A Garota do Cigarro

Allow me to start by saying I wish they cast a taller actor for the role of elderly Soeraja as the difference in height is rather striking, but this is a trivial continuity issue that in no way diminish what Kamila Andini and Ifa Isfansyah had successfully accomplished in this series.

I haven't read the book by Ratih Kumala, so I went into it with zero expectation, except maybe an assumption of many goofs as with other Indonesian series. I'm glad they proved me wrong.

After years of repeat force to watch the "so-called communist film", this feels like a refreshing portrayal, albeit from the other side of things. I'm surprised they didn't take out every single one of Idroes' family, though, despite them not being on the list. But I suppose then there wouldn't be a story to tell for the year of 2001.

Aside from the development of Arum and Lebas' friendship, which is rather hasty in my opinion, Putri Marino and Arya Saloka left people rooting for their characters. And of course, Dian Sastro did a marvelous job portraying the struggle of a smart, intuitive, and opinionated woman in a man's world, even years after Kartini paved the road. Ario Bayu also successfully represented a male feminist in that era. It's real, it's gripping, it's certainly not what you expect from an Indonesian series.

I will be checking out more work from Andini & Isfansyah for sure.

REVIEW GADIS KRETEK

I decided to watch this series because it was everywhere on X (formerly known as Twitter). Before that, I already knew the book, it was a hot topic once. The book-with the same title-was written by Ratih Kumala who happened to be Eka Kurniawan's wife. No wonder why I felt deja vu when watching the series, because it shares the same taste with Eka's plotting. They have historical writing style.

The series alone was mainly about cigarette. Dasiyah, as the main character, was a daughter of Mr Idroes, owner of Kretek Merdeka company, and she had a big ambition to make its sauce. But, women aren't even allowed to enter the sauce room. Then she met Raja when she was going to the local market with her father. Raja became one of their workers. Dasiyah and Raja fell for each other, but the universe seemed to not get their way. This, is when the story began.

I got to say the plot was really well done. It was a beautiful play, and well, the actors acted pretty natural, especially Dasiyah and Raja. Dian Sastro succeded to draw all the emotions. This series got all the romance, drama, and action in one.

I rate 8/10.

This TV Series portrays the old culture when women were considered to be unsuitable to voice their opinions, the unrest situation when the government eliminated Indonesian Communist Party started in 1965, and the love between two people from different classes. The casts are so incredibly talented performing their characters as well as speaking in their local dialects which made. I appreciate the writer who brought up the unrest situation during the elimination of Indonesia Communist Party where thousands of innocent people who were not involved in the communist party had been victimized by the hatred of those people who had close relationship with authorities. I heard this story a lot from people surrounding me when I was growing up, but none had brought this up due to fear of persecution.

The music, song, and singer that were chosen for this TV series were excellently done. The song was composed in 1970's, but the music was made a bit softer for this TV series which represented the music character back in 1960's. I heard many 1960's music and songs my parents used to listen, and the music just brought my memory from the past.

I would not suggest using Netflix dubbing in English, but using the caption because while listening to Indonesian, I also have the caption turns on for my friend, and the captions almost match the speaking language.

Again, thank you to all casts, directors, writer, and all people who involved in making this TV Series. Well done!

Have you ever encountered a movie so profoundly impactful that it keeps you awake at night? Even days after watching it, the scenes linger in your mind. This film achieved that for me-an arguably top-tier Indonesian movie. Objectively brilliant, it boasts outstanding performances by the entire cast, with Dian Sastro's portrayal standing out. Her expressions are consistently subtle yet convey the pain of years of gender-based mistreatment. The storyline is captivating, always leaving you wanting more. The movie also excels in showcasing Indonesia's traditional fabric designs through beautiful wardrobe choices, and it delves into detailed historical elements of the 1960s in Indonesia. This movie is so compelling that it blurs the line between fiction and reality.

Definitely one of the best productions I've seen in a while. I mean, I am a very detail oriented person and there's nothing in life I enjoy more than accurate representations of things in a production like historical objects or fashion ect. Every detail in this series is very well thought&made in my opinion. My visual tastebuds were like "hell yeah." The development of the story and everything is good too except for the final maybe, because for some reason I was expecting a different ending. But still made me cry and throughout the series it was definitely worth to watch. Especially, shout out to the female lead! How beautiful she is and her acting was. I couldn't take my eyes off of her. Enjoyed the whole package of emotional, romantic, heartbreaking story so much and finished it right away. Go go go!! Ps* I had no idea Indonesian sounded that good.