The Comedy

An uncomfortable mix of anti-PC bullying, laconic social critique and Cassavettes-style realism, Rick Alverson's The Comedy is a challenging movie. An experience of endurance, rather than entertainment, it's basically Jackass with a brain. A real puzzle. I wasn't sure whether I should walk out or give it a standing ovation. Either way, it's a painful ninety minutes.

One half of the creative team behind Adult Swim's flatulent sketch show, Tim and Eric Awesome Show, Great Job!, Heidecker's brutal depiction of Swanson encapsulates, and furthermore parodies, the exact audience from which he has become a cult demigod – the trust-funded, apathetic hipster. Instead of the garish surrealism of said TV series, The Comedy is rooted in documentary-like naturalism.

Aimlessly wandering around his stomping ground of Williamsburg, New York, Swanson spends his days trying to find substance for life – picking up jobs as a dishwasher even though he's loaded, travelling across town via his cosy houseboat, heading into ghettoised bars so that he can rile up/bond with the local "brothers", and chatting to drunk women about how feudalism is great and Hitler misunderstood. Far from just testing the patience and credulity of the characters on screen, Alverson is reaching out to the audience watching The Comedy. Whether the embittered sentiment of the film is ironic, genuine or otherwise is dependent on your own tolerance level and engagement with this truly unsympathetic, crass character.

Uncritically speaking, I found Heidecker's performance mesmerising, but the character unrelenting nasty. In partiocular, there's a bedroom scene late on in the movie which left me feeling abused and nauseous. A powerful reaction to cinema, but certainly not a welcome one!

If you feel compelled to sit through this venomous, albeit fraught comedy, it would make for perfect double bill with the LCD Soundsystem documentary Shut Up and Play the Hits. Not only do both movies feature the humble DFA Records boss James Murphy, they both wryly depict the ennui and societal disconnect of an ageing American subculture.

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You see them all the time, young adult hipsters doing nothing productive; sitting around drinking fancy coffees, sharing big ideas but taking no actions. So what happens when these ambition-less, wandering people are forced to grow up and confront actual problems, the actual day to day existence that they have always disparaged and looked down upon. This film follows Tim Heidecker's character as he juggles with his haze-ridden, alcohol-filled youth and the oppressive responsibility that looms over him as he just tries to continue his youthful fun at the expense of others. A film about not wanting to grow up but finding out there's a time when adult-hood just takes you and as much as you wish and hope and fight to maintain your existence, you find it disappearing underneath your canvas shoes. A compulsive jokester/liar using his version of truth to have things done his way. A man unable to be serious in a world that values your mask more than yourself but when you can't turn it off, you drive away the people closest to you because even you prefer knowing the impersonal version of self. A child at heart who doesn't have the answers and may never have the answers to a problem that's so hard for many of us. Life.

I saw The Comedy at a packed theater at the Vancouver International Film Festival (2012). The film follows a rich spoiled Brooklyn hipster type played by Tim Heidecker. He and his friends wallow in an excess of alcohol, boredom, and childish antics as they careen from one disruption to another. The character of Swanson pushes every boundary of good taste and civil behavior and will definitely get a reaction out of the audience.

As you watch The Comedy, you will laugh. There are definitely scenes of laugh out loud silliness and gross out humor. But this is not a comedy! The jokes all have a point and it's a point that is most definitely not funny.

Rick Alverson was in attendance and did a Q&A after the show. He said he deliberately wanted to make a film that provoked noting how tired he was of seeing people leave mainstream films like violent action films completely unphased. He only wrote a 20 page script and let the actors improvise extensively. He also simply emailed the actors, including Tim Heidecker, to see if they were interested and they jumped at the opportunity. Alverson thought the discomfort inherent in the comedy of Tim Heidecker and Eric Wareheim would translate well into this dramatic picture and with that he succeeded. You will squirm, guaranteed! Whether or not you will pick up on the deeper commentary, or if there even is a deeper point, depends really on the person.

There is something to be said about this film. It is real and uncomfortable, but I believe that there is something deeper going on here.

We watch a bunch of genuinely unpleasant people go from place to place, and in a nutshell that's it. At least on the surface that is.

This is could be a commentary on what freedom can do to someone. Our main character seems to have no real connection with people outside of his small group of friends. He has the possibility to inherit his father's fortune, instead goes from place to place and seems to exists.

The protagonist is a deplorable person, don't get me wrong, but you can connect with him in his longing to have something meaningful to happen. I can see some people not liking the fact that nothing seems to really happen in the film, but because our main character doesn't have anything purposeful happen to him, the film reflects that.

The cinematography in the film has a lot of up close shots allowing us to really read into the emotions of the main character.

One thing I haven't really mentioned is that the dialog is very interesting. It can go from something funny and seemingly lighthearted, but then does a complete 180. There we're several scenes where the humor is really there.

Overall, this film is not for really a wide crowd, but if any of this sounds interesting, I wholly recommend it.

Outside melancholia I don't see be using many 5 dollar words to describe The Comedy. Born from the depths of a generation sans responsibility The Comedy is a sad portrayal of those privileged yet initiated in the world today. Essentially the hollow existence of a rich man (by way of proxy) is exposed as a numbing unnerving process in which a sad person seeks to feel alive through a series of ironic and annoying events that can only be described as "real life trolling". The acting is subtle and upsetting as you watch the life of a 4 grown men whittled away seemingly at their own discretion and it becomes even more upsetting when you realize these men do these things on their spare time as well leaving you wondering if the main character, wonderfully played by Tim Heidecker is searching for a deeper meaning in all this non-sense or simply killing time in between breathing.

The most striking and obvious theme of the movie is hit dead on, as no matter how much "fun" the characters are portrayed as having a deep seeded loneliness constantly lingers on the screen. Even as Heidecker's character forms relationship or merely interacts with a stranger you can feel the unhappiness he extrudes.

One thing about The Comedy that is for sure, is that while it may make you chuckle and even get a gut laugh is far from a comedy. No, The Comedy is ironic portrait of how ironic it is that a life fueled by irony is without a doubt sincerely unfulfilled.

If you are looking for the laugh riot of the year I suggest you pass on The Comedy. If you are looking for a serious film on flippant lives it might be the best of 2012.