Snoopy & Charlie Brown: Peanuts, o Filme

I saw "The Peanuts Movie" last night, and I thought it was superb! I grew up in the 80's, and so I was familiar with the Charlie Brown gang, but only through vague recollections. I had of course read a few of the comic strips over the years, and I'm confident that I saw the TV specials a few times, but I was still a bit fuzzy on the details of things like Snoopy and his battles with the Red Barron, the names of certain characters, and the gist of how different aspects of the series fits together into a competent narrative.

I'm crystal clear on that now, as this movie does a wonderful job of weaving together the many separate concepts of the Peanuts series. I really fell in love with the franchise by watching this film, and I can see how it will be very rewatchable.

My only criticism is that the film does cram a bit too much into its ninety minutes. It all comes together nicely, but it was clear that the script was trying to accomplish a LOT in this movie. It felt almost as though nothing was left for a sequel, but I suppose the idea was to introduce as much of the series as possible. The slightly crammed feel of the film is the only reason I didn't give it a perfect ten stars. But it's fantastic, even if a bit overdone!

Source of my comment: hitfix.com Review By Drew McWeeny.

When we live in an age when everything, no matter how pure the intent of the creator, is simply IP to be farmed, it is right to be suspicious of a "Peanuts" movie. After all, Charlie Brown and the rest of the characters created by Charles Schulz have been huge business for decades, and it makes sense that they would put something together if for no other reason than to keep the characters active in pop culture.

Thankfully, it appears that the people behind "The Peanuts Movie" take the legacy of these characters very seriously, and the result is a gentle, charming movie that seems far less frantic than much of what is created for young audiences these days. Blue Sky, one of the two major producers of CG animated films for Fox, has produced ten feature films now, and while the majority of their efforts have been originals, it was clear from "Horton Hears A Who" that when they adapt someone else's property, they try to do so from a position of authenticity and respect.

One of the things that makes "Peanuts" such a broad target is all the different versions there have been. Even in our editorial meetings at HitFix, as we talk about the films or the specials that we think of when "Peanuts" is mentioned, we all have our own take on what that means. For me, the old school TV specials and the first few movies were the defining version. Louis Virtel told me he always thinks of "Race For Your Life, Charlie Brown!" first. My kids have been exposed to some of the specials, but Toshi took it upon himself to read the Fantagraphics collections of all of the strips that I have on my shelves. And to any of those people, I would say, "You'll recognize the 'Peanuts' you love in this movie, and you'll be happy." That could not have been an easy task, so for that alone, Blue Sky and Fox deserve some accolades.

One of the most interesting choices they made in approaching the movie was how to design the characters. They are 3D CG objects, but the faces are "drawn" onto the heads in a way that always feels like there's a physical brush stroke, a pencil mark. I assume the entire thing is CG, but it connects the characters to the long hand-made tradition that started with the comic strip itself. It's a strong stylistic decision, and it makes sure the characters feel like the characters we already know. Steve Martino, working from a script by Bryan Schulz, Craig Schulz, and Cornelius Uliano, touches on any number of familiar jokes and scenes and set-ups, with a number of references to the long history of the characters. Snoopy spends most of the movie working on a book on his newly-discovered typewriter, the story of a flying ace and his battle against the infamous Red Baron. Sally's got her crush on her sweet baboo, Linus, who nurses his faith in the the Great Pumpkin. Lucy gives advice at her sidewalk psychiatric stand while making passes as Schroeder every chance she gets. Peppermint Patty and her assistant Marcie both play their familiar roles as well, with Charlie Brown at the center of everything, constantly put upon, constantly taking one on the chin. If this is going to be true to the original strip that Schulz created, then Charlie Brown has got to be suffering, a kid who can't catch a break.

What surprised me was the way they took a quiet approach to finding something else to say about Charlie Brown. I was worried that this was going to be a film where they had to turn him into something he wasn't just to tick some demographic checklist, and instead, the film makes some very strong and interesting points about what is heroic when you're just a kid trying to define yourself. In this case, there's a new kid in school, the Little Red-Haired Girl, and Charlie Brown is determined to reinvent himself in a way that will win this girl's attention and approval. This being Charlie Brown, things are not that easy, but I thought the way they eventually bring it together was unexpectedly honest. At this point, these characters have been playing the same beats for so long that it is genuinely surprising to see them do something new that doesn't feel like a violation of the characters, but rather a natural extension of what we already know about them.

The cast of young voice actors all seem appropriately chosen, and it's interesting to hear how they've gone out of their way to find kids who naturally sound like the voices that have been connected to the characters for over 40 years now. One of the reasons I don't ever want a "Calvin & Hobbes" adaptation to happen is because I don't want to hear anyone else's take on how Hobbes should sound, but with these characters, they've had the same voices for so long now that it's kind of like a magic trick. It's a cast of real kids here, but they sound like the "real" Charlie Brown, the "real" Lucy, the "real" Linus.

