Adicionar um enredo no seu idiomaAn elite security team assigned the task of protecting the last known woman who can become pregnant, find themselves caught in an endless claustrophobic underground tunnel system. The team s... Ler tudoAn elite security team assigned the task of protecting the last known woman who can become pregnant, find themselves caught in an endless claustrophobic underground tunnel system. The team soon learns - the real horror is not the unstoppable force chasing them, but the ever shrin... Ler tudoAn elite security team assigned the task of protecting the last known woman who can become pregnant, find themselves caught in an endless claustrophobic underground tunnel system. The team soon learns - the real horror is not the unstoppable force chasing them, but the ever shrinking tunnel itself.
- Direção
- Roteirista
- Artistas
- Sniper
- (as David P. Baker)
- Creature
- (as Matthew Crabtree)
- …
Avaliações em destaque
The earth is overrun by the "OVT" virus (Whatever the f!!ck that is) and a special forces unit is given the task of escorting -in their commander's words- "the last non-infected, virus-free, fertile woman alive" to Earth 2. Now he could have just said "non-infected" or "virus-free" but repeatedly chose to compound those two terms (Maybe he thought his team was stupid and wasn't taking any chances in case they didn't understand the meaning of one term?).
This movie is brought to us, we are told at the start, by "Backyard Films" which is something I can well believe. I couldn't make sense of the action in the first part of this video (I can't call this a "movie" folks). Speaking of action, the last two-thirds of the movie is spent in narrow underground tubes or tunnels. One is of some kind of plastic or metal and the other is soil. It gets increasingly cramped. So much so, they can only move an inch at a time WHEN THEY MOVE. If you can't run, kick, jump, shoot -where's the entertainment? What we see mostly is people inching or crawling along like this dull video. After inching forward about 3 inches, the lead chick stops, grimaces, looks around, musters up some incredible inner reserve and moves 3 more inches. And so on, and so on. I kid you not, this is a huge chunk of this "movie".
Maybe the people who made this video knew it was going to get dull once they got to the narrow tunnels, so just before she goes in, the lead Ops chick who has a blonde punk mohawk hair style, and wears knee-high fetish boots with thick rubber soles, takes off her pants and gives it to the doctor to rip into strips for bandage for the injured non-infected "plus" virus-free woman. She's now left wearing some ultra short shorts (At this point I perk up). This could get interesting if the camera guy or gal does his or her job properly. Unfortunately the camera person was "gun-shy", so to speak and didn't give me the angles and close-ups I wanted. Maybe the Backyard people didn't want to appear exploitive. In which case: Why use all of the punk Ops pants for bandage? Could have just used the legs. But they had her strip down to her short shorts and then chickened out once she got in the tunnels.
Now before anyone thinks of me as base, let me say this: If you're going to confine a woman so she can't run, jump, shoot, face-off with that cheap Alien knock-off of a creature -what else is there? If you want to keep at least "some" of your audience, you might as well use your camera to lovingly study the beauty of the female form as she pushes, struggles, and wiggles thru some very tight places. Love, Boloxxxi.
You have to judge it for what it is and the constraints.
The plot is entirely incidental to the flow.
The Descent, Beneath, Buried, .REC, Alien, Cube, Dead Calm, Open Water, Das Boot, The Vanishing, this takes claustrophobia to a new level, or depth .
It's not reasonable to compare those movies to Crawl because of the constraints. hold Crawl to that level of quality.
Don't fast forward it because the value of the movie is in the extreme intensity and claustrophobia.
My anxiety level built up to the point at the 2/3 mark I had to take a break and a sedative. If I'm going to have a heart attack, I want it to be for something really enjoyable that involved several companions and wreck my marriage! Just kidding!
I'm thinking the whole time how incredibly fit the protagonist is and boy do I need get off the couch. What a motivator.
A couple of improvements - personally - I would have made: no special audio effects. Sound, yes but not effects. Sometimes, less is more. That's worth a point in itself.
There's some obvious/blatant copy/paste from other movies. But they are not important. Just let it go.
Lastly, I watched it at 2 in the morning by myself. Perfect recipe.
Enjoy the show. Disregard the very high and the very low reviews and you'll get a more accurate/objective recommendation.
One killer heroine called Tank, in the tone of Ellen Ripley, stands out as a tough warrior with both brains and beauty. The audience is treated with intense action scenes, gory deaths & sweet shots of Nicole Alonso's fabulous, scantily clad backside. She is a producer of the film so she doesn't mind! I would recommend this film to any horror or sci-fi fan out there, especially those who enjoy the film Alien. The plot is exciting, the effort of the characters is exhausting, and the path to freedom is dark and treacherous.
This is an example of a smaller studio sci-fi/horror film done right. I like it so much that this review was written now years after my initial viewing, and directly after my second viewing. It's just one that stuck with me, and maybe you too.
A group of people must negotiate an ever narrowing series of underground tunnels to escape an unseen threat.
There are not too may redeeming features I can write about this movie, the script is poor, so are sound, lighting, special effects. We the viewer are supposed to feel claustrophobic throughout, it fails miserably.
The one plus point of this entire experience is the female lead (Nicole Alonso), whom single handedly carries the entire feature on her shoulders.
There are apparently two sequels to this in the pipeline (no pun intended), if any improvement is to be made, a huge injection of cash is needed.
In short, if you like movies with plenty of close ups of nostrils and butts this may be for you, if not, then give it a miss.
4/10 from me, 3 stars for Nicole Alonso, 1 for everything else.
Você sabia?
- CuriosidadesDirector Oklahoma Ward and actress Nicole Alonso said they planned on making two sequels and even got offers from studios who wanted to produce them, but they turned them down because they all wanted to turn Alonso's character Tank into a typical horror movie sex object, which is something the distributors of the first film also wanted to do. The studios wanted to include scenes showing her taking a shower, having sex, running around topless or just be fully nude in most of the films. They even wanted scenes where various monsters would try to rape her. Ward and Alonso ultimately decided to try and finance the sequels themselves just like they did this one, but as of April 2021, they still hadn't made them or any other films since this one was released.
- Erros de gravaçãoThe red graze on Tank's cheek, when they first enter the tunnels, changes from right to left and back to the right side.
- Cenas durante ou pós-créditosTank will return soon.
- Trilhas sonorasRock With Me
Written by Nicole Alonso (as NIKKI)
Performed by Nicole Alonso (as NIKKI)
Produced by Jarod Evans (Blackwatch Studios)
Principais escolhas
- How long is Crawl or Die?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Crawl Bitch Crawl
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 30 minutos
- Cor
- Proporção
- 1.78 : 1