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IMDbPro

Brooklyn

  • 2015
  • 12
  • 1 h 57 min
AVALIAÇÃO DA IMDb
7,5/10
156 mil
SUA AVALIAÇÃO
POPULARIDADE
2.628
18
Brooklyn (2015)
Official Trailer
Reproduzir trailer2:38
38 vídeos
99+ fotos
DramaDrama de épocaRomance

Um imigrante irlandês chega ao Brooklyn nos anos cinquenta, onde ela rapidamente se apaixona por um local. No entanto, quando o seu passado alcança, ele deve escolher entre dois países e as ... Ler tudoUm imigrante irlandês chega ao Brooklyn nos anos cinquenta, onde ela rapidamente se apaixona por um local. No entanto, quando o seu passado alcança, ele deve escolher entre dois países e as vidas que existem dentro dele.Um imigrante irlandês chega ao Brooklyn nos anos cinquenta, onde ela rapidamente se apaixona por um local. No entanto, quando o seu passado alcança, ele deve escolher entre dois países e as vidas que existem dentro dele.

  • Direção
    • John Crowley
  • Roteiristas
    • Nick Hornby
    • Colm Tóibín
  • Artistas
    • Saoirse Ronan
    • Emory Cohen
    • Domhnall Gleeson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    156 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.628
    18
    • Direção
      • John Crowley
    • Roteiristas
      • Nick Hornby
      • Colm Tóibín
    • Artistas
      • Saoirse Ronan
      • Emory Cohen
      • Domhnall Gleeson
    • 365Avaliações de usuários
    • 307Avaliações da crítica
    • 88Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 3 Oscars
      • 38 vitórias e 161 indicações no total

    Vídeos38

    Brooklyn
    Trailer 2:38
    Brooklyn
    5 Sad Love Stories to Stream Now
    Clip 1:16
    5 Sad Love Stories to Stream Now
    5 Sad Love Stories to Stream Now
    Clip 1:16
    5 Sad Love Stories to Stream Now
    You Dont Sound Irish
    Clip 1:15
    You Dont Sound Irish
    I Wanna Ask You Somethin
    Clip 1:28
    I Wanna Ask You Somethin
    Your Life Could Be Good Here
    Clip 0:47
    Your Life Could Be Good Here
    A Helping Hand
    Clip 1:00
    A Helping Hand

    Fotos177

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    Elenco principal50

    Editar
    Saoirse Ronan
    Saoirse Ronan
    • Eilis
    Emory Cohen
    Emory Cohen
    • Tony
    Domhnall Gleeson
    Domhnall Gleeson
    • Jim Farrell
    Jim Broadbent
    Jim Broadbent
    • Father Flood
    Hugh Gormley
    Hugh Gormley
    • Priest
    • (as Father Matt Glynn)
    Brid Brennan
    Brid Brennan
    • Miss Kelly
    Maeve McGrath
    • Mary
    Emma Lowe
    • Mrs Brady
    Barbara Drennan
    • Shabby Woman
    Gillian McCarthy
    Gillian McCarthy
    • Timid Woman
    Fiona Glascott
    Fiona Glascott
    • Rose Lacey
    Jane Brennan
    Jane Brennan
    • Mary Lacey
    Eileen O'Higgins
    Eileen O'Higgins
    • Nancy
    Art Campion
    Art Campion
    • George Sheridan
    • (as Peter Campion)
    Eva Birthistle
    Eva Birthistle
    • Georgina
    James Corscadden
    • Ship Waiter
    Julie Walters
    Julie Walters
    • Mrs. Kehoe
    Emily Bett Rickards
    Emily Bett Rickards
    • Patty
    • Direção
      • John Crowley
    • Roteiristas
      • Nick Hornby
      • Colm Tóibín
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários365

    7,5156K
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    Resumo

    Reviewers say 'Brooklyn' is celebrated for its heartfelt portrayal of immigration, love, and identity, with Saoirse Ronan's compelling performance as Eilis earning high praise. The 1950s setting in Brooklyn and Ireland is noted for its authenticity and nostalgic atmosphere. Themes of home, belonging, and the immigrant experience resonate strongly, though some find the plot slow-moving. The romantic elements, despite being predictable, are appreciated for their sincerity. The supporting cast enhances the film's emotional depth, making 'Brooklyn' a touching, well-crafted drama.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    8troyputland

    The incredible Saiorse Ronan.

