Laços de um Crime

I wasn't as disappointed as others here. It was worth the time spent although it started out well as a psychological thriller and then became a cliché with a whole bunch of drama that lacked believability. The acting more powerful than the script demanded which could equate to a waste of talent. But again I don't see things that way. Fine acting is still fine acting whether the characters would show up in real life or remain frozen on a screen which is right where I leave them the moment the credits appear and I don't feel sad saying goodbye to any of them. No spoilers because I think we can see where it's going pretty early on ... Having found what appears more wrong than right, I wasn't bored and I waited until the very end to feel slightly dissatisfied yet anxious to hear what other viewers have to say. That's a good sign.

For a film with such quality actors and a name brand director in the form of Sam Mendes as producer it's hard to gage just why Blood was released with such little fanfare but then again upon watching of the film it's hard to promote it as a must see when in reality it's a film that whilst having good central performances is just too generic to fully buy into.

Adapted from the British mini series titled Conviction, Blood has a plot that is all too familiar for anyone who has but a passing interest in the family/crime genre of movies. In the role of brothers and cops the film has its strongest points with Paul Bettany in a rare leading role and Stephan Graham in another top supporting turn doing well with their respective characters Joe and Chrissie. It's always good to see Bettany on screen and for an actor that chooses a wide range of shoddy roles it's a welcome return here to see him display a range of emotions. Stephan Graham in my opinion one of the most talented and watchable actors working today with his work on HBO's Boardwalk Empire and roles in feature films such as This is England showcasing his startling talents and again here comes away with the films best moments in a film that needed more of them.

One of Blood's major problems is in its setting up of the story and subsequent lack of feelings after it due to a rushed and frankly over the top scenario that would of worked better if the film spent more time establishing the bond between the brothers, there iffy relationship with fellow cop Robert (thank goodness Strong is not a bad guy!) and the trials they are experiencing with their ex-cop dad Lenny (Cox). It all plays along nicely enough but you never get the sense your witnessing anything feature film worthy thanks to Murphy's bland direction and dull set ups.

If you're a fan of Bettany and Graham Blood is a film worthy of your time to see the fine actors ply their trade side by side but for anyone else Blood is nothing more than a sadly predictable and safe movie that really should have been a lot more memorable.

2 and a half bacon sandwiches out of 5

BLOOD is the film version of a lengthy BBC miniseries called CONVICTION, in which a pair of detective brothers struggle to cope with the demands of the job while caring for their father who's suffering from dementia. When a young girl is found brutally murdered in the local skate park, her death drives the men over the edge.

Wow, this is one of the darkest movies I've seen in a while. It's almost wrist-slittingly grim, with a cast populated by the mentally ill, perverts, and psychopaths. The film was shot in the Wirral and looks dark and grim throughout, with the only colour that stands out blood red. Depressing scene follows depressing scene, until the final nihilistic climax.

Despite the downbeat nature of the production, this is highly watchable thanks to the talents of a fine cast. Paul Bettany excels as the volatile lead, with Stephen Graham giving a typically assured turn as his stressed-out brother. Brian Cox still shines even in his later years as the elder struggling with memory loss. There are even roles for former comedian Adrian Edmondson and Ben Crompton, best known for his role as one of the Night's Watch in GAME OF THRONES. And I can't say out pleased I am to see Mark Strong NOT typecast as a villain.

The plot is a simple one and yet there's so much incident packed into the scant running time that it ends up being very fast paced with barely room to go out of the room and make a cup of tea. I'm glad it has a short running time too; I'm not sure I would have wanted to sit through hours and hours of this grim story. A British Scandi-noir type thriller, BLOOD deserves plaudits for the work of its cast alone.

Blood deserves better than other reviewers have suggested. It is a small movie yes but it is intense and filled with first-rate performances from an excellent cast. Bettany especially is on great form, but then he usually is, as a man falling apart. You believe these characters, understand their motivations and emotions, even as you watch them get closer to the edge.

We may have seen many of the cast in bigger productions but there is no sense that they are slumming it and even the smaller roles are played in an incredibly realistic way. It reminded me of some of the best noir movies in the way the plot is driven by the characters' reactions to one fateful action and the way the claustrophobia mounts as they struggle to come to terms with what has happened. Recommended.

BLOOD as written by Bill Gallagher and directed by Nick Murphy is a dark psychological drama set in Hilbre Island, Wirral, Merseyside, England: the setting is almost as important as the story. Unlike other thriller dramas based on good cop/bad cop concepts, this story is about a family of policemen and how they deal with crime and the ramifications of their actions as preservers of justice. It probes deeply into the crisis of a small family and manages to keep a tight grip on the audience's attention throughout.

Joe Fairburn (Paul Bettany) and his younger brother Chrissie Fairburn (Stephen Graham) are the sons of retired policeman Lenny Fairburn (Brian Cox) who despite his advancing senility still comes around the police station to relive the old days. The brothers are investigating the brutal murder of a young girl found bludgeoned on the streets. The chief suspect is one Jason Buleigh (Ben Crompton) who despite a criminal record seems to be covering his old life with a religious one, a turn that pleases his supportive mother (Sandra Voe). But mounting evidence of finding Jason's photographs of young girls in his room convinces Joe and Chrissie that Jason is guilty despite the fact that their fellow policeman Robert Seymour (Mark Strong) doesn't feel the evidence is strong enough to keep Jason arrested. The brothers take the law into their own hands and in an attempt to get a confession from Jason, Joe has him dig a hole in the beach sand, and in a terrifying moment Jason (in the process of being buried) confesses and Joe's mind goes berserk and he kills Jason with a shovel. From this point on the brothers begin meltdown: they bury the body and destroy all evidence, Chrissie's girlfriend Jemma (Zoë Tapper) finally hears the truth, the true killer of the murdered girl are found and arrested, Joe is discovered to be the killer of Jason, and the once tight family disintegrates - plunging into tragedy.

The plot line is tangled at times by subplots that don't develop but in fact that leads to the sense of mental confusion both brothers carry, having committed a crime as cops, burying the evidence only to attempt to distract the truth of the deed that leads to failures. Bettany, Graham and Cox are strong in their roles as is Mark Strong in the rather small role he is given. This is a dark film, well acted, with an interesting turn in the tales of how cops face their own actions.

Grady Harp