B.A. Pass

First of all for sensitive people this is not a good movie to watch because at the first half and hour of this movie it seems like a erotic thriller but as the movie progresses it's becomes clear that this movie will not have a happy ending. It's admirable how well the director has captured the elements of human emotions in this movie.where the director have shown how a person can decay emotionally and physically when that person is pressured to a breaking point. sexual exploitation,violence,betrayal and the never ending struggle to find money is shown through a gradual process masterfully.when it comes to acting a special note should be made where the main actor has acted in a way which has captured the hearts and minds of the audience.where as the movie progresses even the audience can feel the frustrations that main protagonist goes through and that is just good acting. Overall this is not the most easiest movie to watch and you will not have a good time watching this movie but if a person wants a proper idea how hard life can be this is the movie to watch.

Ajay Bahl's debut film starts off with brilliantly, and creates an intriguing atmosphere, but ends unsatisfactorily. It's a coming-of-age tale of innocence lost and conscience compromised. What starts off as playful seduction, Mrs. Robinson/ Hanna Schmitz style, spirals into a chain of prostitution, lies and betrayal. Even with an interesting story and well-shot scenes, the screenplay and the lead's (Shadab Kamal) acting failed to properly show the sense of urgency and desperation. Though the film's approach towards themes like poverty struggles, empty marriages, sexual urges and escort systems is commendable, it fails to explore them properly and deeply. Though the movie is well-made, and quite bold (for Hindi Cinema), when the whole ordeal is over, you're left with an odd aftertaste, not sure of what to think.

Though Shadab Kamal looked cute and innocent enough for his role, his acting was little single-pitched. Shilpa Shukla was mesmerizing as the seductress and lady pimp.

Good effort.

A movie so great that it simply blows your heads off. Every character is grey. No one is moral and every body is a victim of circumstances.

The film is the pinnacle of movie making. the sheer audacity, rawness, and unrealistically realistic treatment creates magic on screen. and believe me one time is not good enough.Director Ajay Bahl has handled sexuality in a very mature manner, without being sensationalist.

I'm the kind of person who watches movies for their rawness and realism.Udaan,Dev.D,Gangs of Wasseypur,Shaitan and Kaminey are among my favourites.Now I'll add B.A Pass to my list.

Don't miss this one!

In a voice-over during the film's opening scene, as he stares emptily at his parents' corpses before him, Mukesh, the protagonist of BA Pass describes their untimely deaths as a betrayal. It's the first of many to come for this unsuspecting young boy, played by Shadab Kamal, who's at the cusp of discovering that it's every man for himself in the world outside.Adapted from a short story by Mohan Sikka titled Railway Aunty, which appeared in the 2009 anthology Delhi Noir, the film traverses the neon-lit streets of Paharganj, even poking and probing its way into the city's posh parts to ultimately lift the veil on the seemingly simple veneer of middle class life in Delhi.Taken in reluctantly by his aunt after being orphaned, Mukesh seems destined to live a life of humiliation and quiet desperation, until one day he encounters bored housewife Sarika (Chak De India's Shilpa Shukla), who seduces him Mrs Robinson-style. What starts off as an illicit affair quickly spirals into a dangerous web of prostitution and deceit, and we're mostly transfixed by this tale of innocence lost and conscience compromised.A little over ninety minutes, BA Pass is crisp and compelling because director Ajay Bahl, also the cinematographer of the film, reveals a firm grasp over the unflinching narrative. With minimal flourish or show-off, Bahl creates a moody noir that is at once irresistible. Yet, where the film slips is in the superficial, surface-level manner in which it addresses macro themes like empty marriages, sexual power games, and the frustration caused by extreme poverty.It doesn't help either that Shadab Kamal delivers a one-note performance as Mukesh, turning him into a singularly uninteresting fellow, and seldom allowing us a glimpse into his heart. Shilpa Shukla, as the ravenous cougar, is inscrutable throughout…but that approach works for her character, whose motives must remain sketchy till the end. The pair is surrounded by good actors in bit roles, including Geeta Sharma as Mukesh's unwelcoming aunt, Dibyendu Chatterjee as a chess-loving undertaker, and Rajesh Sharma as an angry husband who must take charge.BA Pass exposes a cold, dark, and bleak universe that is in equal measure grotesque and intriguing. Bahl creates the right mood, but doesn't leave you with much to think about when it's all over. Still I'm going with eight ratings as bollywood has started making real movies.Not perfect, but nicely done.

