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Nacho Vigalondo's Open Windows opens on an extremely promising note plenty of twists , turns and surprises . This is a Techno-thriller that addresses questions of life , computers , fans and belief against a strange antagonist . A jilted fan called Nick Chambers (Elijah Wood) soon finds himself pulled into a twisted chase after he accepts the opportunity to spy on his favorite player called Jill Goddard (Sasha Grey) via his laptop . As it takes place on a variety of screens and locations using different types of footage .

This Spanish/US co-production succeeds because of the thriller , tension , Kafkaesque suspense , as well as an interestingly written script concerning a complex intrigue in which our protagonists are in such extreme situation and their subsequent instinctive urges for survival . This laptop-set thriller deals with a deadly game of cat-and-mouse in which video cameras capture everything , and the internet has turned into a cesspool of surveillance that's hundred times more horrifying than Leatherface's dugout . We immediately see that the story is going to be told from some unorthodox perspectives as each scene is broadcast through a window on a computer monitor . Despite its average budget the picture manages to be intelligent , intriguing and thrilling but also a little bit boring and hard to follow . The good thing about this film is that the director made it on a limited budget only having to do a few sets , yet the movie works on many levels but is constantly reconfigured . Looking for a monologue from Elijah Wood you'll get it in the form of a confessional style Webcam appearance . There is here in separate windows featuring a Webcam feed , even the action sequences are showcased in this format . In spite of being technically a "Techno thriller", the film nods at everything from a technological world to Hitchcock to Giallo . The final result is an offbeat thriller that's captivating , in spite of not being all that fun or especially thoughtful , neither thought-provoking .

The motion picture was original and innovately directed by Nacho Vigalondo . Here Nacho adapts to the times and find thriller/action/mystery in the ways people are living today . Filmmaker Vigalondo manages to not seem completely daft and he is attacking our vulnerability online by setting his Techno film entirely unsettling . This picture relatively cheap was tautly written and directed by Nacho Vigalondo in his third movie , his first was the international hit titled ¨Time crimes¨ with Karra Errejalde , Barbara Goenaga and going on ¨Extraterrestrial¨ with Michelle Jenner and Julián Villagrán , both of them showing up in ¨Open Windows¨ as guest stars . Nacho , who usually turns up in his movies at brief appearing , is a good young filmmaker , a little prolific director because being usually writer for television and shorts filmmaker , he has only realized three films . ¨Open windows¨ is without a doubt a weird , mysterious film to be liked for thriller and suspense fans , turning out to be one of the most original Spanish movies of the last years . Rating : 6 . Acceptable and passable .

If you've seen "Timecrimes", a movie previously made by the same director (he did another one in between that and this one, which I haven't watched yet), you'd be excused by thinking that this is a mess. Looking at it and especially towards the end, the movie goes off the rails. It loses all sense and logic. Where "Timecrimes" makes sense in every aspect (although it's highly complex), this is far from it.

But, you can still have fun with this movie. A lot of fun actually, especially considering the nature and the way this is shot (found footage light/like). You might get sucked into the struggle of our main actor, who's seemingly trying his best to move forward and get through. This might be great a great role for Elijah Wood (and even for Sasha Grey, who's still trying to find her place away from the adult career she had), but it won't be for every viewer ... consider the plot, how the movie is made/shown (found footage over a web cam, but with several other cameras outside shown in those ... windows) and decide for yourself ...

God bless Nacho Vigalondo ('Timecrimes' / 'Extraterrestrial'); he is a madman in person and in practice. 'Open Windows' is another attempt at an unconventional, high-concept thriller exploring the medium of film at its heart - action through time - and in ways that no one else has even conceived of. Elijah Wood's character is set up in a hotel in Austin having won a sweepstakes to meet his favorite actress, played by Sasha Grey - who, based on some of her IMDb titles ('Anal Artist' / 'Pop Goes the Weasel' / 'House of Ass 3'), isn't likely a Disney alum. When Wood is notified by her representative, 'Chord', that she has canceled their meeting and that being rude to her fans is nothing new, as a supposed retaliation, he's presented with the opportunity for remote access to the actress' laptop, phone, and webcam.

The film doesn't take much time dealing with the ethics of spying on someone but, rather, jumps right into a fast-passed thrill ride that has Wood's character jumping for A to B to C as Chord's true intentions unfold. The story is told in real-time, almost entirely on the screen of a laptop, with practical cameras following multiple events, and various plot points reveled through pop-up windows on the screen. The film was cleverly introduced as a modern-day 'Rear Window' and the gimmick does work; it took some time to get used to but, the tension ramps up quickly and, though the format is pivotal to the story, you almost forget that you're watching anything but a standard narrative. Unfortunately, it's the technology within the narrative that stretches disbelief a bit too far as the twists and turns become more and more bizarre. I'm always curious to see what Vigalondo has up his sleeve and his ambitions did not disappoint but the limitations he imposes on himself as a filmmaker seem to have pushed the state of modern technology into the realm of 'fantasy' which distracts from what is, otherwise, an inventive hostage/who-dun-it scenario.

I watched writer/director Nacho Vigalondo's Timecrimes a few years ago and was very impressed by the film generally, but especially by the unabashed ambition and imagination on display in what was a first feature-length effort. Open Windows demonstrates that Vigalondo's ambition and imagination is undiminished, but he could do with a little more restraint.

The set-up has echoes of Rear Window and Phone Booth, as Elijah Wood's super-fan Nick (a supposed competition-winner in town for a meeting with his favourite actress) finds himself let down. The curiously London-accented "campaign manager" for said actress (equally curiously named Chord) gets in touch, but evidently has motives of his own as he begins to manipulate Nick. The situation gets increasingly disturbing as the suspiciously tech-savvy Chord continuously ups the ante. To summarise the plot from here would take as long as the film given the density of events and twists, but overall the story gets progressively more bonkers and convoluted before careering off the road in admittedly entertaining fashion.

Vigalondo might be too imaginative for his own good at times, and I'd class Open Windows as a noble failure, but it's entertaining nonetheless.

I read the reviews, took a chance, lots of action for sure just not a very realistic story line. Nothing wrong with acting, it is quiet good. It just was a bit nutty for me. And unrealistic..but it is a movie. 5/10 at best.