Adicionar um enredo no seu idiomaA snobby musical theater camp is terrorized by a blood-thirsty killer who hates musical theater.A snobby musical theater camp is terrorized by a blood-thirsty killer who hates musical theater.A snobby musical theater camp is terrorized by a blood-thirsty killer who hates musical theater.
- Prêmios
- 2 indicações no total
- Roger McCall
- (as Meat Loaf Aday)
Avaliações em destaque
Camilla Swanson and her brother Buddy work at Center Stage, a summer camp for musical theater ingenues run by their guardian Ron McCall. This year the camp's final show will be The Haunting of the Opera, the musical their mother was the lead actress in when she was brutally murdered. Camilla wishes to be like her mother but auditions are cutthroat, literally, and there is a kabuki masked madmen with a murderous disdain for Broadway belting.
Stage Fright is a film set in a summer camp that can only be described as campy. It is ridiculous and funny, self-awaredly mocking all the musical theater stereotypes. Everyone sings Sondheim-esque tunes, even the killer, but his musical styling is about as far from the brassy Broadway musical theater genre as it can get.
With any hybrid genre film, one is typically more dominant than the other. Stage Fright is both horror and musical though forty minutes pass by where it is straight musical movie before any real carnage occurs. Luckily writer/director Jerome Sable keeps Stage Fright light and amusing.
Stage Fright makes you endure Glee-like show-tunes in order to get to the bloody massacre of these theater camp adolescents. The deaths in the film are not nearly as campy as the first half of the film, unfortunately, and I wanted them to be a bit more far-fetched and ridiculous. Stage Fright fulfills the niche market for musical theater horror.
Audiences will leave with the knowledge that it's not wrong to sing and dance when someone just died, the show must go on and nothing is more important than The Theatre.
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The film has plenty of nice references early on to "Phantom of the Opera" and "Fantomas", with the "Phantom" theme throughout. Some have said the film draws from Argento's "Opera", but that is not necessarily the case. Beyond the generally theme (which is "Phantom"), there was very little "Opera".
The supporting cast is solid, with the amazing Meat Loaf and even a brief but powerful performance from Minnie Driver. Allie MacDonald as the lead is amazing, and do not be surprised if she gets big really fast after this.
The film widely received negative reviews, and the reasons are clear. The blend of humor, music and horror is not always flawless, and some of the songs are definitely better than others. Some probably enjoyed the heavy metal parts and disliked the rest (or vice versa). This is not on the same level as "Repo: The Genetic Opera", for example.
First there is Minnie Driver but she lasts only through the first couple of scenes as she is starring in a stage play that is a parody of "Phantom", complete with a bad guy wearing a mask. Her twins, a boy and a girl, are about 10 at that time.
Fast forward to 10 years later, the twins are working at a summer musical theater camp as the cooks. But when they decide to do a revival of their mother's fatal musical the daughter just has to try out for the lead, she has to honor her late mother.
It was good to see Meatloaf Aday as the camp director, he even has a couple of musical numbers. Man he was talented. But the biggest problem I had, even though this is a spoof movie, the young actress is not a particularly good singer. Pleasant, maybe, but nowhere near what would be required to do a Broadway role, which was the character's stated goal.
I enjoyed the movie, it has lots of gore and blood, in the spirit of a parody, but as something completely different I enjoyed it.
Você sabia?
- CuriosidadesThe film includes multiple slasher movie references, including Friday the 13th (the camp location), Hellraiser (the pins in the makeup head, "nailed it!"), Carrie (the bucket of "blood"), and Halloween (large chef's knife).
- Erros de gravaçãoWhen a stage light impales a Artie's foot to the stage floor, the killer shoves Artie which causes him to gruesomely lose half of his foot. Seconds later, both of Artie's feet are shown to be perfectly intact.
- Citações
Sam Brownstein: [singing] All of us have heard these names of hate, but let me get one thing straight: I'm gay, I'm gay, but not in that way / Musicals move me and touch me in ways I can't say.
Liz Silver, Sheila Kerry, Bethany: [singing] He's gay, but not in that way.
Sam Brownstein: [singing] I sleep with women but musicals make me feel gay!
David Martin: [singing/butting in] I'm gay, I'm actually gay. I don't get hard when I see T and A / Could be my DNA or how I was raised.
Liz Silver, Sheila Kerry, Bethany: [singing] We don't distinguish here at Center Stage.
Entire Camp: [singing/dancing] We're all gay, we're gay in all kinds of ways!
Sheila Kerry: [singing] Some in the bedroom.
Sam Brownstein, Liz Silver, Sheila Kerry, Bethany: [singing] And some 'cause of musical plays!
- Cenas durante ou pós-créditosAt the end of the credits Metal Killer is singing a 'thank you' to the people who watched the end credits.
- ConexõesFeatured in The Cine-Masochist: STAGE FRIGHT (2014)
- Trilhas sonorasKylie's Big Finish
Written by Jerome Sable and Eli Batalion
Performed by Tracy Michailidis and the Haunted Townsfolk of the North
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- How long is Stage Fright?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Stage Fright
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 7.078
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.562
- 11 de mai. de 2014
- Faturamento bruto mundial
- US$ 7.078
- Tempo de duração1 hora 29 minutos
- Cor
- Proporção
- 2.35 : 1