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Adicionar um enredo no seu idiomaA look at the life of filmmaker John Milius.A look at the life of filmmaker John Milius.A look at the life of filmmaker John Milius.
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Avaliações em destaque
It's a fairly standard talking head movie with lots of clips and interviews. Does a great job of letting you see him and his work. Well done.
This documentary film is great. Even if you have no interest in the subject or filmmaking or Hollywood or any of it. Why? Because it tells first and foremost the story of a man, who is bigger than life. And it does with interviews and clips, but there is something more this film does. Every once in a while when someone is telling an anecdote the movie will recreate the scene using pictures and photo-collages. It is great, it is very well done and it gives the film a very dynamic feel. And I loved it.
Of course, the documentary is well done overall. There is a lot of information presented here, as they go through Milius' whole life. Yet, it was never confusing or jumbled. The movie acts as a biographical film of sorts, and it gives a clear picture of who this guy was, even if some mystery remains. Not only that, but the documentary chronicles very well the culture and the environment from which the likes of Milius' emerged. The sixties, the counter-revolution and all that stuff. How did the Hollywood system operate and how it changed. It is not in focus, but it is present. For instance when they address Milius' politics and how it played with his industry reputation.
In a sense this documentary is the ultimate boomer chronicle. It shows how these guys that smoked weed and partied and were outcasts so to speak, later not only bent the establishment to their knees, but then became the establishment itself. It is the timeless story of how baby-boomer spent their youth and ideals fighting The Man, only to discover they became The Man. But that is just my commentary; the movie does not address this through that angle given that Milius remained somewhat on the fringes (or alternatively at the avant-garde).
Of course, Milius got scammed and lost all his money, but you can see on the margins that his influence (and most importantly his friends in high places) remained untouched. On the other hand, it is interesting to see that even at the top you have to balance artistic integrity and financial success. And maybe Milius was not as successful precisely because he was bolder and more radical in his expression. But you do get the feeling that despite all his fault he was a sincere artist.
This documentary film is important because it adresses a pivotal moment in Western culture, that gave birth to New Hollywood and furthermore the type of movies being made, and ultimately consumed. And Milius was always at the center of it.
In a sense this documentary is the ultimate boomer chronicle. It shows how these guys that smoked weed and partied and were outcasts so to speak, later not only bent the establishment to their knees, but then became the establishment itself. It is the timeless story of how baby-boomer spent their youth and ideals fighting The Man, only to discover they became The Man. But that is just my commentary; the movie does not address this through that angle given that Milius remained somewhat on the fringes (or alternatively at the avant-garde).
Of course, Milius got scammed and lost all his money, but you can see on the margins that his influence (and most importantly his friends in high places) remained untouched. On the other hand, it is interesting to see that even at the top you have to balance artistic integrity and financial success. And maybe Milius was not as successful precisely because he was bolder and more radical in his expression. But you do get the feeling that despite all his fault he was a sincere artist.
This documentary film is important because it adresses a pivotal moment in Western culture, that gave birth to New Hollywood and furthermore the type of movies being made, and ultimately consumed. And Milius was always at the center of it.
Great writer, below average director.
Larger than life as a person.
What's interesting about this documentary about the writer John Milius is that he was befriended with Steven Spielberg, George Lucas, Martin Scorsese and Francis Ford Coppola back in the early seventies. All his friends did become famous and legendary directors, while John Milius did not succeed.
John Milius was lauded for his writing talents and his excellent screenplays by an incrowd of directors. But the man was larger than life and in day to day dealings with Hollywood many excecutives didnt fancy dealing with someone who had several wild antics, like gun slinging and threatening to shoot his gun, while he was in business meetings.
In the end this is a portrait of a great writer, but a failed director, whose movie career petered out quite quickly. He is still forever famous for writing "Apocalyse Now" though. If you havent seen that movie yet, you are in for a real treat!
Larger than life as a person.
What's interesting about this documentary about the writer John Milius is that he was befriended with Steven Spielberg, George Lucas, Martin Scorsese and Francis Ford Coppola back in the early seventies. All his friends did become famous and legendary directors, while John Milius did not succeed.
John Milius was lauded for his writing talents and his excellent screenplays by an incrowd of directors. But the man was larger than life and in day to day dealings with Hollywood many excecutives didnt fancy dealing with someone who had several wild antics, like gun slinging and threatening to shoot his gun, while he was in business meetings.
In the end this is a portrait of a great writer, but a failed director, whose movie career petered out quite quickly. He is still forever famous for writing "Apocalyse Now" though. If you havent seen that movie yet, you are in for a real treat!
This documentary is about a Hollywood legend who deliberately cultured an anarchistic and ultra-macho persona—one that irritated the life out of many of the politically correct in Hollywood. However, for some time, the film industry had to put up with John Milius' strangeness because the man was extremely successful. With films like "Dirty Harry", "Magnum Force", "The Wind and the Lion" and "Apocalypse Now" to his writing credits, he was greatly in demand and was friends with the biggest names in Hollywood—like George Lucas and Steven Spielberg. However, in recent years, Milius' output on the screen has dropped considerably and the prestige of his projects has dropped. And, in the last few years, his output has dropped to nothing. What happened? What led to this fall?
