White Rabbit

Which passes off like a movie lionising Jeffrey Dahmer, really, and much more so than the recent TV series.

Poor casting of what looks like 30- and 40-something pretending at playing teens does the movie a disservice completely taking the viewer out of the movie. A lot of the scenes are laughable and not in a good way, because of that, some scenes are completely beyond belief, because of the differences of how people think and act in their teen age, here the producers didn't make an effort to actually research the pedestrian subject of life of high school teens and seemingly didn't even want to.

A cringy imitation of the "deep" and "psychological" movies of the 90ies, without substance, with the (still very minimal) gore and stylized violence of the 2010s searching for a meaning, which won't come until the 2020ies , a transitional period, for movies, and for society too. 4/10.

Ultimately too violent for me but compelling until then. Nice twist before the ending is well-handled (I didn't see it coming).

This film emulates so many films that involve a similar subject matter, and yet somehow fails to capture the same wonderful elements of it's predecessors.

Perhaps one of the biggest flaws right off the bat is the quality of acting, particularly with the younger actors. One thing struck me during my viewing of this film, and that was how the leads looked more like Hollywood teens, and less like something you'd find in the backwoods where this is all taking place. I think it's very likely that the casting for this film revolved more around aesthetics than it did acting ability, which is a shame because much of this movie relies on the lead being able to convey his gradual build-up of rage and anxiety, and unfortunately falls quite flat in this regard.

So with the lead and the love interest just not up to par, this instantly undercuts a lot of the film outright. On top of that the build-up itself, which is just a few instances of your various 'High school sure if ruff' vignettes also leaves something to be desired. The pacing feels off with it. As in the intensity of each little scene does not constantly build, but rather wavers, ebbs and flows between mundane and tragic.

Though really the tragic thing is how much visible potential this film had. A lot could have been done with it, but what was done was not done well. When there're so many great films out there that tackle such difficult subject matter, it becomes really difficult to recommend this one.

With the image of a demonic bipedal white rabbit still imprinted on some of our minds, we are now introduced to a quadrupedal white/albino eastern cottontail, with less than angelic influential motivations reaped upon our teenage deviant. Although somewhat darker in nature than the bipedal rabbit, this one gives us homicidal urges rather than precognitive events (one could argue that observation) and pyromaniac tendencies. And if one is familiar with Swedish (and botched Hollywood clones) of a similar genre the: "fight back" scene may also seem familiar to some.

When I was a youngster, my sister was driven by my mom for her weekly ballet lessons, my other sibling was taught signing, my little brother labored under his ventriloquist instructor. Me - I was dropped off at the public library to diligently study books about rabbit hunting, got about 3/4s of the way down the rabbit hole before I found my way out. Most likely the reason for this review.

A teenager in Louisiana (Nick Krause) faces the challenges of the working class, a troubled father (Sam Trammell), bullies at school and first love (Britt Robertson). Will it push him over the edge?

"White Rabbit" (2013) is a dark coming-of-age drama with gritty realism and an artsy flair. It has been compared to "Donnie Darko," but that one was sci-fi with a high school milieu whereas "White Rabbit" keeps things mundane and relatable, not to mention brooding and edgy. Besides, "Donnie" was essentially a blockbuster while this one cost $2 million.

If you like Indies like "Cutback" (2010) and "Love Everlasting" (2016) or mainline flicks like "The Rage: Carrie 2," you'll appreciate this. The ending doesn't wuss out and is reminiscent of the underrated "Speck" (2002). Thankfully, as dark as it is, it wisely provides a ray of light.

The film runs just over 1 hour, 30 minutes, and was shot in outer New Orleans.

GRADE: B+/A-