    Saiorse Ronan needs to be in more movies. She's an absolute delight, whatever she's in. Brooklyn is Ronan's finest 111 minutes to date. All the anguish, all the emotion she portrays, is seen through her eyes. Eilis (Ronan), is torn between two worlds: Ireland and America, missing her family back home and starting afresh halfway across the world in Brooklyn, New York. Events that occur only make it harder for Eilis. Emory Cohen's Tony sparks confidence in our out-of-sorts protagonist. Ronan's acting is so brazenly from the heart that I can't help but feel everything she feels, even during her hardest times. Special mention goes to Julie Walters who oversees the girls in the boarding house that Eilis resides. Brooklyn is an extraordinary watch due to class acting from all round. It's funny, clever and charming.
    9namashi_1

    A Beautiful, Beautiful Film!

    Based on Colm Tóibín's novel of the same name, 'Brooklyn' is A Beautiful, Beautiful Film! A heartwarming tale about Love, Loss & Relationships. And a Knock-Out Performance by Saoirse Ronan is always welcome.

    'Brooklyn' Synopsis: An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a new romance. When her past catches up with her, however, she must choose between two countries and the lives that exist within.

    'Brooklyn' is a simple film, told magnificently. Its superior film in all respects. Nick Hornby's Adapted Screenplay captures the Protagonist's coming-of-age tale, with dignity & pathos. I was arrested by the flow of the narrative. John Crowley's Direction is excellent. Cinematography & Editing are sharp, while the Art & Costume Design are fabulous. Michael Brook's Score works.

    Performance-Wise: Saoirse Ronan is in great form. The talented actress delivers a Knock-Out Performance as the naive & lovable protagonist. This is the kind of performance awards were invented for. Giving her terrific support are Emory Cohen & Domhnall Gleeson, who enact the men in her lives, proficiently. The Ever-Compelling Jim Broadbent shines in a brief role.

    On the whole, 'Brooklyn' is a true winner. Don't miss it!
    GManfred

    Tale of Two Cities

    Sweet little love story of an Irish lass who comes to America circa 1950. She leaves her home in Enniscorthy (Co. Wexford) and comes to seek fame and fortune - and maybe a 'fella' - in Brooklyn. Subsequent events draw her back to Enniscorthy, and then back to Brooklyn. In between we come to know Eilis (pronounced Ailish) Lacey (Saoirse Ronan) quite well because it is her picture, and she is in nearly every scene. She changes from a homesick immigrant to a self-assured woman in the course of the picture, and Ronan's characterization is terrific.

    Along the way she meets Tony Fiorello, played by Emory Cohen in a role apparently underplayed so as not to upstage the main character. He comes from a big Italian family but is not a stereotypical Italian; he is barely audible and very subdued. Perhaps the best and most humorous scenes take place at dinnertime in Mrs. Kehoe's boarding house for Irish immigrant girls. Played by Julie Walters, she rides herd on her catty boarders and uses religious metaphors to put them in their place.

    "Brooklyn" is a movie for grown-ups, an independent film in a sea of Hollywood schlock. It is a likable movie with a lot of heart and solid acting down to the smallest role. It is not a sprawling saga but a nice little movie, and I have only sketched a few instances. Many reviewers summarize the whole picture, but the overall tenor of the picture gives the moviegoer a rooting interest and a sense of the resiliency of the human spirit, as well as an illustration of the innate decency and goodness of Eilis Lacey.

    P.S. Those hoping to see scenes of Brooklyn neighborhoods will be disappointed; the picture was filmed in Canada and Ireland.
    10MOscarbradley

    One of the best films you will see this year.

    Brian Friel's "Philadelphia, Here I Come" is still the great fictional work of the last 50 years or so to deal with the Irish Diaspora but Colm Toibin's "Brooklyn" runs it a close second. Sadly, the only film version of Friel's play was a somewhat dull affair, part of the American Film Theatre series. It preserved a great play but it wasn't much of a film, whereas John Crowley's screen version of Toibin's novel is as close to perfect as we are likely to get. It preserves the feel of the book, (thanks to a flawless adaptation by Nick Hornby), but this is also a real film; large, expansive, magical and one of the best films you are likely to see this year.

    It's the story of one young girl's awakening, to the world and to herself. She's Eilis and at the start of the film she is moving from her home town of Enniscorthy in Ireland's County Wexford to Brooklyn, a world away on the other side of the Atlantic. She goes at the behest of her sister, Rose so she might have a life that might otherwise be denied her back in Ireland. Homesick at first, she finally finds happiness with a hugely likable and very handsome Italian boy until a family tragedy forces her to return to Ireland.

