Muumit Rivieralla

I so wanted to like this film. The books, the fuzzy-felt TV series, even the newer young children's books are all fabulous.

Presumably the original Finnish version is up to scratch. Visually it's great, the music's pretty good. The English version though is appalling. The translation is dry and humourless and voice acting poor. Where is the subtle characterisation of the originals - shouldn't the Snorkmaiden be coquettish and slightly insecure rather than just a cow? I do a better Moominpappa reading the stories to my boy than the voice actor here.

The worst thing is that this vandalism must have been done by a team that just don't "get" the Moomins. They should be treasured, not treated like this.

I am a big Moomin fan and this movie was just terrible. The only good thing about it was the cartoon drawing style, even I will always love the original Finnish moomins cartoon. The voice actors seemed to have no personality at all, or fit the characters they were doing the voices for, and the plot was boring i couldn't even finish the 30 minutes of the film. Highly disappointed.

Just for you. Didnt want to break my promise.

legit the only movie that gave my child nightmares, besides when the horse dies in the neverending story.

A beautifully animated but rather baggy attempt at bringing the classic Tove books to life. Careful attention has been paid to replicating the style of the original inkwork - and with a lovely muted palette, the background scenes are by-and-large stunning, especially in Moominvalley itself.

Unfortunately it meanders so aimlessly as a plot that by the hour mark it feels quite exhaustingly disconnected like a flimsy Saturday morning cartoon stretched beyond its natural limits. Plaudits to be handed out for its dedication to the original more-satirical Moomin comic strips but in doing so whilst sticking to a languid and simplistic pace it ends up too babyish for adult audiences and too bizarrely adult for children's audiences. A bit of a beautiful muddle really that leaves it as a strange European curio rather than a vital bit of Moominery and really a damned shame.

Visually the cartoon was OK, but it totally ignored any number of excellent plots from the originals.

Had pirates, except they behaved absurdly. And did not fit.

Then sent them to the Riviera, where they were obviously out of place.

A complete botch.

Why does no one in the world of commercial cinema accept that a successful original is best treated with respect?