Estuários

I liked the idea of this story very much, two young friends being torn apart in their youth only to be surprisingly reunited many years later. Connecting at where and who they are now, and reconnecting through their shared memories. I enjoyed the leisurely pace of the film but the storyline wasn't fortified enough throughout the film, so that I ultimately found it difficult to emotionally engage with the characters and what they were experiencing.

What's interesting about Esteros is how little surprises there are. The film plays out almost exactly as one would expect, its flashback structure isn't particularly innovative and the conflict isn't particularly tense either. And yet, I am in love with this film.

Esteros plays largely like a fan-fiction - and not in a bad way either. Childhood friends with an intimate friendship, grow apart with time only to reunite years later unexpectedly to rekindle their friendship and something more.

The film rests entirely on the intimate relationship between between Matias and Jero - and for good reason too. The chemistry between the two leads is palpable - there is a sense of age to their relationship dynamic, that when they interact for the first time in years it feels awkward and tepid, as if they were relearning how to be around each other. It's those small details that lend an honesty and a truth to the relationship - so that when they kiss for the first time, the film has been building immensely towards it.

It is Esteros' devotion to the small emotional details that make it so emotionally satisfying. While not groundbreaking by any means, its gentleness and sweetness are infectious, and it's always nice to see a queer-themed film that wants its characters to get the happy ending they deserve.

This is the story of Matias and Geronimo who were childhood friends and summered together at the farm of Jeronimo's down in the estuaries hence the title. Then Matias's father takes a job in Brazil just as the two boys were beginning to understand their sexual desires and identities.

Then the story moves up to the present day when after many years of separation they meet again but Matias now has a girlfriend and his life seems to have been mapped out for him. The problem is that the feelings both have long held resurface once they are reunited and there will be ructions for all.

Now this is not a ground breaking film both in terms of plot or presentation. It is a small story and has been called clichéd by some. However, it does have a certain charm and the actors are all very good, the bedroom antics are tasteful too and it all hangs together well. It is not great drama or aiming to advance the cause of gay lib but it is just a simple story about life, love and choices and as such I found it to be well worth a watch.

I expected to see it from a long, long time. First, for the title. Second, for a special sketch of hope to be real different. And it is it. And, in same measure, it is a beautiful film. Beautiful is a fair term about a film who escapes from the old cliches. A film about the traces of childhood, about love and happiness , about a sort of refuge and powerful friendship. At the first sigh, nothing new. But one of films being, in special way, just delightful. For grace and delicacy and precision of story, for good acting and, no doubts, for estuary. Comfortable can be a good term to define it . For a sort of poetry of small, significant things defining us. So, I love it !

A deceivingly quiet flim loaded with power hiding under the surface.

From the beauty of the estuaries (for which the fim is named) to the revealing hairstyles of the main characters, it's all there: much deeper than the estuaries themselves. the pace gives you the opportunity to take it all in, if you choose to do so.