    It's a simple tale, made complex by conflicting emotions and a welter of detail. It's funny and sad and bursting with life. Brooklyn is a place of happiness and giving; Enniscorthy a place of sadness and resentment, though on Eilis' return, a fuller and more confident woman, it too offers the potential for happiness in the form of a new job and, more crucially, a new boyfriend. This return also offers a quandary; should she stay or return to Brooklyn, as well as an ending more tinged with sadness than might appear on the surface.

    Nothing about this wonderful film can be faulted, (except perhaps the appalling trailer that's doing the rounds). The period detail is superb, beautifully captured in Yves Belanger's gorgeous cinematography, (the costumes are crucial and they are perfect). Here is a period piece, (it's set in 1952), that could have been made in the year in which it's set and the director, John Crowley, imbues it with great feeling.

    Best of all, it's superlatively acted down to the smallest part. Roles that are basically clichés, (the kindly landlady in the US, the parish priest, the bitchy shopkeeper back in Ireland), are beautifully fleshed out by Julie Walters, Jim Broadbent and Brid Brennan. Still smaller parts, (the girls Eilis encounters on her journey, the Italian boy's family, her mother and sister), are all fully developed by a brilliant cast but it's the three central performances that are truly great and award-worthy.

    As the boys who basically change Eilis' life, in one way or another, Emory Cohen in America and Domhnall Gleeson in Ireland, are terrific. Cohen, (a much more handsome, young Rod Steiger), has a real future ahead of him while Gleeson is fast overtaking his father as Ireland's finest actor. And then there is Saoirse Ronan as Eilis; the greatness of her performance lies in as much in what she's not doing or saying as in what she does. She has one of the most expressive faces in the movies and it's in the moments of silence that she really comes into her own and it's one of the great pleasures of recent cinema watching her character develop. Surely she must be a front-runner at this year's Oscars. This is a film both for now and for posterity. See it at all costs.
    8ClaytonDavis

    Everything a Nicholas Sparks Movie Wishes It Was

    Often movies have a magical quality as you're viewing them. Some will demand your undivided attention, others will hypnotize your senses, leaving them to simply wash over you with their exuberance and classic filmmaking procedures. In the case of John Crowley's "Brooklyn," the latter is certainly the case. There comes a moment in the film when you are taken in by the film's classic style filmmaking, and tenderly thought-provoking performances from its cast. Director Crowley, in partnership with Oscar-nominated scribe Nick Hornby, create a beautiful and sensitive love story that is everything a Nicholas Sparks film adaptation wishes it could be. With a vibrant turn from Academy Award nominee Saoirse Ronan at the helm, "Brooklyn" utilizes all of its tools in its arsenal to convey a potent message of love and family.

    "Brooklyn" tells the story of Ellis Lacey (Ronan), who in 1950s Ireland and New York, has to choose between two men and two countries. One is the charismatic Italian plumber Tony (Emory Cohen) while the other is the reserved yet sensitive Jim Farrell (Domhnall Gleeson). Both are making a case for Ellis' love.

    The film is helmed with a strong and undeniable confidence from Saoirse Ronan. Feeling the internal battle just pouring out of her in nearly every sense and every scene, Ronan finds Ellis' struggle and wears it on her sleeve. She doesn't just have fear of choice, she goes through a barrage of emotions, and we actively see the character progress in each milestone that she hits throughout. It begins with the yearning and devastating separation from her family in Ireland, before gradually being brought to a yearn for acceptance in a new city. Her mild but rewarding progression into comfort and confidence is shown before being abruptly ripped away when tragedy strikes. Every instance is felt in Ronan's work, all of which is authentically true and vivaciously real. It's one of her best turns, and further proof that her name will be on our lips for quite some years.

    After breaking out with a scene-stealing turn in Derek Cianfrance's "The Place Beyond the Pines," Emory Cohen shows his sensitive and charming side of his range, resulting in an equally measured and tantalizing performance to his co-star. Don't sleep on this kid. Domhnall Gleeson's reservations to Jim Farrell is haunting in a role that doesn't call for many words or emotions. You can see the ache and pain in his movements, desperate for love and an overwhelming feeling of being lost. In a few scenes, Julie Walters as Mrs. Kehoe sustains as a surprisingly comic relief in a very serious drama. Her stoic, passive demeanor is such a treat to watch in her scenes of interaction with the girls of the boarding house in which Ellis is staying.

