 1974 Hollywood classic 'The Towering Inferno', it uses the same premise of a luxurious skyscraper that catches fire one fateful day to devise a continuous series of high-octane action sequences that will keep you on the edge of your seat.

True to its genre, the first half-hour is spent introducing the bevy of characters whose fates will intertwine. Chief among them is the building's security and maintenance operations manager Dae-ho (Kim Sang- gyeong), a single father to a precocious young girl, Hana, whom he promises to that it will snow on Christmas Eve. That is also the reason why Hana eventually finds herself at the ill-fated Tower Sky residential complex, made up of two adjacent towers connected by a sky bridge at the 70th floor.

Dae-ho is infatuated with kitchen manager Yoon-hee (Son Ye-jin), who offers to look after Hana while he goes about ensuring that the preparations for the management's lavish Christmas Eve party go according to plan. The occasion turns out to be the reason of the calamity, as the management's egotistical President Cho (Cha In-pyo) arranges a fleet of helicopters to rain snow down from near the top of the building – despite being earlier advised of possible strong vertical drafts - just so he can impress the residents.

After seeing his wish of a 'White Christmas' come true, an even more wowing spectacle awaits when a sudden gust causes one of the helicopters to lose control and crash into one of the twin towers. Immediately, the upper floors become engulfed in flames, leading to the activation of the men stationed at the Yeoudio Fire Station – including the veteran captain Young-kee (Sul Kyung-gu) who forsakes his promise to his wife to spend the night with her in order to join his comrades in the firefight.

Young-kee turns out to be a key player in the rescue of those trapped, as Kim Sang-don's workmanlike screenplay sets him up as the proverbial selfless hero whose bravery is ultimately milked for high-pitched theatrics. The rest of the characters are similarly delineated in terms of tropes – whether Dae-ho as the nerve-wracked father constantly worrying about the safety of his daughter, or President Cho as the devious businessman cum de facto villain of the film. The most inspired bit of Sang-don's writing is in the addition of a group of devout Christians gathered to celebrate Christmas for comic relief, whose prayers for help are inadvertently always answered.

It is to director Kim Ji-hoon's credit that the film never has a dull moment despite the formulaic script. Right from the start, he confidently demonstrates his ability to navigate seamlessly between the various points-of-view of the various characters, and that adroitness proves useful in maintaining a tense and taut atmosphere throughout the movie. He also keeps the movie well-paced and easy to follow, with the first half focused on extinguishing the fire from within its source and the second on evacuating as many people as possible before the weakened tower collapses under its own weight.

Within that two-act narrative, Ji-hoon engineers some truly gripping sequences. The helicopter crash is the first of the money-shots, and by deftly combining actual images with CGI, it amply demonstrates that the Koreans have caught up with Hollywood in terms of visual effects. Besides the spectacle, two particular scenes stand out – the first where a ragtag group of survivors make a perilous crossing from one tower to another using the sky bridge, whose steel and glass structure is at risk of collapsing; and the second where who's left of the same group pack themselves into an elevator and attempt to free-fall it down around 60 floors to escape the crumbling tower.

Next to the top-drawer special effects, the cast and their acting unfortunately play second fiddle. Nonetheless, they play their roles with conviction, in particular Sang-gyeong and Kyung-gu – though the most memorable actor here is not one of the leading cast, but rather Kim In-hwon, who plays a jocular firefighter hailed as a saviour by the group of Christians after turning up at a particularly opportune moment.

Still, the main attraction is the visuals, which under Ji-hoon's confident hand (who was also behind 'Sector 7'), prove to be very impressive for an Asian film. Any criticism that the pleasures to be had here are no more than B-movie thrills is moot – after all, that's exactly what 'The Tower' intends to deliver. Indeed, if you're looking for a gripping two-hour adrenaline high, then this big-budget action disaster film is just that shot in the arm for sheer exhilaration.

Is this a copy of Tower Inferno, most definitely.

Is worse?. Actually no, it is better.

The Tower Inferno was one of my favorites disaster movies and not because of the movie itself but for the topic at hand. I always had an eerie feeling of big tower buildings as much as planes. Human made things in such an impressive scale can fail and knowing technology all to well, this is a disaster scenery i'm usually more scared of.

The Tower inferno was fun but tedious, The Tower is fun and exciting.

IT is actually quite a shock, because the movie was incredible well directed, the first act was all too happy and did a good job in presenting the characters, the incident take its time to happen and this is a very good thing because it built suspense.

But...

By the time it happens, this movie is a thrill ride, it will not stop and it will keep you guessing what else is gonna fail, the scenery was breathtaking, the effects are incredible good, this is a big production and Koreans now show they can manage to do big movies like Hollywood, and as much fun as them.

What I most like about this one is the emphasis on the fireman, I always found that profession to be the most honorable of all and this is very well displayed through the movie, they are respected, honored and put into a incredible good light through the movie.

In contrast to American movies, the hero is not saving the day to be a hero, he does not wave flags like Americans, they just do their jobs, it is amazing how good this was captured on screen.

The main leads all do their job very well and although there are some sentimental parts like in the majority of Korean movies, they are handled all too well and they just work.

This movie is amazing, it has all the ingredients of the disaster movies, the director really did a superb job and I am sure you will have lots of fun with it.

It is a copy of The Tower Inferno?, well, yes ! for the most part... SO WHAT?

Americans do tons of re-re-remakes over and over again and nobody complains, it's not fair to do this to the Koreans, they managed to do a better Tower Inferno, by a long margin.

Keep up the good work! Now I am incredible excited about the next production coming out of Korean Soil !

Love it!

I went in to this expecting a fun and cheesy disaster flick, and I got that. I just wish it had been done a little better. The first 30 minutes is all character development, which I didn't mind that much. My only issue would be the cheesy comedic relief characters, which continue to attempt to be funny in a film containing lots of drama and disaster, which I felt is not good for a film like this. I appreciate black comedy, but this just felt like it was trying to make us laugh for the sake of laughing, and it didn't mix well with the rest of the serious events in the film. There was some melodrama for sure, as there is with a lot of Korean movies, but it felt like it had it's place in this movie. I must mention the CGI, because generally with Asian films I think the CGI is lacking, but this one actually did quite a good job. I think the film could have been shortened, because I found myself losing interest at some points even though there was action occurring, and that is due to the length. I think if these little flaws were fixed, it could have been a really fun and enjoyable flick, but I just felt that the flaws weighed it down and made me enjoy it less than I would like to have.