AVALIAÇÃO DA IMDb
6,2/10
2,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young man discovers a hole in the floor of a local motel that leads to yesterday.A young man discovers a hole in the floor of a local motel that leads to yesterday.A young man discovers a hole in the floor of a local motel that leads to yesterday.
- Prêmios
- 4 vitórias e 3 indicações no total
Fotos
Dafna Kronental
- Lauren
- (as Dana Kronental)
Lauren Wade
- Young Grandma
- (as Loz Wade)
Avaliações em destaque
Full review on my blog max4movies: 41 is an independent science fiction movie about a student of philosophy, who discovers a trap door in a motel room that leads to the past. The premise is basic but interesting, and the movie is mostly well executed, with great cinematography and an atmospheric score. The performances are somewhat middling, but the main actor mostly does a decent job. The plot is overall thrilling and clever, however, the ending will throw some viewers off, due to a central plot hole. Still, the movie is efficiently made and demonstrates that science fiction can also deal with very down-to-earth issues.
About half way through I was ready to call it a day and stop this movie. It wasn't bad, but it was moving along little too slowly.
I'm glad I finished watching this film, the last 25 minutes more than made up for any perceived slowness early on.
No spoilers, but, you will be glad you watched it.
I'm glad I finished watching this film, the last 25 minutes more than made up for any perceived slowness early on.
No spoilers, but, you will be glad you watched it.
A time travel tale is a good start for any young director. The story was interesting and low on predictability.
The main character looked a little vacant at times, considering he found himself in varying degrees of stressful situations. But in the main, he was engaging.
Some of the dialogue was a little ropey and a few scenes had an air of awkwardness about them. I put this down to some below par screen writing and the odd inexperienced actor. The police scenes looked at times, like they belonged in a different movie. Far too hammy, and unnecessarily comedic.
The score was great and the movie does leave you thinking about the many possible paradoxes that the main character's actions inspire.
But as with most time-travel movies, don't think too hard about it, just focus on the bigger message. Which, at least is something that you are left with come the end.
The main character looked a little vacant at times, considering he found himself in varying degrees of stressful situations. But in the main, he was engaging.
Some of the dialogue was a little ropey and a few scenes had an air of awkwardness about them. I put this down to some below par screen writing and the odd inexperienced actor. The police scenes looked at times, like they belonged in a different movie. Far too hammy, and unnecessarily comedic.
The score was great and the movie does leave you thinking about the many possible paradoxes that the main character's actions inspire.
But as with most time-travel movies, don't think too hard about it, just focus on the bigger message. Which, at least is something that you are left with come the end.
This is an amateur film and parts of it are good, but for the most part it is still very amateur. Perhaps the best aspect is the directing and editing, which are probably good enough for mainstream film, but nothing amazing. The editing was well done, but again, fairly standard. Like any amateur film the acting ranges from reasonable to bad, but that's not exactly the directors fault given the limited budget.
By far the biggest problem is the script which at times is quite poor, most noticeably when attempting to pose deep, metaphysical questions. At times I could hear the voice of the director speaking through his actors, and this sounded inept. In amateur film the scripting and plot are perhaps the only things not really held back by a restricted budget, and unfortunately neither aspect was that good. The film failed to evolve a coherent sense of empathy for the main protagonist, it feigned emotion more than produced any and nothing ever really became that interesting or exciting. Some characters, most noticeably the cops, were little more than 2-bit cliché's, and there were quite a few moments which were unnecessary, melodramatic and time-wasting.
Having said that it's not unwatchable and as amateur film goes it's probably one of the better ones. But the director, in my opinion, is not ready to make feature length titles and needs to develop his abilities further, especially his screen-writing and scripting if he wants to write his own material. On the positive, however, I have seen Hollywood films that annoyed me far more and that's saying something.
By far the biggest problem is the script which at times is quite poor, most noticeably when attempting to pose deep, metaphysical questions. At times I could hear the voice of the director speaking through his actors, and this sounded inept. In amateur film the scripting and plot are perhaps the only things not really held back by a restricted budget, and unfortunately neither aspect was that good. The film failed to evolve a coherent sense of empathy for the main protagonist, it feigned emotion more than produced any and nothing ever really became that interesting or exciting. Some characters, most noticeably the cops, were little more than 2-bit cliché's, and there were quite a few moments which were unnecessary, melodramatic and time-wasting.
Having said that it's not unwatchable and as amateur film goes it's probably one of the better ones. But the director, in my opinion, is not ready to make feature length titles and needs to develop his abilities further, especially his screen-writing and scripting if he wants to write his own material. On the positive, however, I have seen Hollywood films that annoyed me far more and that's saying something.
A most excellent and entertaining film, well written and scored. The dialogue was at times thought provoking and, to be honest, was more or less in line with my thoughts on time travel which is as good a reason as any to like it! Perhaps a better script might have ruined it, and special effects would not have suited the films nuances and quirks. I have never come across a bad Australian film and this, being no exception, is a better one than some other highly glossy and commercial ones. In many ways this reminds me of a typical British film shot with lots of love on a low budget - earthy and local, with no pretensions. Plot holes were easy to forgive given that there were few for the given budget, and that, apart from the police scenes, the acting was of a quality any director would be pleased with. I enjoyed it. I would have bought this!
Você sabia?
- CuriosidadesThe Diner in the film was shot on the other side of the world by a camera operator in Connecticut USA.
- Erros de gravaçãoThe car Aidan's grandfather was driving in 1957 had seats from a modern car. Vehicles in the 1950's didn't have headrests.
- Cenas durante ou pós-créditosBefore the opening credits is a montage showing aspects of life on Earth over hundreds of thousands of years, including a caveman in the snow, a scene of Greek soldiers going off to war, a baby being born (for real), footage from Vietnam, and a time-lapse night shot of the Milky Way. A woman in voice-over talks about the nature of time and memory.
- Trilhas sonorasAltitude
Performed by Tara Dowler
Principais escolhas
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- How long is 41?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Locações de filme
- Olympia Diner - 3413 Berlin Turnpike, Newington, Connecticut, EUA(filming location: diner scenes)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 20 minutos
- Cor
- Proporção
- 1.78 : 1
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