No Rastro da Bala

There's nothing essentially new in this piece. Despite that it is still a worthy movie, and will please fans of mob dramas. It's extremely well cast, better, I think, than the recent Gotti. So it comes across as genuine, with plenty of evil types, and these horrible men contrast well with the selfish and naive lead, all giving really good performances with an edgy and convincing script. The soundscape is minimal yet brooding, and works well. The sub-plots of love, friendship debt and family relationships gel really well with the overarching theme. It all leads to a rather surprising conclusion that was excellently done. My grips with it are that the promise of establishing shots that this film would include good cinematography never really materialised, though some of the down and dirty locations were well chosen. It certainly has that poorer suburbs of New York look down pat, like the Sopranos sometimes does, or movies like Black Mass. By The Gun is not an original idea, but it is really well made and the actors here have definitely risen to the occasion.

Usually I root for the lead in a film. In this case I just couldn't. I fully understand now why the lead character Ben Barnes distanced himself from the film after it's release. He was made to look like a wanna be punk gangster aka WANKSTER. I refused to garner any sympathy for his situation, simply because the acting didn't get me there. I was more rooting for his best friend Slaine and he was a complete reprobate. I have to say it did live up to the expectations of they typical mob movie with the strip clubs, test of loyalty and revenge tactics. The alienation of at least 1 parent and a sibling torn between the 2. However, with the exception of Keitel, Coaster and Slaine the acting was pretty disappointing. Not sorry I watched but was predictable through and through.

"You watched the first half of Goodfellas like a thousand times." That is an actual line from this film that feels more like a critique of itself. By the Gun is a Scorsese wannabe film that has terrible dialog and even worse accents. The only thing worse than being a Scorsese wannabe is being a Scorsese rip-off and while By the Gun does have moments of blatant plagiarism, it does quite fully embrace it. The dialog and screenplay feels like they are excerpts from better films in the same genre. It never quite gels coming out of any of these actors outside of Slaine and Harvey Keitel. The best part about this film is Slaine, he turns in a good performance but his character feels more and more like Jackie Boy from Mean Streets going into the third act. Harvey Keitel is...well, he's Harvey Keitel, this guy created the tough guy so he gets a pass just because he plays this part in his sleep. Leighton Meester does her best here and it is nowhere near enough to salvage the cast from being a complete disaster. My last and final complaint about the cast is more a question than anything, but what in the hell is Toby Jones doing in this film and what the hell was that accent? Furthermore, the film is too bright and vibrant. What we're seeing isn't doing the moments of grit any justice, they're glossy, crisp and hardly the vibe it wants to be going for. But, setting aside a terrible cast and poor cinematography, what is most important here is that this film isn't entertaining. It isn't interesting, it falls in line with being another poorly done mob film that was lucky enough to get picked up by a distributor.

Here is the thing, mafia films are more or less dead. This film had a good storyline, locations used gave the film a very convincing feel. You had a mix of very well known names and known names. The rhythm of the film was good as well. It had all the right ingredients for a excellent film. But unfortunately whoever wrote the dialogues and casted people surely didn't consult each other. Most of the very intense moments of the film had long dialogues and the characters playing the roles could not bring any intensity to the situation. And once again a good at heart stuck in the criminal world is not really ideal either. All the old mafia films were good because they went all the way good at heart or not. They generated that feel and compassion that they want to a part of mafia. This is a mafia chick flick at the best. Anyways with some shorter dialogue in hyped up scenes would have done the justice to the talent in the film. Or a better cast with the same dialogues and a bit bold director, who wasn't scared of leaving the good guy routine behind, could have made this film work.

Just my opinion.

Watched this last night, hoping to see something along the lines of, well, good acting. I was bitterly disappointed. To call the lead wooden, would be an insult to trees. Awful script. Awful direction. Awful acting. Awful..........just awful. Harvey Keitel does his best, but he must have known this was going to be a Krimbo turkey from day one. Painful to watch, and I can only hope whoever cast this recovers quickly.Low budget boredom from start to finish, with unbelievable dialogue. Wrong Turn at Tahoe, makes this film look like what it is, a cheap, no thrills D movie.I implore you, gentle film viewer, to give this one a wide, wide berth. To sum up, do not waste your precious time!