O Apostador

This movie is about a man who has given up hope on achieving his dreams and is trying to make his pain stop by engaging in self destructive behavior... his weapon of choice is gambling but he is not a gambler. He says so multiple times. I have read the many negative reviews of this movie and I think people are really just missing the point. He wants a real love and something real to do every day and if he achieve anything beyond mediocrity then he would rather be dead. People who can relate with that sentiment will love this movie but perhaps no one else. If you enjoy a movie that makes you think a little and go beyond what's on the surface. The movie is not about gambling... it is about finding inspiration and hope.

Screenwriter and self confessed compulsive gambler James Toback joined William Monahan to concoct this rather bizarre but ultimately fascinating film about a very bright English Literature Associate Professor who is an inveterate gambler. Rupert Wyatt directs this cross between philosophy of life and the dangers of the life of gambling. Jim Bennett (Mark Wahlberg) is a risk taker. Both an English professor and a high-stakes gambler, Bennett bets it all when he borrows from a gangster (Michael Kenneth Williams) and offers his own life as collateral. Always one step ahead, Bennett pits his creditor against the operator of a gambling ring and leaves his dysfunctional relationship with his wealthy mother (Jessica Lange) in his wake. He plays both sides, immersing himself in an illicit, underground world while garnering the attention of Frank (John Goodman in a superb performance), a loan shark with a paternal interest in Bennett's future. As his relationship with a student (Brie Larson) deepens, Bennett must take the ultimate risk for a second chance.

The strange admixture of classroom teaching with students whose views of learning vary from creativity to going pro-basketball (Anthony Kelley) bring out some interesting philosophical comments from Jim the teacher to the underworld of crime and gambling that is complicated by Jim's addiction to the 'sport' ultimately makes for a thought provoking film. There are some fine supporting roles by Andre Braugher, George Kennedy, Alvin Ing, Richard Schiff, but in the end the performances by John Goodman and Mark Wahlberg are the focus of the odd but compelling drama.

The Gambler is a decent movie with a reasonably well developed plot and a great cast. Mark Wahlberg makes some very interesting acting choices in this movie, losing weight for the part and portraying the character in a way that really stretches beyond his usual style. I also loved the chemistry between him and Brie Larson, it was definitely the strongest aspect of the film, in my opinion, as it was pure and felt very real.

The structure to this film is a bit of a mess, we are given a bunch of plot points and different reasons for this character to be in dept. It was clearly trying to overwhelm us with this characters situation, however, it just took me out of it when they began to throw too many things at me at once.

As well as that, we are never given a real reason to like the character of Jim Bennett, he is irresponsible and everything that happens to him is entirely his fault. He may have redeemable qualities, but not enough for me to support him. He does pull through towards the last ten minutes of the movie, but that does not make up for ninety minutes of him being an arrogant, self centred individual.

It has it moments, but there are a lot of movies similar to this that are much better. Good performances, but lacking in originality, The Gambler shines on few occasions, and I would not recommend it.

An obsessive gambler must get his life together to pay off his debts and be with the one he loves.

Best Performance: Mark Wahlberg

Despite being tedious and annoyingly creating its own problems, The Gambler is still a really good drama that manages to come to a very satisfying conclusion. Mark Wahlberg is great. Brie Larson, John Goodman and Michael K. Williams all give really good supporting performances. Rupert Wyatt's direction is also really good. The soundtrack is excellent and the music by Theo Green and Jon Brion is good.

This would have been much easier to remake if the director had stayed true to the grittiness of the original. It's stripped clean here. From the cinematography, to the acting, the music and more, there is an overall lack of desperation. It's as if everyone making the film has never experienced desperation or addiction of any sort, which I know can't be true. Even the music is inappropriate and sounds like someone randomly picked tunes from their favorite alternative rock radio station. The romantic subplot is mere fluff and also lacks grit from the casting to the photography and inappropriate music making me feel as if I was suddenly watching a romantic comedy. Why did this UCLA beach blonde love interest work in a underground Asian owned casino? Huh? Shouldn't she have been Asian? And what would a young college student even see in this loser? Some choices just made no sense and were out of date, out of context, and simply not the right tone. I would say even Mark Wahlberg was in over his head and the role was not the right fit for him.