Frequently very funny, undeniably aimed at younger audiences, and true to the source material, "The Peanuts Movie" is too mild-mannered to win over brand new audiences, but it's going to please people who were already fond of the underlying property, and it should be a big nostalgia-driven hit for the studio.

I loved the Peanuts half hour TV specials as a kid, particularly Halloween and Christmas. I make my kids watch them each year and they enjoy them. We have also watched at least one fuller length movie made some time ago (about a spelling bee?) that ran a little too long. Before the specials even existed I loved the Peanuts comic strips. This movie handled the characters great, no complaint there. I just got part way through and said okay where are we going with this and how much is left. So maybe the bottom line is Peanuts is more effective in small doses than in a full length movie. They seemed to realize that in having a short movie to start and keeping the running time down. Of the story lines the best (and the one that could be enjoyed the longest) was the Snoopy WWI theme. But the bottom line is that it may be hard to make this work for an hour or more no matter how you do it, even if you have stupendous graphics. In any event, nice to see a new generation of Schulz's carrying the torch.

P.S. In watching some of the older shows recently, I remembered that the best of the TV shows was where they basically just strung a bunch of the daily cartoons together, rather than tell a traditional story. Charles Schulz was a cartoon genius, and had a penchant for running a series of consecutive strips on the same subject, sort of a continual story with a daily punch line, which is directly transferable to the screen. Maybe they could go back to that format next time around?

While a film based off the beloved "Peanuts" comic strip in 2015 will appear a desperate cash-in for money-hungry Hollywood at a time where $1 billion grosses are now reasonable goals for some films, thanks to the participation of Bryan and Craig Schulz, the grandson and son of the late "Peanuts" cartoonist Charles Schulz, respectively, the humor and original spirit of the original product is still very much in tact. With warm animation that delightfully mimics the look of the comic, while bringing computer animation into the picture.

"The Peanuts Movie" is a beautiful little film, one that doesn't predicate its existence entirely on the nostalgia and warmth provided by the original comic strip and one that doesn't get so blindsided by the glitz of Hollywood excess that it abandons its roots. Our story focuses on Charlie Brown, everyone's lovable blockhead, who is usually found attempting to get his kite off the ground or avoiding being the laughingstock of his whole neighborhood. He also spends a great deal of time with his friends, such as Linus, Peppermint Patty, Marcie, Sally, and of course, Snoopy and Woodstock.

Charlie's whole world is turned upside down, however, when a beautiful new girl, known only as "Little Red-Haired Girl," moves into the neighborhood and is placed in Charlie's class. As usual, Charlie finds himself overcome with his klutzy nature and personal insecurities to make any kind gesture towards the apple of his eye. In effort to make himself hipper and more admirable, Charlie begins to read a book maps out the ten ways to be successful.

When Charlie and the Little Red-Haired Girl get paired up to do a book report together, and the Little Red-Haired Girl is out of town visiting her sick grandmother, Charlie motivates himself to do the book report by himself to impress his crush. Peppermint Patty informs him one of the greatest books of all time is a book called "Leo's Toystore" written by "some guy" named "Warren Peace," to which Charlie tracks down the book, reads the behemoth of a novel, and emerges determined to write one of the greatest book reports ever.

This should give you some sort of idea of what you're in for with "The Peanuts Movie." Also thrown into this charming story are many scenes involving Snoopy flying on his airplane with two goals in mind - taking down the infamous Red Baron fighter jet and winning the heart of the gorgeous poodle Fifi. It's a tireless pursuit, and it's one that is interjected in the film prolifically enough to really feel like a diversion to the fact that this is a story that would've probably been better suited for basic cable with a runtime of about seventy minutes. These are the scenes that really appear to be filler and work to distract from the more interesting and relatable story at hand. However, the "Peanuts" strips and specials were always cut from a rather slight cloth, so perhaps these sequences do indeed work to serve the better part of the spirit.

Nonetheless, I'm not one to complain when a product of the past gets its fair treatment on the big screen and that's precisely what "The Peanuts Movie" gets: a very fair, very funny, thoroughly charming revitalization of characters that, to many, feel like old friends, created with unique animation that effectively blends styles of the past and present thanks to Blue Sky Animation. This film would be an ideal pairing alongside Disney's "Winnie the Pooh" from 2011, both of which together would make for a lovely introduction to film for young audiences thanks to their warmness and genial spirit and humor.

Blue Sky hasn't had a great track record. The Ice Age movies and the Rio films are okay at best but somehow they managed to really shine with The Peanuts and bring the strip justice. That probably has something to do with the fact that this film was actually written by Charles Schulz's son Craig. All the characters are here with their personalities intact and voiced by some really good kid actors. I didn't once think to myself that these kids don't sound like The Peanuts. The parts involving Snoopy's adventures against The Red Baron are also quite engaging almost like something out of Duck Tales or Chip 'n Dale Rescue Rangers. I think this is a good film any fan of Charlie Brown will love and those of you unfamiliar with the material, this is probably a great place to jump onto.