AVALIAÇÃO DA IMDb
5,6/10
2,2 mil
SUA AVALIAÇÃO
O detetive Mørck e sua equipe reabrem um caso arquivado na Ilha de Bornholm envolvendo a morte de uma garota, um culto e mulheres desaparecidas. Mørck precisa resolver o caso e confrontar se... Ler tudoO detetive Mørck e sua equipe reabrem um caso arquivado na Ilha de Bornholm envolvendo a morte de uma garota, um culto e mulheres desaparecidas. Mørck precisa resolver o caso e confrontar seu passado para seguir em frente com sua noiva.O detetive Mørck e sua equipe reabrem um caso arquivado na Ilha de Bornholm envolvendo a morte de uma garota, um culto e mulheres desaparecidas. Mørck precisa resolver o caso e confrontar seu passado para seguir em frente com sua noiva.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 7 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Unless there's anyway we can eject author, Jussi Adler-Olsen (from further involvement), and reinstate Zentropa, and, more specifically, Nikolaj Arcel, to Department: Q's cinematic universe again... then this'll probably be my last one.
Adler-Olsen is churlish and triflin; like Stephen King when he didn't agree with Kubrick's interpretation of The Shining (1980).
Afshin Firouzi is an improvement over their last Assad -- even if he's little more than an exposition-absorbing sidekick here; But now it's as if Ulrich Thomsen has realized these new D:Q installments won't live up to their predecessors, because whatever progress Thomsen initially demonstrated in 2021's Marco has faded and is just lackin now.
Really, Rose (Sofie Torp) is the principle sidekick here, since she's allotted the most screen time/dialogue (after Thomsen). She performs ably, but her arc is pedantic and at times antithetical (to her character development).
There are at least two characters whose development is marooned to the film's first half.
Most unfortunate is the story: the premise is intriguing and ultimate-reveal is equally appealing, but the execution is hopelessly rote (they're plainly trying to pantomime Fincher with only Joel Schumacher swagger). The first four films easily demonstrate some of the best procedural facets (of the sub-genre), while still facilitating convincing cold case thesis or agreeable whodunit subplots, but the author has gone out of his way to wipe the slate and insist on cinematic universe-dover (with these last six properties). Unfortunate, these later entries aren't worth your time (and hopefully won't be here for long).
Adler-Olsen is churlish and triflin; like Stephen King when he didn't agree with Kubrick's interpretation of The Shining (1980).
Afshin Firouzi is an improvement over their last Assad -- even if he's little more than an exposition-absorbing sidekick here; But now it's as if Ulrich Thomsen has realized these new D:Q installments won't live up to their predecessors, because whatever progress Thomsen initially demonstrated in 2021's Marco has faded and is just lackin now.
Really, Rose (Sofie Torp) is the principle sidekick here, since she's allotted the most screen time/dialogue (after Thomsen). She performs ably, but her arc is pedantic and at times antithetical (to her character development).
There are at least two characters whose development is marooned to the film's first half.
Most unfortunate is the story: the premise is intriguing and ultimate-reveal is equally appealing, but the execution is hopelessly rote (they're plainly trying to pantomime Fincher with only Joel Schumacher swagger). The first four films easily demonstrate some of the best procedural facets (of the sub-genre), while still facilitating convincing cold case thesis or agreeable whodunit subplots, but the author has gone out of his way to wipe the slate and insist on cinematic universe-dover (with these last six properties). Unfortunate, these later entries aren't worth your time (and hopefully won't be here for long).
- - - - - -
Detective Carl Mork (Ulrich Thomsen) and his cold case department are back in action in this sixth installment for the big screen of the successful novels by Jussi Adler-Olsen and script written by Jakob Weis. The department has to investigate the death of a young girl who was hit by a car, named Alberte. The case that was falsely closed as a traffic accident is reopened when Christian Haabersat (Peter Mygind) , an old friend and colleague of Carl Morck from his years at the police academy, commits suicide in front of the guests at his farewell party, haunted by the memory of Alberte. The killing, officially written up as a traffic accident, has connections to both the local Police precinct and a cult of sun worshipers from where young women have vanished without trace for years. Mørck must solve the case and confront his past to move forward with his fiancée. Along the way, Rose (Sofie Torp) is tasked with finding the connection of some murders to a weird cult. It's not long before she's on the run from those who intend to kill her because of what she knows.
