Bling Ring: A Gangue de Hollywood

This is barely a story. The entire thing is just an endless repeat of the main "characters" robbing celebrities' houses and partying at the club afterwards, in fact it's as if one scene just got stuck and repeated over and over again until it created a black hole of bad dialogue, flashing lights, pulsing music and annoying teenage girls. It's all simply nauseating!

The few nice things that can be said about this "film", such as the great cinematography and the talented main actors who try their hardest to say the terrible lines they're given, aren't enough to save it.

For someone who knows a bit the true story on which it is based, the movie absolutely puts no new perspective on the facts themselves or the members of the Bling Ring. The script consists of an extremely redundant succession of burglaries, punctuated by a few excerpts from interviews which unsubtly try to explain the motivations of those teenagers. The plot lacks substance, there is almost no dramatic tension, and even the atmosphere, one of Coppola's work's most appealing aspect, has here trouble establishing itself and carrying away the viewer. The movie gets boring quite quickly and after an hour, it seems two have passed. In the end, it is not sure that this story deserved a feature.

The collective level of vapidity on display in the Bling Ring might (like totally) reach epic proportions.

Award-winning, insightful director, Sofia Coppola, has once again made a film that is highly successful in portraying fame and celebrity ... only this time she has turned the cameras onto those who obsess over and covet the fame and celebrity others have.

The Bling Ring is a character study/meditation of a group of people -- based on real life individuals in SoCal -- with NO character whatsoever. They are all beautiful bling on the outside with no inner core of morality. They are shells of a mass emptiness who worship others for merely having stuff they want ... or being on their TVs.

Coppola's story is based on real-life events of a group of five vacuous and insipid teenagers (one boy and four girls) who used the internet to track the whereabouts of their "celebrity" idols -- some were merely "reality stars" -- so that when the stars were out of town the five could play. The five would break into celeb houses and play with beautiful things that belonged to Paris Hilton, Rachel Bilson, Orlando Bloom, Audrina Patridge or ... their ultimate idol, Lindsay Lohan. They also ended up pocketing and stealing a lot of designer goods and merchandise (you know, like to wear and be cool with). They had fun and bragged about their shenanigans at parties and on social media all the while believing that they had done nothing wrong. One even believes this happened in order for her to become more charitable -- her comment on "karma" must be heard to be believed. Coppola wisely lifted this line word-for-word as it is tragic comic gold.

Emma Watson (Harry Potter, Perks of Being a Wallflower) is the most-recognizable face in the cast and she totally has the film's bestest lines! Watson is a genius comedienne ... who knew? Her line delivery and depiction of oblivious shame are perfect.

Coppola understands the world of fame and she has proved she also understand the world of those who dream of it. This isn't a movie in which characters learn life lessons and change ... this is a depiction of people who believe they do no wrong (like never ever). It is eye-opening because these people walk amongst us. The film is full of face palm, jaw drop and eye rolling moments. Like ... a lot. Totally.

The Bling Ring pace was fast simply because the kids went from one burglary to the next without much else in between. The acting, what there was of it, was okay. And Emily Watson's Valley Girl accent was spot on. But, there was hardly any character development.

How did these well-off privileged kids turn into obsessive narcissists? What are they doing now? There was no reaction shown from the victims.

The kids parents played minor roles in the film and they showed little reaction to the crimes their kids committed.

The film seemed a rush through the plot without bringing into play all the elements that one would expect in this real life caper plot. In the end it seemed more like an outline for a film rather than a completed film.

Sofia Coppola is one of the most interesting and divisive filmmakers working today. It seems that with every new film she releases there's always a wide array of responses, both positive and negative. And that's very true with her new film, The Bling Ring. Some love it, and some loathe it. I personally enjoyed it very much, and the more I think about it, the more I like it and would maybe even see it again. It's an interesting and atmospheric look at American celebrity and media culture that bleakly shows how we can think being rich and famous can make us "happy."

The film is based on a Vanity Fair article about how in 2008, a group of Californian teenagers (4 girls & 1 boy) stole millions-of-dollars worth of clothing and jewelry and possessions from celebrities such as Paris Hilton, Orlando Bloom, Megan Fox, and others. It's a stranger-than- fiction kind of story that could lend itself to exploitation, satire, or even heavy-handed moralizing, but Coppola distances herself from the lurid material and simply displays it as a set of facts. It's a cold, deadpan film, but there's several fascinating moments of insight and darkly funny commentary that make it interesting. It's been compared to Harmony Korine's similar film "Spring Breakers," which also features several young girls trying to experience the media's view of what a fun Spring Break is. Whereas that film is knowingly repetitive in its dialogue and images and very violent and exploitative to get its point across, Coppola goes for a more restrained and almost documentary type of style. In fact, there's several instances where the main action is interrupted and we see scenes of the characters being interviewed after the events or TMZ-like celebrity news stories.

The Bling Ring is benefited by its central young actors who give strong, naturalistic performances that feel so live-in that they give an improvisational feel. The leaders of the Bling Ring are Marc (Israel Broussard) and Rebecca (Katie Chang). Marc is the quiet, insecure gay kid who soon is taken under the wing of Rebecca, who's troubled yet confident and cold-as-ice. Broussard is charming and subtly sympathetic and Chang is hyper-perceptive, smart, and cold but not without a conscience. There's Chloe (Claire Julien), the loud and outgoing one in the group. Then there's sisters Sam (Taissa Farmiga) and Nicki (Emma Watson). It's interesting seeing Watson in a supporting role since she's arguably the most famous out of the central gang, but it pays off because of Nicki's larger-than-life, self-absorbed Valley Girl personality. Watson is the scene-stealer of the film with her smart and satirical performance that never goes over-the-top and always feels real, which makes the character that much more misguided and tragic. It's early to say something like this, but it's a performance that deserves some Best Supporting Actress recognition. Also very good and inspired here is the always funny Leslie Mann, who plays the flighty mom of Sam and Nicki and teaches them the ever so spiritual teachings of "The Secret." There's a scene near the end of the film between Watson and Mann that is just pure, dark comedy gold.

The plot mostly consists of the gang clubbing, breaking into houses, driving around, and trying on clothes. It sounds repetitive, and well, technically it is. But Coppola distinguishes each break-in with its own tone and style and you can very subtly see how the characters change as they become more and more comfortable with invading the houses. For example, the break-in of Audrina Patridge's house is all done in one, long take from outside, across the street as Marc and Rebecca rummage through all her things and run from room-to-room and eventually leave. Another break-in finds Sam cluelessly waving around Megan Fox's pistol without a care in the world. And one of the film's most telling and haunting shots comes when the gang is inside Lindsay Lohan's house and Rebecca stares at the mirror and smiles so genuinely that it almost seems like that's the happiest she's ever been. It's a truly disturbing and haunting moment and the film is full of subtle images that let you into the characters' psyche and ego.

But the glue that holds the film together is the dynamic between Marc and Rebecca. There's several poignant and moving moments between the two characters that cut through the film like a knife and let you into the ultimately empty and sad feelings the two characters have. Their scenes and dialogue are so sharply drawn that it reminds you just how gifted of a writer Coppola is as well.

So this movie just worked for me. It's not a film that's trying to dig deep into it's subject, and it's not even really interested in telling you all of the details about this group of young robbers. It's ultimately this odd, off-kilter tone poem that's beautiful to look at and at times surprisingly poignant and hilarious. (And lastly I'd like to mention the great and legendary work of cinematographer Harris Savides, who, during shooting this film, passed away from brain cancer. The film is dedicated to him.)