The Americans: Rede de Espionagem

The fifth season's first episode featured the "Americans" digging a hole - a BIG hole. The scene goes on a long, long time. This is pretty much how the whole season feels. The show downshifts a gear or two, the payoff is elusive, and you wonder where it's all going; until, that is, the end finally does come, when it's a shocker. It is all done quite intentionally so as to set up the final season.

The Sixth Season of "The Americans" continues to fire on all cylinders: character development, acting, suspense, photography, writing and spy craft, all are splendid.

The focus is increasingly on Philip and Elizabeth, their relationship and inner development, while the other characters recede somewhat into the background, like subsidiary planets orbiting about a double star. Under extreme pressure to prevent disaster, they commit acts that may cause many viewers actually to come to hate them. in the end, no one gets off unscathed, and everyone is simply striving to stay afloat amidst the wreckage....

Which, in a way, is the point:

On the surface, "The Americans" is one of those "mismatched buddy" shows: a young couple teamed together purely for reasons of expediency. However, it runs much deeper than that. Beyond maintaining the charade of a false identity and masquerading as someone you are not, lies the complexity of their developing relationship: exploring the nature of love when you live with someone who lies for a living; understanding what drives them, the far reaching consequences of their choices, & the rationalization of their acts of violence.

At the heart of "The Americans" is a family infected by the conviction that loyalty to country overshadows family or one's own soul. As viewers, we're asked the tough questions: If the couple wore blue instead of red, would it change anything? Are spies heroes - or pawns? Is patriotism formed by rational choice - or the product of where we're born? At what point is the loss of one's humanity too high a price?

I was born in the Soviet Union and would like to notice that they managed to capture emotions and atmosphere of The Cold War. Thanks to the cast and creators for memories and having a great time.

Who doesn't love a cold war drama set in the early days of the Reagan administration about deep cover KGB spies posing as a wholesome "all American" family living in a DC suburb? And in a perverted twist of fate, next door to the FBI counter-intelligence agent tracking these rumored agents, who exist primarily as mere urban legends in the paranoid imaginations of overly-thinking spooks. Needless to say, they ARE real and even more deeply rooted in Mom and Apple Pie than their believers would think possible. Not just disguised infiltrators, but perfect replicas of the Sears portrait American family in a simulacrum America as imagined by a Soviet espionage agency. That is to say 'Mom' and 'Dad' carry out often brutal espionage missions against the enemies of their Soviet homeland on American turf, while raising their 'American' kids, often with the unintended sit-com inducing results inherent in trying to maintain harsh Soviet-style discipline while pretending to be the indulgent and "decadent" parental units of innately suspicious, wise beyond their years 'tweens. Their situation is further complicated by a newly sworn-in US president with a more aggressive, anti-Soviet foreign policy, and their newly appointed handler "Claudia" - a matronly old Stalinist whom neither trust, and who will test the limits of their loyalties with far reaching consequences.

By the first episode, the emotional complications of their own arranged-in-a-KGB training camp marriage are starting to take their toll on 'Catherine' and 'Philip' with the latter showing signs of a flagging fealty to the Motherland and a deepening emotional bond with his de facto wife. Catherine, for her part, while still the mentor-pleasing star pupil of her Soviet special agent training academy maintains her stealth focus on the mission. If her heart is with the former Panther she had recruited years earlier, her body is a machine that belongs solely to the state, functioning simultaneously as a sexual weapon and a shape shifting, blow- deflecting device that can pack a school lunch. Kerri Russell, even in her '80's 'mom jeans', could serve any Bond girl her dinner in a dog dish.

