Missão Suicida

Started out pretty good. Good plot actually. But what killed it for me were the fight scenes and the shoot outs. The bad guys were as poor a shots as Stormtroopers in Star Wars! And of course the good guys can't miss. Oh, and how he all of a sudden has a change of clothes after finding the laptop with the evidence on it! Could have been good, but it wasn't. Car chase scenes too were poorly done and like most of the film totally unrealistic. Best thing about it was the scenery in Europe. I would have thought with the cast they had it would have been a little better. But unfortunately it was basically not good.

I like Eckhart. I like action espionage movies, but whilst this one holds the attention, it is a bit bland. I swithered between a 6 or 7 score but gave it a 6 due to the clunky, slowly fight scenes (Pettyfer's looked especially un-coordinated & slow - I swear I could almost hear/see him counting down the timed movements in each sequence. I just don't rate him as an actor at all & much preferred Otto Farrant as Alex Rider to Pettyfer's bland interpretation. A pretty boy lead for RomCom maybe, but no action lead).

Bleak landscape (which they could've made more use of), bleak storyline & very dark cinematics helped create a feeling of oppressed pressure - for which, TBH, there wasn't much release. I wanted to rip that gun out of his son's hands when they were under fire in the films big dramatic car chase (is it just me, or have these obligatory action car chases in EVERY film become boring? There's no replacement for great acting, character building or suspense building on a decent storyline. Big budget doesn't always = quality.

This could've been so much better & a whole lot brighter in colour. Continuity was also an issue (see earlier reviews). Eckhart & Kurylenko were watchable as always, but more could've developed for her character more for role & story development. Some real depth would've been good. Ok for an easy late night or rainy day watch, but not to be properly entertained. A quick burger type of movie, rather than a steak dinner one. In a few weeks, I doubt I'll remember this one. It passes the time quite pleasurably, but it won't rock or change your world. 6/10.

"Chief of Station," the latest attempt at espionage intrigue, is a forgettable cocktail of clichés and mediocrity, leaving audiences with a sour taste of disappointment. Aaron Eckhart, usually a reliable presence, struggles to breathe life into a tired script that feels like a rehash of every spy thriller you've ever seen.

The plot follows the predictable trajectory of a seasoned CIA operative (Eckhart) navigating the treacherous waters of international espionage, complete with double-crossings, femme fatales, and the obligatory ticking time bomb scenario. However, any semblance of tension or excitement is suffocated by the film's inability to break free from its formulaic shackles.

Despite its attempts to inject relevance with nods to contemporary geopolitical tensions, "Chief of Station" fails to offer any meaningful commentary or insight. Instead, it relies on tired tropes and shallow characterizations, reducing complex global issues to mere backdrop for its uninspired plot.

Even the action sequences, typically a saving grace for films of this genre, feel uninspired and lackluster. It's as if the filmmakers ticked off a checklist of obligatory set pieces without bothering to inject them with any genuine excitement or creativity.

In the end, "Chief of Station" is a forgettable addition to the spy thriller genre, offering little more than a rehash of tired clichés and missed opportunities. Save your time and money for something more deserving of your attention.

Starts good, money spent on the action but honestly how can a director miss key important areas...half way through it's becomes more like a b movie... I had to send it to my daughter a future continuation director to use as an example! For example (1) the lock on the door opened by the necklace! It's a padlock... with a screw on hinge... one kick and the door would open.. or just break in through the glass windows! Seriously all that effort for the necklace... to open a padlock!! Should have been access to a bank vault container or secret sealed room.. (2) shooting in the warehouse... with 2 trained soldiers shooting straight down the corridor at him... in a million years a kid wouldn't miss that shot! (3) car exits warehouse past the soldiers and crashes... time it takes for the soldiers to get outside they must have been on a coffee break!! (4) bullet holes in the driver side door of his car! But he's still ok (5) not ducking down when driving towards 2 gunmen, fairly sure thats not typical human behaviour (6) the last scene in Paris looks like a Hollywood stage set... anyway so many more but mainly in the last half of the movie...almost like they sacked a continuation director half way through or ran out of money... would have cost nothing to fix this and make it a way better movie. I'll happily review movies for free lol.

A big fan of Aaron Earhart and Olga Kurylenko but unfortunately neither one of these actors can save this low budget B film that is so poorly written that it quickly falls apart into a silly out of date silly script that's so predictable table and dull that not even the action scenes can make it feel entertaining. And Olga comes into the picture to save the day almost at the end which is too late and too little.

The directing is decent considering the script is terrible and if you remove Aaron and Olga this would be a terrible low budget B film.

Go in with super low expectations and ready for laughable moments where terrible accents make you cringe and the action fight scenes look like something from the 1970s completely outdated where guys have slug fests rather than shooting each other and all that was missing is Charles Bronson.

Looking forward to next action film from Aaron E and anything Okga K stars is - maybe with higher budget and better script

3 stars for 2 main stars and some great shots of Budapest.