Calvário

At the end of the film I reflected that this was a far bigger film that I had been expecting. The issues explored in the film really do come together at the end. The credits roll silently and I noticed that the full cinema was very quiet and remained so for a much longer time than usual.

The problems in the Catholic church have had repercussions and this parish in Sligo is losing its faith. This loss of faith is portrayed very vividly, it is expressed more strongly than in reality I think.

The film revolves around the character of Father James Lavelle played powerfully by Brendan Gleeson. As Father James visits his parishioners there is much humour, often quite dark. The script has many choice lines. A man arrives to give a lift to a female parishioner who has been sexually promiscuous and she says "here is my ride".

Father James Lavelle is a likable priest, grappling with applying the church's teachings in the modern world. It is a thankless task and always his objective is undermined by the failures of the church itself. Father James's character is contrasted with that of a younger priest he shares the parish with (David Wilmot). The younger priest is very much part of the institution of the church and his loyal naïvety is humorous and infuriating.

Father James' life is threatened at the beginning, but this film is not a detective story, it is not Father Brown. Father James knows who threatened him but we the audience are not let in on the secret. The logic behind the threat is described ingeniously as events in the film come to a head at the end.

This movie is NOT I repeat NOT a comedy, it is a drama addressing serious issues from Ireland's past that happens to have some dark comedy moments.

It is well written, directed and acted and draws you into the little community in Sligo. As usual Brendan Gleeson proves he is one of the finest Irish actors around playing the likable priest who realises the worlds problems are real.

The end of the movie will leave you thinking and in all likelihood the cinema will be in silence and that is a sign of what this film has achieved... a contemplative piece forcing us to think on our past and how we treat.

8/10

My expectations for this movie were medium, I saw the cast had a lot of great comedians, so I thought there would at least be a few laughs. Instead, I was surprised to see a very powerful and touching movie, absolutely great script, never a doll moment, funny comebacks, terrifyingly creepy monologues and Brendan Gleeson. Hats off to this wonderful, talented actor! I was completely sold on his interpretation of an intellectual, yet devoted priest. And also, I found it very refreshing that the character was written as sincerely religious but not bigoted. I strongly recommend you go see this movie and I can't wait to see it again!

Greetings again from the darkness. Writer/director John Michael McDonagh and actor Brendon Gleeson re-team (The Guard, 2011) in what can be viewed as one giant leap for both filmmaker and actor. Mr. McDonagh is immensely talented and seems to be a natural at keeping his viewers unsure of what's coming.

Set and filmed in a western Irish coastal town, the film has a most unusual first scene, including an acknowledgment of such as the priest (Gleeson) says "Certainly a startling opening line". This occurs in the confessional with an extreme close-up as the unseen (by us) parishioner then says "I'm going to kill you Father". With Sunday week as the promised deadline, the movie follows the Priest with a placard for each day, as he makes his way through the maze of local town characters. He also receives a visit from his daughter (Kelly Reilly), fresh off a suicide attempt (he was married prior to joining the priesthood).

The film bounces from very dark humor to extreme philosophical and theological discussions between the town folks and the priest. We quickly learn what a good man he is, and struggle to understand why the locals flash such vitriol his way. The Catholic Church, and all that implies these days, certainly plays a key role, but more than that, this is about the make-up and character of people.

This is not the place to go into detail about the story, as the film is best unwrapped and interpreted by each viewer. What can be said is that this is exceptional filmmaking: it's well directed, beautifully photographed, superbly acted, has a terrific script, and encourages much discussion.

Watched this at Sundance Festival. Brilliant film. Some of the dialog is a bit lost on US audience but still some hilarious lines. This is much darker than The Guard and In Bruges (I know it's a different writer/director) but very similar humor. But this has some very powerful scenes (particularly the one with the lady who loses her husband). It also tackles some serious questions on the church and priesthood after the scandals around the world; really makes you think about the plight of decent priests. Gleeson pulls off the part of innocent priest paying for the sins of others excellently.

The music is amazing throughout. Also the scenery is incredible - made me miss home!

Excellent performances by Pat Short and Dylan Moran. Brendan Gleeson is just Brendan Gleeson, my favorite Irish actor (after Daniel Day Lewis of course)

This is well worth seeing. If your a fan of the McDonaghs stuff you'll love this. And what a great ending!