    Screenwriter Nick Hornby constructs the story with real life emotion, taking very few short cuts for its characters. He allows Ellis' feelings to make the journey in each instance in which she faces them. The foundation of Tony and Ellis is honest, and rings true as something we'd see in any instance within our own lives. Where he really shines in the connection between Ellis and her family. Thousands of miles away, and with little interaction on screen, you are heartbroken and pulled through the ringer as Ronan exemplifies the loss of her family and determination to see them once again. If there is a chink in Hornby's armor, it's the case he creates for the audience for Ellis to stay in Ireland. Up until the second half of the film, Hornby makes his case for New York, I'd only wish he made a more compelling case for Ireland, giving the audience a more fruitful and difficult dilemma in making their own decision about where Ellis should be.

    One must acknowledge how impeccably constructed the film is from head to toe. Crowley assembles a dynamite team behind the camera, who all standout in their own right. Cinematographer Yves Bélanger, with a yellow hue and soft palate, capture the country and the city to stunning results. He frames each scene intimately, capturing the heart and emotion of every word spoken. Production Designer François Séguin and Set Decorator Suzanne Cloutier capture the 50's homes as if plucked from the time period themselves, along with transporting us to a foreign land we can only dream to visit. Odile Dicks- Mireaux's magnetic costume work elevates each performance, allowing the actors to fully engage with their characters and the time. And finally, the music of Michael Brook is a breathtaking swell of emotion, creating moments that will surely bring you to tears.

    "Brooklyn" is a damn fine movie, following all the classic beats that we've grown to love about the most timeless love stories. "Brooklyn" will join the ranks of those timeless stories in the coming years. It's a joyful and heart aching film that stands as one of the year's best, and a sure-fire contender for several Academy Awards.

    Read more @ (http://www.awardscircuit.com)

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Director John Crowley divided this movie into three different visual movements. The first movement is before Eilis Lacey leaves post-war Ireland and is with tight frames and filled with green tones. The color scheme was created by photographic reference of the time. The second movement begins when Eilis leaves for Brooklyn, and the first proper wide shot is featured, while the colors become more playful as a nod to how America in 1952 was on the cusp of pop culture kicking off. The third movement is back in Ireland, brighter, more glamorous, and "subtly more colorful" than the first movement. Crowley wanted to showcase how Eilis has changed and looks very different: "There is a slightly dreamy quality to that last third," he said.
    • Erros de gravação
      Early in the film, a co-worker attempts to discuss the film Depois do Vendaval (1952). This scene in Brooklyn, NY, takes place in 1951; also in a key scene that takes place much later, a new tombstone on a grave is dated 1st July 1952. "The Quiet Man" was not on general release in USA cinemas until 14 September 1952, with the American premiere in New York City, New York taking place on August 21, 1952.
    • Citações

      [last lines]

      Eilis: [instructing new immigrant] You have to think like an American. You'll feel so homesick that you'll want to die, and there's nothing you can do about it apart from endure it. But you will, and it won't kill you. And one day the sun will come out - you might not even notice straight away, it'll be that faint. And then you'll catch yourself thinking about something or someone who has no connection with the past. Someone who's only yours. And you'll realize... that this is where your life is.

    • Conexões
      Featured in TFI Friday: Episode #7.1 (2015)
    • Trilhas sonoras
      Teddy O'Neill
      Traditional

      Arranged by John Carty

      Performed by John Carty, James Blennerhassett, Paul Gurney and Jim Higgins

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    Saoirse Ronan Through the Years

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    Perguntas frequentes

    • How long is Brooklyn?
      Fornecido pela Alexa
    • Is this film based on a novel?
    • When is the film set?
    • How is the love story in "Brooklyn" a metaphor for the immigrant experience?

    Detalhes

    Editar
    • Data de lançamento
      • 11 de fevereiro de 2016 (Brasil)
    • Países de origem
      • Irlanda
      • Reino Unido
      • Canadá
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Fox Searchlight Pictures
      • Fox Searchlight Pictures (Japan)
    • Idiomas
      • Inglês
      • Latim
      • Gaélico irlandês
    • Também conhecido como
      • Brooklin
    • Locações de filme
      • Curracloe Beach, Ballinesker, County Wexford, Irlanda(The beach scenes in Ireland)
    • Empresas de produção
      • Wildgaze Films
      • BBC Film
      • Parallel Film Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 11.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 38.322.743
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 187.281
      • 8 de nov. de 2015
    • Faturamento bruto mundial
      • US$ 62.402.155
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 57 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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