Giantess Battle Attack

I previously watched GIANTESS ATTACK VS MECHA FEMBOT, also from Full Moon, which I thought was a pretty decent B-movie for what its worth. I thought this was a follow-up, but in fact it turns out to be a sequel (as far as I can make out) to ATTACK OF THE 50 FT CAMGIRL. Sadly, unlike FEMBOT, it's a crushing viewing experience. Despite the short running time, very little happens in this movie, which is made up of the usual excruciating dialogue scenes between non-actors and appallingly ad-libbed humour. Jim Wyrnoski has a long career in this kind of celebratory trash but even this must be a low point for him. The kaiju-style action is limited to the last five minutes and, believe me, it's not worth waiting for.

I learned of Jim Wynorski in summer 2001 when I rented his "Chopping Mall" from the neighborhood video store (people who only knew Blockbuster have no idea what they missed by shunning hole-in-the-wall video stores). I didn't see any of his work again until I happened to come across a number of his later movies on Tubi (basically a non-subscription version of Netflix or Hulu).

Anyway, "Giantess Battle Attack" is very much made for fourteen-year-old boys. One scene in particular makes clear who the target audience is. Between this movie, "Bigfoot or Bust" and "Murderbot", I think that it's safe to say Jim Wynorski has the same sort of mind Mel Brooks has.

Easy to enjoy if you're in the mood for nice, brainless fun.

A sequel to "Attack of the 50 Foot Camgirl", this tongue in cheek T & A sci-fi nonsense stars Ivy Smith as Beverly Wood, adjusting to life as a 50 foot tall babe. She's working in a quarry, alongside boss / boyfriend Mike (Brian Gross), and hoping to return to a more "normal" size. Then she's challenged to a fight, first by a sexpot named Anna Conda (Masuimi Max), and then by an alien gal, Spa-Zor (Kiersten Hall).

Plenty of breast shots abound in this watchable, reasonably funny camp comedy from ever-dependable Jim Wynorski. The acting is amusing, especially from Max and Hall (and a number of Wynorski regulars, such as Gail Thackray and Becky LeBeau), and the movie is overall a mild hoot, although, in the end, there might not be *enough* girl-fighting for some people. As it is, the big title fight between the female titans only goes on for a few minutes right at the end. But it's all easy enough to take.

Longtime Wynorski associate Chuck Cirino wore a couple of hats on this show: composer, editor, cinematographer, and creator of the digital visual effects.

Other related movies are "Giantess Attack" (2017) and "Giantess Attack vs. Mecha Fembot" (2019).

Five out of 10.

Granted, I wasn't exactly harboring any grand expectations to this movie given its title and premise. But still, with it being a movie that I had neither seen nor heard about, of course I opted to give the movie a fair chance.

However, this movie was little more than an excuse for writer Kent Roudebush and director Jim Wynorski to show off scantily clad women shaking and getting naked for no reason. It was rather pathetic.

Of course I was not familiar with the cast ensemble in the movie, and I can't claim that I was particularly impressed with what I saw on the screen.

The special effects, or lack thereof rather, is so poor that you can't help but laugh when you see the leftover 1990s graphics that were used in this movie.

This was an all-time new low for Full Moon Features.

Now, I am sure that there is an immature audience out there that enjoy pointless movies such as this. I just can't claim that I was a part of that audience.

My rating of "Giantess Battle Attack" lands on a generous two out of ten stars.

So very few lighthearted comedy we see today, and this is not just a good fetish-film, but a solid product in general.

The 50 Foot Camgirl had one flaw for me: everyone was nasty. Here the Original Camgirl is relatable, in a position she can do a heroin's journey.

Then we have some good twists and turns in the script. Nothing complicated, but good and twist. Also, the casting was great, especialy for Anna, the dominatrix attitude perfectly fit here.

The lighting and camrea-work is solid too, we get the promised fights, some romantic stuff, and even the cameo-characters work in their low-budget way, pushing the movie forward.

There were plenty of puns and jokes, I have no complaints.