Police thriller in the purest Nordic style with strong suspense, emotion, plot twists, action enough, and including a dark photography. Ulric Thomsen gives a decent acting , he's a prestigious actor with a long career that includes both cinema and TV, such as: The good traitor, Ambassador Kauffman, Face to face series,Brothers, Celebration, , Blacklist and Banshee series, he once again plays the tough investigator Carl Morck. Ulric was already the protagonist of the fifth installment of the saga, on this occasion he has to investigate the death of a girl who was found hit by a car and dead on a tree.
In this sixth installment, the people in charge of giving life to the brave and surly Carl Morck is Ulrich Thomsen and his faithful assistants change, being now played by the unknown: Sofie Torp as Rose and Afshin Firouzi as Assad. This film adapts a successful novel, ¨Den Grænseløse¨, the sixth and best-selling book written by Jussi Adler-Olsen, to the big screen. This procedural thriller is uneven but professionally directed by Ole Christian Madsen and has a script by Jakob Weis, replacing Nikolaj Arcel, who had written the storyline for the four previous novels and adapted the first installment of 'Milennium', another of the most important Nordic sagas in history. Director does it European way, showing sharply in the dark cinematographic approach within the story.
This is the sixth adaptation, most of them concerning a relentless search and murder investigations carried out by the members of the Q Deapartment that take them deep into the undercurrent of corruption, abuse, ambition, greed and malice that hides beneath the surface of the prosperous Scandinavia. The first of sextet starred by the great protagonists Nikolaj Lie Kaas and Fares Fares who signed a four-film deal, matching the number of Department Q novels written by Jussi Adler-Olsen that had been published at the time of filming. The saga is as follows: ¨Kvinden i buret¨ or ¨The Guardian of Lost Causes¨ (2013) by Mikkel Nørgaard with Nikolaj Lie Kaas, Fares Fares, Sonja Richter. ¨Fasandreperne¨ or ¨Pheasant Killers¨ (2014) by Mikkel Norgaard with Nikolaj Lie Kaas, Fares Fares, Pilou Asbæk. ¨Flaskepost fra P¨ or ¨A Conspiracy of Faith¨ (2016) by Hans Petter with Nikolaj Lie Kaas, Fares Fares, Pål Sverre Hagen, Amanda Collin. ¨Diario 64¨ or ¨The Purity of Revenge¨ (2018) by Christoffer Boe with Nikolaj Lie Kaas, Fares Fares, Johanne Louise Schmidt, Søren Pilmark. Despite being extremely succesful both critic and public, author Jussi Adler-Olsen was unhappy with the adaptations of the first four novels of the series and thus entrusted the film rights to the next books to another production company, resulting in the change of cast in this latter: ¨Marco effekten¨ or "The marco effect¨ (2021) by Martin Zandvliet with Ulrich Thomsen as Carl Mørck and Zaki Youssef as Assad.
Police thriller in the purest Nordic style with strong suspense, emotion, plot twists, action enough, and including a dark photography. Ulric Thomsen gives a decent acting , he's a prestigious actor with a long career that includes both cinema and TV, such as: The good traitor, Ambassador Kauffman, Face to face series,Brothers, Celebration, , Blacklist and Banshee series, he once again plays the tough investigator Carl Morck. Ulric was already the protagonist of the fifth installment of the saga, on this occasion he has to investigate the death of a girl who was found hit by a car and dead on a tree.
In this sixth installment, the people in charge of giving life to the brave and surly Carl Morck is Ulrich Thomsen and his faithful assistants change, being now played by the unknown: Sofie Torp as Rose and Afshin Firouzi as Assad. This film adapts a successful novel, ¨Den Grænseløse¨, the sixth and best-selling book written by Jussi Adler-Olsen, to the big screen. This procedural thriller is uneven but professionally directed by Ole Christian Madsen and has a script by Jakob Weis, replacing Nikolaj Arcel, who had written the storyline for the four previous novels and adapted the first installment of 'Milennium', another of the most important Nordic sagas in history. Director does it European way, showing sharply in the dark cinematographic approach within the story.
