Quebra de Conduta

The movie differentiating itself from cheesy spy movies to giving main idea is espionage not a thing to brag about as we have seen on classic spy movies. It is simply being humble with excellent planning patiently and sacrifice. There is a significant romance which makes movie tender. when you think that you are winning actually you are losing it badly. Movie is full of class act and acting brilliance with good actors.

Mobius is a kind of strip also Mobius or Moebius, is a surface with only one side and only one boundary component. The Möbius strip has the mathematical property of being non-orientable. It can be realized as a ruled surface. It was discovered independently by the German mathematicians August Ferdinand Möbius and Johann Benedict Listing in 1858.

"You think people are working for you but actually you are working for them"

This movie is a hidden gem. The plot is great, with interesting twists, the acting is definitely great, it's thrilling and suspenseful without the use of any explosions or bloody scenes, it has a sex scene that manages to be spectacular without any loud sexual vocalizations or nudity display, and it ends up tugging at your heart quite a bit in the end. Also, I never thought Jean Dujardin to be sexy. Well, he is in this movie. There are some people claiming the plot is confusing, but I think it's the fact that there's a lot going on and the subtitles might make it hard to follow. You might have to rewind certain scenes or rewatch it to get some key details. Or maybe not. I learned enough French to be able to understand most of the dialogue and the subtitles helped too, so I didn't have any problems, but non-French speakers might. Either way, trust me, it's a very entertaining flick.

Actress Cécile De France and Oscar Best Actor 2011 Winner Jean Dujardin both played in the French film "Möbius (2013)". Their love making scene in this film just looked so realistically beautiful. Cécile De France played the heroine who enjoyed sex to the extreme with her subtle facial reactions responding to every movement, while Jean Dujardin focused on her face silently yet so intensely. The scene played so serenely beautiful, showing the big difference from a bad porno film.

The whole process from when he sat in the night club spotting her came in with Tim Roth, to she approached him after she spotted him looking at her, then to the sudden return after she left, then to the bar scene where they drank and talked, then to the bed making love. the whole segment was one of the best directed and performed what a good movie should and could be.

By viewing this almost lifelike performance in an unreal visual drama, you would learn how really good actors could perform, especially those French actors.

For a change, it is eventful to watch non-Hollywood type of thriller, with more mind-twists and less chases or killings. Romantic angle is usually proper as well, especially among the French and by talented actors like Jean Dujardin and Cécile de France, but the film in question became too wistful and tensions faded away even where appropriate... True, the chemistry between them was pleasant and erotic scenes added "French touch" but - as mentioned - one could easily forget the background with at least 3 secret services striving for getting their aims fulfilled.

Moreover, the story became too complex as well at times, but what I liked was multiple solutions in the ending, and the very final scene provides food for thought. The use of Russian actors was good (as it is a Russian-French film), however, the contrast of pure Russian spoken by them and that by Dujardin and Tim Roth (depicting Russian gangster Rostovsky) became too obvious.

Nevertheless, if you like calm spy films, then Möbius is more than an entertainment.

It doesn't happen often, but once in a while, it's possible for a film to be both under- and over-cooked at the same time. Writer-director Eric Rochant's Möbius is a case in point. The double-crossed romance at its heart flirts with being fascinating but doesn't quite get there, buried as it is within the conspiracy-laden, high-stakes world of big business and covert intelligence.

While monitoring the offshore activities of crooked Russian tycoon Ivan Rostrovsky (Tim Roth), Russian secret agent Gregory Lioubov (Jean Dujardin) talent-spots Alice Redmond (Cecile De France), a brilliant international banker so spectacular she was banned from working in America after the Lehman Bros scandal. Not realising that Alice is already working with the CIA, Gregory directs his team to recruit and use her to get closer to Rostrovsky. Inevitably, secrets and conspiracies pile up, with Gregory only complicating matters when he stumbles into a forbidden relationship with Alice.

There are a few moments and ideas that shine through Möbius, no doubt the ones that most inspired Rochant to construct a script around them. These come mainly in the relationship between Alice and Gregory – or Moses, as she knows him. Their connection is under-written, suggested more through soul-shuddering orgasms than what is technically in the script. Nevertheless, Dujardin and de France just about make it work, whether Gregory is brazenly deceiving his colleagues to answer a call from Alice or they're sharing a final, quietly devastating scene together.

But their efforts are let down by an overly complicated plot, one that feels as if it doesn't make much sense even when all is revealed. The motivations of every agency involved are murky at best. The CIA comes off the worst, its agents lurking stupidly through a handful of scenes as their ties with Alice ebb and flow in quite mysterious fashion. The Americans in the cast must also grapple with the unwieldy, soapy chunks of dialogue they're given. As a result, the film loses steam when it should gain tension.

A Möbius strip, as a character explains quite late in the film, is a deceptively simple phenomenon. Half-twist a strip of paper, fasten the two ends together, et voila: something utterly simple rendered impossibly complicated – a never-ending loop, a two-dimensional model with only one surface. Rochant meant for the strip to be a metaphor for the dilemma in which his characters find themselves. It's rather appropriate, though perhaps not quite how he intended it, that the strip also serves as an apt metaphor for the entire film.