Depois de uma década transportando o dinheiro das drogas para uma ex-namorada, uma mulher é condenada a um ano e meio atrás das grades para enfrentar a realidade do que pode realmente ser um... Ler tudoDepois de uma década transportando o dinheiro das drogas para uma ex-namorada, uma mulher é condenada a um ano e meio atrás das grades para enfrentar a realidade do que pode realmente ser uma prisão que muda vidas.Depois de uma década transportando o dinheiro das drogas para uma ex-namorada, uma mulher é condenada a um ano e meio atrás das grades para enfrentar a realidade do que pode realmente ser uma prisão que muda vidas.
- Ganhou 4 Primetime Emmys
- 57 vitórias e 163 indicações no total
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Netflix has been in the spotlight recently with their releases of both House of Cards and Arrested Development in full seasons. After finishing both I couldn't wait to see what else they had lined up and once I heard that Jenji Kohan was on board I was sold. Being a fan of Weeds I expected nothing less than well written strong female roles and tons of F-bombs being dropped to come from Kohan's next project. Orange is the new Black is about Piper Chapman and her untimely sentence to an all female penitentiary. She must deal with adapting to her new prison life while also having to maintain a relationship outside with her recent fiancé. I had just finished the first season and was taken back and how well so many of the characters were developed in just 13 hour long episodes. In the beginning it does feel like the show doesn't quite know it's own tone, but just around 4 episodes in it becomes a fun drama with plenty of unique characters. A definite recommendation to anyone who is looking for a summer series to watch!
(Updated after Season 7)
The story of your average early-30s female yuppie who gets sent to prison for 15 months for a crime she committed 10 years earlier. Season 1 Episode 1 shows her checking into the prison, and the rest is what goes on inside, plus the effects of her incarceration on her friends and family.
Initially I thought it was going to a female version of Oz, but it is far better than that. Multi-dimensional: funny, sensitive and sometimes dark. There is heaps of depth to the characters. Clever use of pre-prison flashbacks to show what motivates characters in certain situations, and how they got to be in jail. Very sensitively done, it often shows how their personalities were shaped.
This also serves to show that you can't simply judge people by their current actions - everyone has heaps of baggage.
Superb performances from a spot-on cast.
So different to what I expected, and very pleasantly so.
Season 4 continues the good work and was the usual mix of powerful drama and biting comedy. Maybe a bit darker and deeper than previous seasons due to covering issues of insanity, depression, guard brutality and prisoners' lives once they get out of prison. Some characters who didn't get much focus in previous seasons get more of the limelight, while others get less. One of the casualties is Pennsatucky / Doggett (Taryn Manning), which is a shame as she is one of my favourites - multi-layered and funny. On the plus side, Lolly (Lori Petty) gets much more screen time and she is great: funny and sad, all at the same time.
The last two episodes of Season 4 are incredibly powerful and moving.
Season 5 picks up where S4 left off and shows that the writers had certainly not run out of ideas. At a point when most series start to feel jaded, Orange is the New Black was as strong and fresh as ever.
However, Season 5 does mark a turning point, as the show moves from being predominantly character-based to more plot-based. This is a negative thing, as it was the characters and their stories that make the show so engaging.
Season 6 is where the novelty starts to wear off and the writing starts to show signs of weakness. The setting and situation were new: the Max side of the prison, complete with the more limited freedom it presents, plus grittier, more dangerous characters. This made for some interesting possibilities and the writers used these fairly well.
However, the character engagement, usually OITNB's strongest feature, is now largely missing. Tasha Jefferson is the only character whose story is worth following, and this gets drawn out to the nth degree. Piper Chapman, being irritating (though I think this was more due to Taylor Schilling's performance than anything else), was never worth supporting and this season is no exception. She does, however, provide the most emotional moment of the season.
The lack of engagement in the season is largely due to some previously-likeable/interesting characters being made into irritating characters. The over-the-topness of Red and Lorna's dialogue and general drama constantly made me tune out whenever they appeared.
There are a host of new characters but none are worth supporting. Their introduction also dilutes the impact of the characters and stories you do care about.
Overall Season 6 was watchable but it did feel like a chore at times.
The downward trajectory continues in the final season, Season 7. By now it is all plot-based and the engagement levels are close to zero. The plots themselves feel like retreads of old ones: there's very little new under the sun. The transformation of previously-likeable characters into irritating characters continues. Lorna is particularly annoying.
