Adicionar um enredo no seu idiomaA further followup of the case of the West Memphis Three and the decades long fight to exonerate them that finally gained traction with new DNA evidence.A further followup of the case of the West Memphis Three and the decades long fight to exonerate them that finally gained traction with new DNA evidence.A further followup of the case of the West Memphis Three and the decades long fight to exonerate them that finally gained traction with new DNA evidence.
- Indicado a 1 Oscar
- 5 vitórias e 6 indicações no total
- Self - Former Chief Investigator, West Memphis Police
- (cenas de arquivo)
- Self - Parent of Michael Moore
- (cenas de arquivo)
- Self - Parent of Michael Moore
- (cenas de arquivo)
- Self - Mother of Stevie Branch
- (cenas de arquivo)
- Self - Mother of Christopher Byers
- (cenas de arquivo)
- Self - Perpetrator
- (as Damien Echols)
- Self - Perpetrator
- (as Jessie Misskelley Jr.)
- Self - Prosecuting Attorney
- (as John Fogleman)
- Self - Detective, West Memphis Police
- (cenas de arquivo)
- Self - Suspect's Girlfriend
- (cenas de arquivo)
- Self - Neighbor
- (cenas de arquivo)
- Self - Jason Baldwin's Neighbor
- (cenas de arquivo)
Avaliações em destaque
The murders of three second graders, Stevie Branch, Michael Moore, and Christopher Byers, in May 1993 was horrific and shocked the entire quiet community of West Memphis, Arkansas. It was proved that belief in Satanism was occurring, and the town was hellbent and frustrated to find the heartless brutes responsible for such a heinous, unforgivable crime. Jessie Misskelley Jr. was arrested and interrogated for over twelve hours with no parent or attorney present in the room. Possessing an IQ of only 72 made it very clear that the response we were going to get would be shaky and murky. Only the last forty-five minutes or so were recorded on tape and went on long enough to show Misskelley had contradicted himself on when the murders took place.
During the confession, Misskelley claimed to be involved with Damien Echols and Jason Baldwin, two other West Memphis teenagers. Baldwin, Echols, and Misskelley were all arrested, tried, and sentenced to life in prison and Echols was placed on death row. However, years after their conviction new evidence came forth - bite marks on one of the victim's heads. The three took bite impressions, none of them matching the bite marks on the boy's forehead.
After being denied numerous appeals in the state of Tennessee, the men finally applied for a hearing with the new evidence in the Arkansas Supreme Court. A new hearing would be set for December 2011. Though unexpectedly, in August 2011, the prosecutors and the defense lawyers negotiated a plea that would let the men be released from prison if they pleaded guilty but could maintain their innocence. They accept and now are free on the streets after serving 18 years and 78 days.
Paradise Lost 3: Purgatory spends about forty-five minutes recapping the events that occurred in the first two documentaries, then works around the details developed in present day. We get well conducted interviews with all three men again, and we see how greatly their personalities and attitudes have changed towards the world around them. Jason Baldwin, who didn't speak all that much in the first two films, says some of the most compelling lines in Purgatory. One of them being "Our trial was guilty until proved innocent." Just sends a shiver up your spine.
I've been saying all along that the trial of the three boys seemed to act more on impulse and personality traits of the boys rather than hardcore, indisputable evidence from the crime scene.In Paradise Lost 2: Revelations, the film danced around the fact that Christopher Byers' stepfather, John Mark Byers, might've had something to do with the murders. He is eerie in appearance, outspoken, and very suspicious on camera. Not to mention, he changes his story multiple times on his whereabouts and his false teeth during the time of the murders.
To make a dirty sea even gloomier, Purgatory offers another option that Terry Hobbs, Stevie Branch's stepfather, could've be involved in the murders. His hair was found on one of the shoestrings used to hogtie one of the boys up, and his story, like Byers', changes drastically throughout the film. It's shocking, scary, and sometimes seemingly incorruptible in presentation.
The more I watched of each film the more I grew sympathetic and fond of the three accused. They seem like intelligent people stuck in a merciless and unfair situation. Echols, my favorite of the three, is intelligent yet eclectic - a good trait in many adolescents. Sadly, it got him in a boatload of trouble. More trouble than one could possibly imagine.
This marks the possible end to what could very well be some of the greatest, deepest, most personal and up close documentaries ever captured on film. Paradise Lost isn't only focusing on a largely unfair case, but it is showing the dangers and horrors of a biased system during a serious trial. Not to mention, when finally released they are still baring an essence of guilt. That is not right. Justice did not prevail for these poor kids. They're free, sure, but are they fully innocent? That's another question.
Starring: Damien Echols, Jessie Misskelley Jr., and Jason Baldwin. Directed by: Joe Berlinger and Bruce Sinofsky.
This has an altogether different aim. It presses a case that had by then garnered wide traction, attempts some investigative journalism about who really did it and offers a summation of a fight that was justly won, however late for these people. It was the third film at this point, everyone by now looks more accustomed to the presence of the camera, more self-conscious about us being there to see. It has closure and a moral.
