Um Visto Para o Coração

Anyone who's hungry for a feel-good, studio-quality gay romance - with crisp photography, classy sets, clear sound, attractive actors with celebrity stubble, hot bods, pure hearts, and plenty of obstacles for true love to overcome - is going to love this movie. There are no others like it. Even lesbians are pretty well represented, within the movie's Hollywood-like straight-acting constraints. It's certainly as good and as believable as any straight romance Hollywood ever made. Even straight people might like it, because there's a very cute child, the gays are wonderfully domestic and straight-acting, and true love is true love regardless of gender.

The fact that this movie's objective - equal treatment of gay married couples under US immigration law - had, to the whole world's amazement, already been achieved by the time the DVD was released doesn't compromise its effectiveness as much as it could have. It really is a very romantic drama much more than an appeal for justice, so while the appeal already sounds dated it's a small enough part of the movie that it's easy to overlook.

For gay men like me, though, and others who aren't particularly romantic, this movie is not so great. The problem is the screenplay, written by David W. Ross, who also stars as Jack.

Nearly every point on which the highly melodramatic story turns is weak at best, and often ludicrous: Drag-racing taxis on a rainy Manhattan street at night? Jack suddenly losing his work visa after 20 steadily productive years in the US? Why? His lawyer says it's "because of 9/11"? Was every gainfully-employed British WASP deported ten years after 9/11? It makes no sense.

And after all those years of obviously successful employment (just look at his fabulous Manhattan loft apartment!), why doesn't he already HAVE a green card, or even citizenship? That's just the beginning; the contrived, nonsensical crises, one after another, are just too absurd to swallow. It's also hard to sympathize with affluent people who repeatedly make stupid choices.

But this is Hollywood (or might as well be). So while I found the movie mostly annoying (a few dynamite turns by Jamie-Lynn Sigler are the only exceptions), I strongly recommend it to my less cynical and more romantically-inclined brothers who've been waiting an unfairly long time for a movie just like this.

I saw this at this year's London Lesbian & Gay film festival ... and whilst I normally stay for the Q&A after each film ... this was one of the few that I couldn't bear to!

Don't get me wrong, I was carried along the emotional roller coaster with everybody else - I was welling up with the best of them ... but ultimately it was a fairly trashy film.

Some of the clichés and poor writing was simply inexcusable ... and some of the scenes felt as clunky as a home video. And some of the acting was fairly grim too!

Highlights were the male bodies, Jamie-Lynn Sigler and the beautiful Mike Manning.

If you want a slushy cry-fest, go for it, just be prepared for the issues listed above!

I was lucky enough to get tickets to see the film at the London Lesbian and Gay Film Festival. The films subject is very topical at the moment of writing this with the events around DOMA in the US. Before watching I tried my best to avoid any "Spoilers" bar the teaser so that I don't build up any expectations. I was impressed. The film was so much better than I was expecting for a low budget indie film. The story had a few twists which I wasn't expecting and I loved the way the film ended. I've seen quite a few independent gay themed films over the last few years and the production quality varies dramatically. In this film it was up there with some of the big budget films. I was especially impressed with the soundtrack. I hope they release the soundtrack to buy.

I really got caught up with the characters and laughed out loud in some places and wiped tears from my eyes in others. The story takes you on an emotional roller-coaster.

If you get the chance to see the film in a theater it's well worth it.

It is refreshing to discover a little film that deals with important issues and respects those issues to the point of avoiding cliché and parody. I DO was written, produced and stars the very talented (and handsome and hunky) David W. Ross who has composed a story that deals with the now newsworthy attention on Proposition 8, the Defense Of Marriage Act (DOMA), immigration issues, and the spectrum of the gay community, and from these poignant issues he delivers a touching, humorous, tart, and ultimately deeply moving film.

Jack Edwards (David W. Ross) was born in England but came to America to study Photography and is successful in his art but lacks a significant other: we get the message that he has transient affairs with men who disappoint him. We meet Jack in a restaurant where he is joining his brother Peter (Grant Bowler) and his wife Mya (Alicia Witt) to hear that Mya is expecting. The happy trio leaves the restaurant and in hailing a cab, Jack drops his wallet and when Peter attempts to find it Peter is killed by an oncoming car. Devastated, Jack assumes Peter's role with Mya and when her daughter Tara (Jessica Tyler Brown) is born, Uncle Jack helps Mya raise her (Mya is in Nursing School and needs supportive assistance). The relationship is warm and each of the three enjoys each other's presence - young Tara is utterly accepting of Uncle Jack's being gay - a fine lesson for all adults...

Jack is notified that his Visa is expiring and he must return to England unless he can find a way to attain a Green Card. A very fine councilor, Gloria (Patricia Belcher) is strict and warns Jack that unless he finds a way to stay he will be deported. The idea of getting married as a means of obtaining a Green Card is raised and Jack's close friend, the lesbian Ali Federman (Jamie-Lynn Sigler) has just been dumped by her lover Christina (Ashleigh Sumner), and agrees to marry Jack to support his staying in the US. Meanwhile Jack, who usually has one night stands with such hunks as young Craig (Mike C. Manning), meets an architect from Spain, Mano Alfaro (Maurice Compte) and the two share many traits and philosophies as well as a powerful physical attraction and they become a couple. Feeling abandoned by her soul mate, Ali decides to ask for a divorce and this creates a real crisis that must be solved. But in the end the need for real love and for family and for meaning brings this beautiful story to a meaningful end.

The cast is exceptionally fine - without exception (little Jessica Tyler Brown at times steals the show but that is due to the brilliant lines Ross has given her) - and the cameo role by Mickey Cottrell as Sam, Jack's mentor in Photography and dear friend, is particularly meaningful to the story. But one of the most important aspects of the film is the very positive light that it sheds on equality of people - gay and straight - and how that honest depiction of people of all sexual persuasions can and do live bonded by the importance of the family of man. Highly recommended.

Grady Harp

This is your usual "Green Card" story with your gay guy trying to get a green card through a fake marriage. After some drama along the way, with the lead actor a walking ad for hair mousse, everyone has a happy ending, floods of tears. The end! It was just pretty lame!