Diário de um Jovem Médico

Daniel Radcliffe stars as a young doctor, who in 1917, is sent to a remote village hospital in Russia, where he has to contend with eccentric staff, few supplies, and his own growing morphine addiction. Not to mention the various conversations he has with his older self (played by John Hamm).

In parts, the show is quite gruesome - it certainly made me wince! - but it also manages to be extremely funny - sometimes guiltily funny, as I found myself laughing at the inappropriateness of certain comments and situations.

Daniel Radcliffe surprised me by being very good as the younger doctor, while John Hamm is just super as his older, somewhat wiser self, who tries to stop his younger self from the mistakes he is about to make. The supporting cast are excellent, especially Adam Godley as the dull (to his colleagues, certainly not to the viewers) assistant.

What I really liked is the inversion of the popular 'doctor as hero' storyline. This doctor is most certainly not a hero - he can be uncaring about his patients, filching morphine for his own use rather than for those who really need it, he is a coward at times, and incredibly selfish. And of course, he is able to see himself being all of those things, but is powerless to stop himself.

It's well acted, well-written, will make you laugh and make you squirm - and it's definitely worth watching!

A young doctor's notebook is based on the book with the same title by Mikhail Bulgakov. It tells the story of a young doctor from Moscow who is send to a village a day's ride from 'the middle of nowhere in 1917's Russia. First of all, I really loved the atmosphere of the series and it's the main reason why I gave it an 8 out of 10. On the other hand, I cared little for the personal problems of the main protagonist. They seemed a bit forced but nevertheless added some depth to the story. I don't share the problem that most people seemed to have with the difference in appearance of Daniel Radcliff and John Hamm. For me those could be seen as the director taking artistic liberties with the story. Both actors do a fine job in communicating to the audience the distinctions that could be made between a young doctor fresh out of medical school and a more seasoned practitioner with his fair share of personal problems.

I'm not given to watch series or mini-series, but sometimes I give them a chance. And I was very happy to have done that with this mini-series of two seasons, each one with four short episodes. It was very slightly based on tales, deeply sarcastic and a little self-biographical, by Mikhail Bulgakov, a very little-known Russian author who graduated in medicine and became a deeply critical voice to the Russian communist regime, characteristics that we can see very well in this series.

The series focuses on the figure of Dr. Vladimir Bomgard, a young doctor recently graduated from the best medical school in the Russian Empire, with an academic curriculum to make anyone envious, but who is sent to run a hospital in the middle of the Siberia in 1917, months before the outbreak of the Russian Revolution. In addition to missing the civilized world that Moscow represents, the young doctor will have to face the rivalry of his predecessor's memory, the late Leopold Leopoldovich, forcing him to fight to establish himself and be accepted. At the same time, we will see events that take place decades later, when the already prestigious Dr. Bomgard is investigated by the communist authorities and will reread the pages of his youth diary. On a mental journey, the mature doctor goes back to the past in order to confront or help his younger self in the difficulties he went through, especially his terrible addiction to morphine.

The series is very good, despite its dark and deeply sarcastic humour that, decidedly, does not please all audiences. Many people will consider it simply barbaric or even in bad taste. Each episode reveals how inhuman medicine could have been a little over a hundred years ago, in a place where everything was lacking to the point of a doctor, no matter how good his intentions might be, compared himself to a butcher. I also liked the way in which ego and alter-ego argued and sometimes fought, as the mature doctor tries to prevent the young doctor from making mistakes or being, simply, an insensitive idiot.

The cast is dominated by Daniel Radcliffe and Jon Hamm, in the role of the two versions of the main character. Radcliffe is perfect for his character and knows very well how to be sarcastic and cruel without letting that stop us from sympathizing with his character. On the other hand, Hamm is not so uniform... if in the first season he shows rudeness in the things he says and in the brutal and insensitive way in which he faces reality, but in the second season he will prove to be more sensitive and palatable. From the supporting cast, I would particularly highlight the good performances of Adam Godley and Rosie Cavaliero. I also liked Margaret Clunie's in the second season.

Technically, its a series that does not stand out. It has a good cinematography and makes good use of excellent sets and period costumes. I thought that the character Natasha's costume was beautiful, but also something imaginative and unlikely, as the character is too elegant and well dressed for an aristocrat who has lost everything and is fleeing her country. CGI images, in particular the landscapes, did not seem very realistic. The soundtrack, in turn, is really good, is in the ear and has a sound that really reminds us of Russia and Russian culture.

I utterly adored this little series. So far three episodes have been shown and I have laughed uncontrollably at them all. It won't be for everyone, being a little too black humored in places for some people's tastes however it had me in bits. Daniel Radcliffe is really maturing as an actor and rarely puts a foot wrong in this, gamely throwing himself into the role of the younger Doctor and his counter from John Hamm gives pathos to his older version and the supporting characters are excellent too, adding to the bleakness with a strong sense of sarcasm.

If you like bleak comedy with some unexpectedly gory moments, I recommend and wholeheartedly hop for more.

Based all on what I've seen of Series 1 only. What to say, eh? Writing this whilst I watch episode 4, again. That's my biggest endorsement of all. Each time watching adds to the depth of it all. And I want to watch it again. People will define this show by many non essential things, the accuracy to the texts its based off, the cast of English actors and of course that this series is defined by Daniel Radcliffe playing the main character. None of it matters for the show we get, as a stand alone, it stands high.

The premise, in 1934 Moscow the Older Doctor is recounting his years as Young Doctor who, fresh out of his doctorate, is sent to run a hospital in the middle of nowhere. From here we see the doctor grow from his naïve book smarts into the stark reality of his situation.

To start it's a comedy for sure, but it holds plenty of drama. Both come equally when needed and play off each other well, think a tragic comedy and you have the basic idea. The jokes range from the minor slapstick to the darkest laughter, and easily not for people who can't laugh at the tragedy that life holds. They're all there for a purpose, the laughter sets up and releases the tension creating a good pace throughout the episodes. The themes are extensive and deep, addiction, loneliness, life experiences, death, healthcare through doctors and patients, and of course medicine. And those are just the heavy themes, there are even themes of sexuality, nature vs artificiality, mentors, past mistakes and many more.

It's well written, it shows a lot and doesn't tell you everything. Characters are well defined, each play their part in the narrative and the dialogue is very well done. Both of the Doctors grow over the series, where from the begin they are totally different by the end. There's a great retrospective segment in the last episode, and by this time we're shown the vast differences between the two. The production is great, you feel like you're there, in the cold, in the operating room, the locations are alive in their own way. The cast act their roles well enough, some characters don't have the breadth of depth as they might, but this is the doctors story and not theirs of course.

I come away from A Young Doctor's Notebook thinking. How can I laugh at tragedy? These stories are based off the experience of the original author, Bulgakov, when he was a doctor himself and we can only imagine the horror of healthcare back then and how it relates to modern medicine. Nietzche says we humans laugh because we realise we are going to die. And here I am now, watching it again, realising that the best pain killer will always be laughter in the face of that horror.