He Comes to Kill

He Comes to Kill will enter your screen one night to see the rampage of Stanley Elk. However, I want to take a moment in this review for one particularly enjoyable performance by actor Blake Best, who portrays Blake the Guard. The movie showcases Blake's exceptional talent as an actor, delivering a, dare I say, riveting performance that elevates this thrilling masterpiece to new heights. During his screen time, Best captivates the audience with his commanding presence, impeccable delivery, and the depth he brings to his character.

The film itself is a masterclass in suspense and tension, expertly crafted to keep audiences on the edge of their seats. Every scene is meticulously designed, with a palpable atmosphere that oozes with anticipation. The pacing is flawless, ensuring that the narrative unfolds with precise timing, building suspense with each passing moment.

Visually, "He Comes to Kill" is stunning, with breathtaking cinematography and a meticulous attention to detail. The film's aesthetic choices add to the overall atmosphere, immersing viewers in a dark and haunting world. Combined with a haunting musical score, the film creates an immersive experience that lingers long after the credits roll.

This film is a must-watch for anyone seeking a gripping and thought-provoking cinematic experience, with an especially enjoyable appearance by Blake Best. Prepare to be captivated, thrilled, and utterly spellbound by "He Comes to Kill."

After his escape from prison, a notorious serial killer returns to a small-town home he used to prey on and starts a vicious rampage throughout the community, eventually forcing a rogue cop into action to stop the deadly killer before more are killed.

This was a fairly fun shorter genre effort. What works well here is a simplistic and straightforward setup that provides plenty of opportunities for this one to get the point rather nicely with the generally fun storyline of the killer being released by the crazed follower and set off into the community. That provides a great way for us to get to know the residents and their personal issues in the first half before switching gears into the second half with a bit more focus in the slashing as the crazed killer gets more of a chance to knock the townspeople off. Some of this does manage to run on a bit too long in this kind of shorter running time where the opportunity isn't that to flesh these kinds of characters out the way it should but it's still quite endearing for the townspeople which helps this out. Once it gets to the stalking here, this one manages to have some fun with a solid series of indie-style ambush attacks that effectively showcase the crazed nature of the killer in question. Not just content with the opening butchering of the victim inside the asylum chamber before the escape, sequences like the bookstore encounter, the big brawl in the meeting hall where he knocks off several people during the sequence, and the final confrontation at the hideout where multiple brawls take place at once are pulled off nicely with some great indie gore in the process. There are plenty of occasions here where it's budget shines through and does provide some points where that's apparent, especially a plotline involving a sidekick-like character offering some cult-like story that doesn't have time to be explored, but that's not enough to hold this down.

Rated Unrated/R: Graphic Language and Violence.