Grandmaster

A serial kills women in alphabhetical order and a police go after him... There is no unique way in story and screenplay just an ordinary serial killer movie nothing more than that... Climax has twist but not surprising.. All I can say that this is a one time watchable movie...!!!

For a crime thriller about a serial killer, GRANDMASTER conceives a good premise but the tepid execution plays a huge spoilsport. The film is about the killing of women with the first name of their alphabets sequentially i.e. The first person who gets killed is Alice and the next is Beena and so on. Gradually Chandrasekhar(the investigative officer and the protagonist) establishes a connection between the serial killings with the murder of a wealthy man a few years ago and it's explicitly stated in the film that he had no close relatives. But for the sake of a twist in the climax, a relative is created out of thin air, and that too a pretty close one.

Apart from the poor screenplay, there aren't many redeeming qualities either. The action scenes are very haphazardly shot and have so many cuts that you don't know what the hell is going on. The overall film is shot in such a way that it gives the movie a tv-serial aesthetic. Mohanlal plays his role in a straightforward manner as the writing doesn't give him much. The film just trudges from scene to scene without creating much suspense or excitement. Even the red herrings are poorly done.

3.5/5 - Good Watch!

Mohanlal's early 90's whodunit "Mukham' directed by Mohan is one of my favorite movies, so is Mohan's "Pakshe". "Mukham" if I remember correctly was a flop, but nuances of the movie keep growing on you on repeated viewing. Though reception of the movie was lilliputian compared to K.Madhu's "CBI diary kurippu", "Mukham" trumps the Mammootty flick by tactfully meshing the two quintessential parts of a whodunit - the crime, and the mind of the investigating officer. B.Unnikrishnan's "Grand Master" does just that, and is a movie worthy of repeated viewing.

When Mohanlal finds a character that resonates with the actor that he is, he delivers sheer onscreen magic. While "Grand Master" doesn't compare to lets say "Bhramaram" (which I think is Mohanlal's role of the decade), there is a sense of calm and ease with which the actor fits into the character of Chandrashekar. Mohanlal plays his age and his physical form, and is completely at ease as he carries the movie. Anoop Menon, Priyamani, Jagathy, and Narain support well, but this is a Mohanlal movie. It's one of those movies like "Udhayananu Tharam" where after the intro scene you forget you are watching a Mohanlal movie. A well played performance which constantly dodges our attempts at getting into the head of Chandra to figure out how he is going to crack the case.

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If you want to know the meaning of screen presence, just watch this movie. A technically brilliant movie and a commercial script, executed to near perfection, it is all about Mohanlal. Man he just eats up others and he is all over the screen, such dominance and screen presence, this is what real charisma!!! No one other than Mohanlal could have pulled the role of a middle-aged cop who is returning to duty with such élan and magnetism! The riveting climax and decent contribution from the support cast drives the movie home, definitely a must watch for crime thriller lovers and Lalettan fans! A one time worth watching movie that wouldn't disappoint you!

Directly copy from series Agatha Christie's Poirot season 4 episode 1. Very much disappointed.