O Jogo Mortal

It is obvious what George Isaac was trying with this. A story involving crooked cops and a London gangster, a mysterious thief with a heart of gold caught in their game, and (a try at) a twist. A mix between the old film noir and more modern UK gangster/heist films; just from the film's start it seemed quite good and promising.

Yet, it does not work. The script is very weak and unoriginal, without a single great moment; a mere 'copy and paste' of film noir's more usual situations/clichés and character stereotypes (like the crooked cop that is just 'following the system' or the mysterious, often quiet and sometimes cynical main character). The plot gets overly muddled by the middle of the film to the point that the viewer can easily get confused; by the ending, things get resolved in such a ridiculously predictable way that the film becomes overly simplistic in hindsight.

It does not help that the film feels silly. There is not a credible tension like in most heist/gangster films, which is further enhanced by the extreme predictability of it all. There is also no memorable moments at all, nothing that could make this film worthy remembering (for the good or for the bad).

The cast is interesting. Gabriel Byrne and Rufus Sewell stand out and make the most out of their characters; Toby Stephens does feel like a noir protagonist, though the emotionless-ness of his character is overdone; and Terence Maynard and Leo Gregory also do a nice work despite their overly flawed characters.

Overall, while not necessarily a bad movie, 'All Things to All Men'/'The Deadly Game' ends up as a forgettable, overly predictable and silly mess that does not work despite its fine cast.

A.K.A. The Deadly Game. Now and then you find a film with a great cast and wonder why you've never heard of it before. Here we have Gabriel Byrne, Julian Sands, Toby Stephens and Rufus Sewell in a London gangster thriller.

Oh no, not another one!

But wait, this is a well produced, well shot film with a pretty good (if somewhat generic) score. And this is only 81 minutes long, so even if it's bad it'll be mercifully short, right?

Wrong.

I'd been watching 21 minutes when I checked the time, because I thought I must be half way through by now. Groan. So what's wrong with it? Well, the script. The story is completely unintelligible. Which means you feel like you've missed something all the way through, namely, the story. See, the main problem is that we don't know any of the characters in the film, so we don't care about them. Any of them. And there's no clearly definable hero or villain, so you don't know who to root for. And I like grey characters who aren't really good or bad, but you need a general focus or main character in a film, and this film just doesn't have one.

So you keep watching these characters you don't care about in a story you can't really figure out, especially as they keep referring to things you don't see but that appear to be germane to the plot, and pretty soon you are just willing it to all end. Drop a plane on them! Nuke the whole city! Just let it end!

And then it does, and you are left completely nonplussed, empty, devoid of any reaction other than relief that it's over. That's not the way thrillers are supposed to make you feel. You're supposed to be thrilled! You're supposed to have gone through some kind of cathartic emotional journey, with added visceral excitement. You're not supposed to be relieved the mental cruelty of a badly laid out jigsaw puzzle is finally in your cultural out-box. Phew!

I need to watch a great thriller. I might have to go back to my DVD collection.

Very difficult to follow plot. This film is a poor mans British version of LA Confidential. Complete with the overly predictable cryptic reference to convey guilt. Too bad because these are talented actors. The chase scenes in automobiles and on foot are the highlight of the film. Completely nonsensical with clandestine meetings and corrupt cops expected to go undetected in the city that has more closed-circuit cameras than any place on the planet. A serious movie should take into account that follow-up investigations made by law enforcement will look at cell phone records and bank account histories. These criminals behave as if they aren't concerned about getting caught. The director and writer of this film apparently forgot these obvious facts. Cannot recommend this film.

Movie is plodding and predictable. I only found it because I am indulging a Rufus Sewell swoon, saw the title listed in his IMDb credits and located it on Netflix.

The Bad: The "plot" is a pastiche of so many (better) movies from the past 20-30 years. Actually from the beginning of movie-making (smile).

The Good: So many terrific character actors with arresting faces (another reason I love Rufus). So it was worth a watch late on a Friday night. Relaxed with a drink in hand. Linking the faces to other movies and TV series.

Over the past 2 years, I have binge-watched so many Brit and Aussie TV series and movies especially. I favor crime and drama. A long visit to London (and the Cotswolds) is on my bucket list. So while I respect the reviewers who say this movie doesn't present the London they know, the exterior shots sure look inviting to me here in Pennsylvania. Having lived previously in Washington, D.C., and environs, I know the annoyances of seeing exteriors that truly do not represent that city.

"All Things to All Men" is a film where the viewer has great expectation, based on the names of the veteran actors Gabriel Byrne, Rufus Sewell and Julian Sands. Unfortunately confused screenplay and edition does not help and this film frustrates any expectation. The deleted scenes in the Blu-Ray disc shows important parts that should have been included in the final cut. My vote is five.

Title (Brazil): "O Jogo Mortal" ("The Deadly Game")