Long story short: I'm just loving the s#*t out of 'The Americans', which could have just as easily been another 'Homeland' - in other words, more paranoid post 9/11 agitprop about the heroic government agents doing battle against a stealth enemy and his prayer beads. Unlike the aforementioned 'Homeland' that centers on Carrie Mathison's bug-eyed certitude of a turned 'evil-doer' in her imaginary-seeming cross hairs, 'The Americans', with the "blink and you'll miss it" sly humor so emphatically absent in the 'counterterrorism' genre it subverts, tells the story of subterfuge on American soil through the eyes of a Cold War nemesis. Where Homeland's Claire Danes channels Ann Coulter playing a Gena Rowlands 'woman-on-the- verge' protagonist you want to shoot with a horse tranquilizer, 'The Americans' - both husband and wife - dispenses with the Emmy-baiting histrionics, allowing the complexities of their characters to take shape through their interactions with each other, their children and the Americans they emulate. 'Catherine' can't seem to pronounce the A-word without revealing her contempt for her adopted homeland, while 'Philip' is at pains to conceal his love of hot dogs and a burgeoning middle-aged complacency at odds with the escalating danger of their missions. The perverse nature of their facades is encapsulated in a few second shot of the family appearing at the doorstep of their newly arrived next-door neighbors, bearing cake to welcome Mr and Mrs Beeman. The viewer gets a glimpse of the inner-turmoil behind their overly-rehearsed, "American" smiles with the knowledge that there is a near fatally wounded man bound and gagged in the trunk of the family sedan. Carrie Mathison would have pounded down their door at 3 am, brandishing a pistol and screaming about birthday cake until someone from Homeland Security dragged her back to her rubber room with a warning.

Their friendly neighbor Agent Beeman, whose backyard barbecues they attend as a family, pursues them via a beautiful Russian consulate employee he has managed to 'turn' through blackmail, murder and sex, not realizing of course, his somewhat doofus neighbor 'Philip' and his lovely wife are the chimeric KGB phantoms responsible for the growing body count among his ranks, which in time will include his own partner. In the meantime, 'Philip' has honey trapped a plain Jane clerical worker in the FBI who thinks her new beau works for the Vice- President. Non-American actor Matthew Rhys as "Phillip" disguised as "Clark" the bumbling suitor brings levity and a lovely pathos to the otherwise heart-stopping drama.

'The Americans' despite its Cold War, espionage-based story-telling and often stomach churning violence is at heart, a very human drama about the charades involved in maintaining an 'identity' (we are all implicated as impostors), while highlighting the futile, tit-for-tat end- games played by nation states all claiming a non-existent moral high ground.

I don't want to repeat everything that has been already said about this series.

However, I think Keri Russell's presence in this series is the key to everything. Only her could have this cold outside look hiding a wounded soul that hangs on to what she believes in.

It is not only about the plot, but also the human toll the Cold War claimed in its path.

I think the series is very well rounded in terms of casting and writing. It has a rhythm that keeps the audience on edge.

This is, in my humble opinion, the best of the genre since Alfred Hitchcock gave us Topaz and The Torn Curtain. I give it a 9.

I am an American and when I was in high school around 1980, Ronald Reagan was elected president, and I was taught in school in no uncertain terms that the Soviet Union was our enemy. So here I am 4 decades later, astounded to find myself watching a TV series about Soviet agents impersonating Americans on American soil, and cheering them on to succeed!

This is not because I'm a sympathizer with Russia (quite the opposite, actually) but rather because Keri Russell and Matthew Rhys are so good at portraying their characters, I want to watch them continue what they're doing. I don't want to see them found out, arrested, or killed. That would ruin the fun!

These performances are amazing. They are Soviet agents from Russia, who have to pretend to be a normal American middle class couple in the suburbs. Raising a couple of kids who have no knowledge of their parents' real identity. While they are pretending to be Americans, they also have to assume alternate identities in the course of their spy work.

Meanwhile, as if all that wasn't enough, even though their work requires them to "be American" 100% of the time, they still must remain loyal to their motherland, and not get caught up in American capitalist values or consumerism, even though constantly being surrounded and enticed by it. I can't imagine what kind of mental gymnastics this would take.

Anyways this series is pretty amazing. I've been mostly isolated at home for the past 3 years (as of 2023), watching a lot of streaming video, and "The Americans" stands up there with the best.