This is the sixth adaptation, most of them concerning a relentless search and murder investigations carried out by the members of the Q Deapartment that take them deep into the undercurrent of corruption, abuse, ambition, greed and malice that hides beneath the surface of the prosperous Scandinavia. The first of sextet starred by the great protagonists Nikolaj Lie Kaas and Fares Fares who signed a four-film deal, matching the number of Department Q novels written by Jussi Adler-Olsen that had been published at the time of filming. The saga is as follows: ¨Kvinden i buret¨ or ¨The Guardian of Lost Causes¨ (2013) by Mikkel Nørgaard with Nikolaj Lie Kaas, Fares Fares, Sonja Richter. ¨Fasandreperne¨ or ¨Pheasant Killers¨ (2014) by Mikkel Norgaard with Nikolaj Lie Kaas, Fares Fares, Pilou Asbæk. ¨Flaskepost fra P¨ or ¨A Conspiracy of Faith¨ (2016) by Hans Petter with Nikolaj Lie Kaas, Fares Fares, Pål Sverre Hagen, Amanda Collin. ¨Diario 64¨ or ¨The Purity of Revenge¨ (2018) by Christoffer Boe with Nikolaj Lie Kaas, Fares Fares, Johanne Louise Schmidt, Søren Pilmark. Despite being extremely succesful both critic and public, author Jussi Adler-Olsen was unhappy with the adaptations of the first four novels of the series and thus entrusted the film rights to the next books to another production company, resulting in the change of cast in this latter: ¨Marco effekten¨ or "The marco effect¨ (2021) by Martin Zandvliet with Ulrich Thomsen as Carl Mørck and Zaki Youssef as Assad.
Even though it wasn't as bad as the Marco Effect, which was a dumpster fire of a movie! It's like they don't know how to make a good movie! They're messy and full of side stories that go no where or does absolutely nothing for the story! This one was worse than all the old movies in the series but okay until the final act where alot happens just to end the movie... Leaving the viewer with a bad taste! This wasn't a good movie, yet it had potential they just didn't do anything with it! It started of strong and then lost its way somewhere around the middle and the ending just sucks!!! They have ruined a good series!
Once again, the lead actors in the movie have been replaced with some new ones. Rose has become more hardcore and less charming. Not sure if it's part of wokeism.
The movie contains a completely irrelevant scene where a janitor harasses Rose and she practically rips his balls off. The scene has nothing to do with anything.
This movie is the worst in the Department Q series. I miss more twists and surprises, and I miss more investigative work in the film. If this is the standard for the upcoming Department Q films, then I won't be looking forward to the next ones in the series.
"Fasandræberne" is still the best Department Q film.
The movie contains a completely irrelevant scene where a janitor harasses Rose and she practically rips his balls off. The scene has nothing to do with anything.
This movie is the worst in the Department Q series. I miss more twists and surprises, and I miss more investigative work in the film. If this is the standard for the upcoming Department Q films, then I won't be looking forward to the next ones in the series.
"Fasandræberne" is still the best Department Q film.
Although the overall production was actually pretty good, both myself and my co-watcher found the storyline full of mistakes, omissions and elements completely irrelevant to the overall result.
We spent a good hour after watching the movie explaining to each other how many holes we saw, and why, and they were all completely valid. After the talk we all agree that the director must really not have cared about tying this story together in a good way.
We were left with a feeling that we would rather forget that we spent money on this.
You might want to watch it just to end the series. But this was just not the way to end it.
We spent a good hour after watching the movie explaining to each other how many holes we saw, and why, and they were all completely valid. After the talk we all agree that the director must really not have cared about tying this story together in a good way.
We were left with a feeling that we would rather forget that we spent money on this.
You might want to watch it just to end the series. But this was just not the way to end it.
Você sabia?
- CuriosidadesZaki Youssef was unable to return as Assad after Departamento Q: O Efeito Marco (2021) due to recently becoming a father and other projects clashing with the film's production, which was brought forward half a year.
- ConexõesFollows Departamento Q: Guardiões das Causas Perdidas (2013)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Boundless?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Sin límites (Los casos del Departamento Q)
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 6.900.000 (estimativa)
- Faturamento bruto mundial
- US$ 26.050
- Tempo de duração2 horas 1 minuto
- Cor
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente