Tarde Demais Para Voltar

A real dad movie. Bring him to me was somewhat of a non-planned movie. A friend asked I wanted to go to the movies and this was what was on so I thought why not.

While not relaxing at all, a relaxing movie which you can follow and does not make you think too much while watching it. Also quite short, which is good compared to a lot of other big name movies that are out now. Probably one of those movies that you can put on on a Friday night when you're drinking some beers with a mate or with your dad. A short and concise story with some twists that has everything you need in a guy's movie. Shooting, driving, what else do you need? A recommended watch.

This movie could have been so much more. But really so much more. With Sam Neill as an actor, I thaught: this will be a nice evening with the family. NOPE !

While the performances, including Sam Neill's, are commendable, they are undermined by thin character development and a lack of emotional depth. The pacing is uneven, with moments of tension interrupted by unnecessary filler that dilutes the impact of critical scenes. The film's attempt to delve into themes of trust and betrayal feels superficial, leaving viewers behind waiting for the action. The real action. Overall, "Bring Him to Me" is a missed opportunity that fails to deliver the gripping narrative it promises.

This movie about criminals, a heist gone a bit awry, money missing, and someone has to pay for that, the motivations, the tempers - has a bit of a timing and editing problem, and the story starts generic enough, then turns into a road movie drawn out, and takes a few unexpected turns down that road.

It is not really deep, but worked to make me care for the two mains. And some of the other characters are fun.

Some cookie-cutter bad guys, some chase scenes, and a successful underlying tension of what will happen when / if they get there.

This film is about seeing it through, but what and why gets twisted.

It was good acting, and it has a nice ending.

Trailer looked like a lean and mean noir and right up my alley.

I guess the trailer showed me too much or the script was AI generated (I kid?). Let's start with cinematography. It does pay homage to Mann's style but when the scriptwriting is weak, and when you're looking at the cinematography for a redemptive need or want to finish the film, then well, I can see why some would just shut this off and go outside for a walk for the last hour.

It's a formulaic crime "thriller" shrouded in finger pointing with the weight of the red herring in the room (and every scene) as you can feel the familiar twist just waiting to divulge itself. It finally does and it really has lost most of its own steam when it does, as it was more of an "ah" moment versus an enthusiastic "AHA!"

It's not a terrible film, it's just a straight line operation, no one to route for, no single character stands out, the crusty ole veteran criminal, the young prodigy trying to earn a living the wrong way, and a garage full of criminality lead by a strangely accented woman...is that a comedic take on a Boston accent from a film made in Australia?

Yikes.

Boring, derivative, and just suffers a serious case of low energy.

This movie races into the cinematic scene with a relentless plot as a getaway driver faces a moral dilemma dictated by a ruthless crime boss. The film, while far from a laid-back watch, offers an engaging experience without taxing your brain. Its concise duration distinguishes it from today's lengthy blockbusters, making it a convenient choice for a casual Friday night. The narrative, though straightforward, weaves in enough surprises to maintain audience interest. This action-packed film is a quintessential guy's movie, encompassing intense shootouts and heart-pounding driving sequences. A quick, thrilling story with the right blend of elements makes it a solid recommendation, especially for those seeking a high-octane escape.