Keeping in mind the way, erotic & sexual content is both served and seen in a very restricted manner in our Indian Cinema, B.A. PASS certainly needs to be rated as another bold step forward by our Indian film-makers as well as the Censors, without any arguments. Yet, contrary to the above statement, here the best thing about the movie is that its makers and director Ajay Bahl have not made this project just to en-cash all its sensual scenes at the box office like a B-C grade venture. But defying the set parameters of the trade, they do have a thoughtful meaning put into its entire erotic content and also have a fine story to convey to their mature audiences in a truly appreciable manner.

Based on a story "The Railway Aunty" by Mohan Sikka from the book 'Delhi Noir', B.A. PASS firstly continues with the passion of showing the city of Delhi in a bad light (as repeatedly in films nowadays)and then uses the plot of an unemployed youth and his dilemmas with a novel insight. It revolves around the story of a young boy, who has to stay in Delhi with his aunt (after his parents die) and has also got two young sisters to take care of (staying at a hostel. Now during this stay, along with continuing his studies, he meets a middle aged, good looking lady who teaches him some new lessons of life which bring in sex, lust, greed and crime into his innocent persona turning him into an entirely different person heading towards a tragic end.

The film begins calmly and then goes on to deliver some of the boldest scenes ever seen in a mainstream (A Grade) Hindi film promoted decently. However, the fact remains that despite of being much bolder and adventurous in its execution (than what the promos suggested), the erotic scenes in the film are exceptionally shot with a sensitive approach without getting into some extreme skin show or cheap vulgarity. Plus its these sensual scenes only which very insightfully depict the lonely, empty & scary life lived by the richer sections of the society. So till interval it does turn out to be an explosive film with a realistic subject which probably stresses more on serving the hidden instincts of the viewers quite skillfully.

Post intermission, as the focus shifts towards the other problems of life faced by the young man (not boy), the pace drops and it more becomes an intense film moving towards a shocking climax which might be depressing for many. But all stories do not have a happy ending and here we have the one which daringly talks about those dark and ugly, avoidable phases of life which do not give many choices to a person caught in their unbreakable trap.

The second half gives more attention to its story progression and less to its erotic scenes which might disappoint the viewers coming in just for them. But that's exactly where B.A. PASS excels and gains a fine distinction of being a sensitive film made on an engrossing tale. Its concluding moments make you feel sorry for its main protagonist and then you also have that anger towards everyone who betrayed him along the path, posing as true friends.

With a less than 2 hours duration, it has a taut screenplay with no interfering sub-plots of love angles thrown in just for the sake of it. The characterization is brilliant with a special mention of Deepti Naval featuring in only two scenes, who rightly portrays the state of a depressed, lonely but loyal lady, superbly. Also was extremely relaxed to see the dialogues in Punjabi written & spoken as they should have been, without molding the words into Hindi.

Regarding the performances, it really needs guts to accept and then also live this kind of negative as well as lustful character on screen with such conviction. And for this Shilpa Shukla surely deserves an applause from one & all. She simply can be called the backbone of the film getting complete support from Shadab who also perfectly plays the part of an innocent boy with conviction. Dibyendu Bhattacharya acts fine as the chess playing friend and the actress playing Shadab's bua (aunt) is equally good.

The musical department delivers a soothing track "Shab" and an adequate background score to enhance its various sequences. Cinematography (by the director himself) captures all those erotic scenes with a subtle elegance and adds to its dark feel throughout. Yet on the story part, I couldn't digest the angle of sisters continuously calling for help and the boy regularly ignoring them in a strange manner. Perhaps that is one of the reasons why the film is not able to connect with the viewer emotionally as desired.

Secondly, I strongly oppose to this wrong presentation of DELHI, in many of the recent Hindi films, probably beginning from DEV-D. By just showing the neon-lit lanes of Paharganj area, you cannot represent Delhi as the city of lust, crime and dubious activities like this.

So ending on that note, B.A. PASS is a dark, shocking and brutal tale of an unemployed youth caught in the trap of sexy lady. Though marketed as an erotic film, it's an honest attempt with a soul partially reminding you of many worth watching classics of World Cinema. Its few shortcomings don't allow me to rate it as a perfect film but this is indeed the next brave step taken by Hindi Cinema in the recent years undoubtedly. Having said that, one does need to have the vision to look beyond its sensuous stuff and reach the real essence of its story as told by the writer. Because in absence of that this might remain just another stimulating morning show B-C grade film with many erotic scenes for most of the viewers.