So it doesn't feel like we are catching ignorance unawares and seeing it as it mangles lives. I see instead an article about how terrible it is. I'm glad that it documents what it does of course, dismayed at the redneck judge who is now in the state senate, but that's it.
The documentary focused on the questionable evidence and lack of thorough police investigative work that lead to their incarceration and hit such chords with the American public that soon celebrities such as Johnny Depp were championing the cause in an attempt to get the three boys a new trial.
Four years later, Berlinger and Sinofsky followed-up their story with Paradise Lost: Revelations which was a more biased account of the teenager's innocence and used new information and footage to help promote their cause.
Fifteen years later, Berlinger and Sinofsky finish the trilogy with Paradise Lost 3: Purgatory that takes one final look at the teenagers that have grown into 30-year-old adults in prison for a crime that lacked the forensic evidence to convict if put on trial today.
Paradise Lost 3 opens in 1994 and we get the hard-to-watch actual crime scene footage of the three naked 8-year-old boys who were left hogtied with shoelaces in a small wooded area known as Robin Hood Hills.
With pressure from the media and the increasing tension amongst residents of the town, authorities soon charged teenagers Jason Baldwin, Jessie Miskelly and Damien Echols with murder and sentenced two of them (Baldwin, Miskelly) to life in prison without parole and Echols with the death penalty. The case was built upon their association with each other and loose allegations that the three were part of a satanic cult thanks to their preferred dark clothing and various graffiti and doodles of skeletons that were part of the group dynamic.
Although not as engrossing as 1996's Paradise Lost, Purgatory again presents its case of innocence by interviewing or taping experts in their fields discuss the case and with a 2007 re-examining of the evidence by authoritative members of their fields (DNA, forensics etc). Scattered interviews from 1994 through 2010 help assert that justice may not have been done and that stubborn individuals who had involvement in the case provided the judicial roadblocks to impede any progress.
Paradise Lost 3 spends a bit more time in an assumption of another potential murderer of the three boys and they are fueled by celebrities Johnny Depp, Eddie Vedder and even a member of the Dixie Chicks in their attempts to have new evidence presented and justice served.
Paradise Lost 3 wrapped filming in August 2011 – three days later, the Memphis 3 were released from prison on a lesser charge that does not clear their innocence. Berlinger and Sinofsky informed the sold out crowd at the Toronto International Film Festival that we will be the first and the last to see this theatrical version as a new ending has since transpired (which drew a loud applause from the agreeing audience).
One of the real tragedies of the now trilogy of Paradise Lost films is watching three teenage boys age while in prison. They have missed out on an entire life's worth of experiences (one did get married while incarcerated to a female fan) and we can only hope that a follow-up film 10 years from now shows us how the three were able to assimilate back into society and become everything that they should and could have been had they not been wrongly accused.
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Is this justice? It's hard to say. The most obvious problem for the justice system and this movie as a drama is that nobody is in prison for the boys' murders. For a documentary, that's always the limitation. The real world doesn't always have a neat happy ending. They are able to point the finger at Terry Hobbs but the second movie pointed the finger at Byers. There is nothing done against the various people who did harm against justice in this case. It is able to wrap up the odyssey of the West Memphis Three but justice for the murders may never be done.
Você sabia?
- CuriosidadesTodd and Dana Moore, the parents of 8 year-old victim Michael, wrote a letter to the Academy of Motion Pictures Arts and Sciences asking that the film be removed from consideration. In the letter they said that the film glorifies Damien Wayne Echols, Jason Baldwin and Jessie Misskelley. Director Joe Berlinger had in fact acknowledged during an interview with salon.com that he determined Echols was innocent after speaking with him for five minutes prior to the trial. Despite the Moore's request the film was nominated for Best Documentary, Features for the 84th Annual Academy Awards. It lost to Undefeated (2011).
- Erros de gravaçãoMichael's dad says he hopes the West Memphis Three are burned at the stake, like in Salem. He is referring to the Salem witch trials, in which none of the convicted were executed that way. They were hanged. This is a popular misconception, that confuses colonial times with the medieval.
- Citações
Damien Wayne Echols: If I focused on the things I can't change, the things that have hurt me, what people have done to me, then they would have already broken me. They would have killed me inside and out. I can get up in the morning and I don't feel sorry for myself, I don't hate my life. You have a lot of people in here that all they can think about is what they don't have and how much they want out and how much they want something else. But for some reason, this situation has helped me to see more of what I do have and to be thankful for that. You know, I have, in a lot of ways, I have a truly incredible life.
- Versões alternativasThe directors said that audiences at the Toronto International Film Festival in September 2011 would be the only audiences to see the film in that version. The reason is that events which took place the previous month necessitated a new ending to the film.
- ConexõesFeatured in A Oeste de Memphis (2012)
- Trilhas sonorasWelcome Home (Sanitarium)
Performed by Metallica
Written by James Hetfield, Lars Ulrich and Kirk Hammett
Published by Creeping Death Music (ASCAP)
Courtesy of Elektra Entertainment Corp
By arrangement with Warner Music Group Film & TV Licensing
Principais escolhas
- How long is Paradise Lost 3: Purgatory?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 2 h 1 min(121 min)
- Cor
- Proporção
- 1.78 : 1