The film begins with a very brief discussion of Milius' childhood but spends most of the early part of the film talking about his time in film school—where he attended classes with the two men mentioned above as well as a few other future filmmakers. It then proceeds to discuss his projects chronologically—and pays special attention to his most successful and critically acclaimed pictures. Additionally, I noticed that Milius' IMDb credits actually are missing much of his work, as he was apparently the go-to man when producers needed re-writes or wanted to punch up scenes—such as when he contributed some dialog for the films "Jaws" and "The Hunt for Red October". His track record during this time was pretty amazing. But as I mentioned above, there was a fall—but I really don't want to say more, as it would spoil the film.
The best thing going for this film is how much many ultra-famous people love and respect Milius. Because of this, TONS of exceptionally big names contribute to the film—such as Clint Eastwood, Sam Elliott, Oliver Stone (who didn't seem to like him but respected his abilities), Francis Ford Coppola, Richard Dreyfus, Harrison Ford, Steven Spielberg, George Lucas, Martin Scorsese, Arnold Schwarzenegger and many, many more. Even a bad documentary would be great and well worth seeing with these folks appearing in it!! And, fortunately, this is NOT a bad film at all. It is a loving portrait of a strange and deliberately out of sync man. Think about it—in the bastion of liberal thinking, Hollywood, Milius was serving as an officer for the NRA and would carry guns about him to meetings with studio execs!! I admire someone who deliberately tweaks the noses of those around them, as provocateurs make like a lot more interesting!
Additionally, the film is well-constructed, filled with wonderful clips and archival footage, is fascinating and you cannot help but gain an appreciation for this very odd man. Well worth seeing—especially for anyone who wants to be somebody in the film business.
The film begins with a very brief discussion of Milius' childhood but spends most of the early part of the film talking about his time in film school—where he attended classes with the two men mentioned above as well as a few other future filmmakers. It then proceeds to discuss his projects chronologically—and pays special attention to his most successful and critically acclaimed pictures. Additionally, I noticed that Milius' IMDb credits actually are missing much of his work, as he was apparently the go-to man when producers needed re-writes or wanted to punch up scenes—such as when he contributed some dialog for the films "Jaws" and "The Hunt for Red October". His track record during this time was pretty amazing. But as I mentioned above, there was a fall—but I really don't want to say more, as it would spoil the film.
The best thing going for this film is how much many ultra-famous people love and respect Milius. Because of this, TONS of exceptionally big names contribute to the film—such as Clint Eastwood, Sam Elliott, Oliver Stone (who didn't seem to like him but respected his abilities), Francis Ford Coppola, Richard Dreyfus, Harrison Ford, Steven Spielberg, George Lucas, Martin Scorsese, Arnold Schwarzenegger and many, many more. Even a bad documentary would be great and well worth seeing with these folks appearing in it!! And, fortunately, this is NOT a bad film at all. It is a loving portrait of a strange and deliberately out of sync man. Think about it—in the bastion of liberal thinking, Hollywood, Milius was serving as an officer for the NRA and would carry guns about him to meetings with studio execs!! I admire someone who deliberately tweaks the noses of those around them, as provocateurs make like a lot more interesting!
Additionally, the film is well-constructed, filled with wonderful clips and archival footage, is fascinating and you cannot help but gain an appreciation for this very odd man. Well worth seeing—especially for anyone who wants to be somebody in the film business.
I didn't know too much about John Milius before I sat down to watch this documentary, other than that he scripted some great movies and was responsible for one of my favourite fantasy flicks, CONAN THE BARBARIAN. So this was an eye-opening journey for me, and one which was a lot of fun. It's a documentary mainly comprised of talking head footage which looks at Milius's career in Hollywood, his rise, fame, and eventual downfall, in a snappy and amusing way. The requisite clips from his films play out and although familiar they don't lose their charm.
My only real problem with this film was that some of the animated linking scenes were pretty silly but that's a very minor niggle. The sheer breadth and wealth of Hollywood talent that has been assembled here is impressive in itself, with Spielberg and Lucas nestling alongside George Hamilton and Schwarzenegger. A lot of them have very interesting anecdotes to share, anecdotes which when put together build up a good portrait of the maverick that is Milius. While he might not be quite the legend that the filmmakers seem to believe, this is still highly watchable viewing.
My only real problem with this film was that some of the animated linking scenes were pretty silly but that's a very minor niggle. The sheer breadth and wealth of Hollywood talent that has been assembled here is impressive in itself, with Spielberg and Lucas nestling alongside George Hamilton and Schwarzenegger. A lot of them have very interesting anecdotes to share, anecdotes which when put together build up a good portrait of the maverick that is Milius. While he might not be quite the legend that the filmmakers seem to believe, this is still highly watchable viewing.
Você sabia?
- CuriosidadesThe filmmakers were supposed to interview John Milius for the documentary the week that Milius had the stroke. The doc was then put on hold for 9 months.
- Citações
Francis Ford Coppola: Everything memorable about Apocalypse Now was written by John Milius.
- Cenas durante ou pós-créditosMore interview and movie clips play to the end of the closing credits.
- ConexõesFeatures Dr. Fantástico (1964)
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- How long is Milius?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 43 minutos
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