There was quite a bit of potential though: several of the ex-inmates are now on the outside, so you get to see how the US deals with ex-cons. This was reasonably interesting, as you see how badly ex-cons are treated by the system and how the odds are stacked in favour of them going back to jail. Unfortunately, the central character in this is Piper, and she's irritating, as always.
The other area that had potential was the sub-plot involving deportees and ICE, as this shows how the US treats illegal immigrants (short answer: not very well). Unfortunately, the writers ruin this by massively overegging the pudding: extreme cases, out-of-the-blue soapbox speeches and political finger-pointing. Rather than address the issues with sensitivity and subtlety, they're rammed down your throat. So preachy.
Season 7 was quite an ordeal to get through. I only put myself through it to see the series through to the end. Even then the writers don't make it easy: 13 episodes with a 1.5-hour final episode! In total that's about 14 hours of my life wasted.
Season ratings: Seasons 1-4: 10/10 Season 5: 9/10 Season 6: 5/10 Season 7: 3/10
The story of your average early-30s female yuppie who gets sent to prison for 15 months for a crime she committed 10 years earlier. Season 1 Episode 1 shows her checking into the prison, and the rest is what goes on inside, plus the effects of her incarceration on her friends and family.
Initially I thought it was going to a female version of Oz, but it is far better than that. Multi-dimensional: funny, sensitive and sometimes dark. There is heaps of depth to the characters. Clever use of pre-prison flashbacks to show what motivates characters in certain situations, and how they got to be in jail. Very sensitively done, it often shows how their personalities were shaped.
This also serves to show that you can't simply judge people by their current actions - everyone has heaps of baggage.
Superb performances from a spot-on cast.
So different to what I expected, and very pleasantly so.
Season 4 continues the good work and was the usual mix of powerful drama and biting comedy. Maybe a bit darker and deeper than previous seasons due to covering issues of insanity, depression, guard brutality and prisoners' lives once they get out of prison. Some characters who didn't get much focus in previous seasons get more of the limelight, while others get less. One of the casualties is Pennsatucky / Doggett (Taryn Manning), which is a shame as she is one of my favourites - multi-layered and funny. On the plus side, Lolly (Lori Petty) gets much more screen time and she is great: funny and sad, all at the same time.
The last two episodes of Season 4 are incredibly powerful and moving.
Season 5 picks up where S4 left off and shows that the writers had certainly not run out of ideas. At a point when most series start to feel jaded, Orange is the New Black was as strong and fresh as ever.
However, Season 5 does mark a turning point, as the show moves from being predominantly character-based to more plot-based. This is a negative thing, as it was the characters and their stories that make the show so engaging.
Season 6 is where the novelty starts to wear off and the writing starts to show signs of weakness. The setting and situation were new: the Max side of the prison, complete with the more limited freedom it presents, plus grittier, more dangerous characters. This made for some interesting possibilities and the writers used these fairly well.
However, the character engagement, usually OITNB's strongest feature, is now largely missing. Tasha Jefferson is the only character whose story is worth following, and this gets drawn out to the nth degree. Piper Chapman, being irritating (though I think this was more due to Taylor Schilling's performance than anything else), was never worth supporting and this season is no exception. She does, however, provide the most emotional moment of the season.
The lack of engagement in the season is largely due to some previously-likeable/interesting characters being made into irritating characters. The over-the-topness of Red and Lorna's dialogue and general drama constantly made me tune out whenever they appeared.
There are a host of new characters but none are worth supporting. Their introduction also dilutes the impact of the characters and stories you do care about.
Overall Season 6 was watchable but it did feel like a chore at times.
The downward trajectory continues in the final season, Season 7. By now it is all plot-based and the engagement levels are close to zero. The plots themselves feel like retreads of old ones: there's very little new under the sun. The transformation of previously-likeable characters into irritating characters continues. Lorna is particularly annoying.
There was quite a bit of potential though: several of the ex-inmates are now on the outside, so you get to see how the US deals with ex-cons. This was reasonably interesting, as you see how badly ex-cons are treated by the system and how the odds are stacked in favour of them going back to jail. Unfortunately, the central character in this is Piper, and she's irritating, as always.
The other area that had potential was the sub-plot involving deportees and ICE, as this shows how the US treats illegal immigrants (short answer: not very well). Unfortunately, the writers ruin this by massively overegging the pudding: extreme cases, out-of-the-blue soapbox speeches and political finger-pointing. Rather than address the issues with sensitivity and subtlety, they're rammed down your throat. So preachy.
Season 7 was quite an ordeal to get through. I only put myself through it to see the series through to the end. Even then the writers don't make it easy: 13 episodes with a 1.5-hour final episode! In total that's about 14 hours of my life wasted.
Season ratings: Seasons 1-4: 10/10 Season 5: 9/10 Season 6: 5/10 Season 7: 3/10
This show is a seriously funny drama.
If you like 'Weeds', 'Breaking Bad' or prefer your humour on the darker side, then give it a go... you will not be disappointed.
Very few people create characters like Jenji Kohan... and it is the characters that make this show. Like 'Weeds', 'Orange' is fresh and original, and like 'Weeds' the lead character is tragically flawed and hilariously funny.
Well done to Netflix on their latest production... 'Hemlock Grove' is just weird, 'House of Cards' was hit and miss... but it looks like the third time is a charm. Bravo.
(FYI: humour is how we Brits spell humor). :-)
If you like 'Weeds', 'Breaking Bad' or prefer your humour on the darker side, then give it a go... you will not be disappointed.
Very few people create characters like Jenji Kohan... and it is the characters that make this show. Like 'Weeds', 'Orange' is fresh and original, and like 'Weeds' the lead character is tragically flawed and hilariously funny.
Well done to Netflix on their latest production... 'Hemlock Grove' is just weird, 'House of Cards' was hit and miss... but it looks like the third time is a charm. Bravo.
(FYI: humour is how we Brits spell humor). :-)
The longest series I have ever watched which was close to 90 hours.
Initially I was not interested in watching the series because of nudity, drug, sex, profane language content; but as the episodes moved on I found it interesting because of the portrayal of all the characters.
The story baseline is the prison life and crimes inside the prison. The episodes revolve around how each of the characters are doing good in their life and they end up in prison life doing some mistake.
I really liked the way they used contrasting short flashbacks for depicting how malice each and every prison inmate are on one side and on the other side how soft-cornered they are to their dear people and how one selfish act of them ended them in prison life.
They have shown how miserable and hard, prison life is amidst the corruption and the politics on the prison administration.
On top of all what made it more catchy was the frequent usage of drama and humour in the scenes.
Initially I was not interested in watching the series because of nudity, drug, sex, profane language content; but as the episodes moved on I found it interesting because of the portrayal of all the characters.
The story baseline is the prison life and crimes inside the prison. The episodes revolve around how each of the characters are doing good in their life and they end up in prison life doing some mistake.
I really liked the way they used contrasting short flashbacks for depicting how malice each and every prison inmate are on one side and on the other side how soft-cornered they are to their dear people and how one selfish act of them ended them in prison life.
They have shown how miserable and hard, prison life is amidst the corruption and the politics on the prison administration.
On top of all what made it more catchy was the frequent usage of drama and humour in the scenes.
Orange is the New Black was one of Netflixs first breakout shows. It's about the lives of inmates and the guards of a women prison. It starts with a woman who is sent to prison for transporting drug money to her ex-girlfriend. She's a pretty good person who doesn't deserve to be in jail but still ends up there. It covers issues that are relevant today and shines a light on even more problems that people should know about. This is a dark comedy that with a very talented ensemble cast. It maintained a high level of quality throughout all seven seasons, obviously some seasons were better than others but none felt boring and were all worth watching. It's is a show that's definitely best watched if you binge it.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Celebrate the LGBTQIA+ characters that captured our imaginations in everything from heartfelt dramas to surreal sci-fi stories.
Você sabia?
- CuriosidadesThe title sequence features close-ups of the faces of real former inmates, including a brief shot of Piper Kerman, whose book was the basis for the TV series. Kerman has blue eyes and is the one who blinks.
- Erros de gravaçãoThe timeline of the show often changes; the first season indicates being set in 2010 (upon entering prison, Piper begs Larry to not watch the latest Mad Men: Inventando Verdades (2007) without her, and Larry is shown the latest episode from season 4, which originally aired in 2010). However, season 5 references the San Bernarndino shootings, which occurred in 2015. This cannot be possible as Piper's prison sentence was for 15 months and only about a year has passed in those five seasons.
- Citações
Miss Rosa Cisneros: [after running Vee over with the prison van] Always so rude, that one.
- ConexõesFeatured in Chelsea Lately: Episode #7.105 (2013)
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- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
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- Também conhecido como
- Laranja É o Novo Preto
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora
- Cor
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- Proporção
- 1.78 : 1
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