Dicte

This series, retitled 'Dicte - Crime Reporter' here in the UK, follows crime reporter Dicte Svendsen as she reports on, and gets involved in, various cases in her home city of Aarhus, which she has returned to after some time away. She lives with her teenage daughter, Rose, and usually ends up working with policeman John Wagner. The cases typically, but not always, concern murders. These cases are each two episodes long although they were combined into single double length episodes here. As well as the mysteries there are ongoing personal stories involving Dicte and her friends' various relationships, personal and professional problems.

Amongst all the 'Nordic Noir' this series is lighter fare with its shorter individual cases and a protagonist who is closer to the enthusiastic amateur of classic whodunits than more realistic police investigations. Dicte constantly gets herself into situations that put her in danger or could get her arrested in real life. The cases are intriguing and the characters' personal lives are entertaining if rather chaotic... some might say soapish. The cast does a fine job; although not being Danish I can't comment on their accents. Most notable amongst the cast are Iben Hjejle, who plays Dicte; Lars Brygmann, as Wagner; and Dar Salim, who plays photographer and Dicte's love interest Bo Skytte. Overall I'd certainly recommend this for fans of crime drama looking for something lighter than most recent Nordic offerings.

These comments are based on watching the series in Danish with English subtitles.

Dicte is more a soap opera than a detective/crime/journalism series. At least that's how I felt. There is a lot of family and friend drama, lots of cheating, sleeping around, etc. packed into one season. It seems that everything in the town that is worth a big story happens to Dicte, or right where she is, or to someone she knows, etc. Perhaps the town is too small. Or perhaps we are to appreciate that time passes between each story (two episodes each) so other, perhaps important, things have happened but Dicte wasn't there to poke her nose in. Regardless, many of the story lines seem contrived. But perhaps the one thing that really bothered me was the whole season seemed like a pro-life advertisement. Of course, this is done in a Danish, liberal sort of way, but still there is this overwhelming subliminal message (ok, not so subliminal...) that giving away your newborn is bad, that abortion is bad, that mothers who have to make these choices are, well, not good. And of course, all homes for children are bad, full of adults who want to abuse the children... In a way, the series can be interpreted as positive in many aspects regarding these issues (as Dicte is a good mother, despite the fact that she did give away her first born after being forced to by her religious parents) but somehow every time it tried to give some great message about babies and mothers, it seemed judgmental to me. Maybe something got lost in translation, or maybe, as someone suggested, the writing was not great to begin with. The series could have been more brooding and realistic if the chose to show the lives of some of the other characters, like the lonely detective, Wagner, but it seems like they wanted to keep the show more mainstream. Congrats for having a female gay character who actually has a healthy dating life and is not afraid to talk about it, but again, more on that would have been great.

All in all, Dicte is not at the same level with Wallander, for example, mostly due to the contrived stories and some weird thematic choices. The acting is actually descent, sometimes much better than descent, but the writing certainly has a long way to go.

Thankfully Netflix has added the first season of this to its streaming lineup otherwise I would never have even heard of it. I was hooked from the first episode and even though it was subtitled, soon you get so caught up in it you don't even realize you're still reading. Although Dicte is the main character, there is no shortage of surrounding characters whose stories are just as deep that you find yourself wanting to see more of them. The setting is beautiful, the stories intertwine perfectly from one to the next and the cast is superb.

My only complaint is that they haven't released the second season anywhere that I can view it, so I will have to wait, albeit impatiently, for the next episodes. If only America had more shows like this, I'd never leave the house.

..so many productions appear artificial, or produced for 'effect.' This is a show that feels 'real-life'. These characters do not come off as actors, and that is something so welcome in sitting back and watching things play out. Iben Hjejle is a favorite actor, on either side of the pond... she is just so natural. Have been fortunate to see her in other works... she never disappoints. She is someone you would just like to meet and really get to know. Of course the story lines have to been taken independently, because no one person would have so much happen to them in real-world situations. But there is something truly unique in this production, it has a warmth and closeness, and she and all the other regular cast members make that happen time and again. So glad it does sparingly occur, because it gives hope it will somehow come about again. Special is special... even if it does not happen very frequently.

I'm expecting more spin-offs from this show like Bob - Builder and Sam - Fireman, but seriously, I rather enjoyed this first UK showing of yet another Scandinavian crime series. Nordic Noir it isn't though, at least in this meet-the-characters episode, as we drop in on recently divorced, middle-aged, single mum and to top it all, crime reporter Dicte in the small town of Aarhus. Not unnaturally we quickly enter fully into her world, which brings forth her mildly rebellious teenage daughter, two forty-something girl-friends, still-sniffing-around ex-husband and her various newspaper colleagues and police contacts. These will no doubt provide plenty of back - stories in future episodes, especially, I don't doubt, her initially frosty relationship with the super-thin, also recently divorced police detective Wagner, which I expect to morph into something warmer in time.

Human interest aside, I was more entertained by the interesting plot line, surrounding surrogate mother Eastern European prostitutes, with Dicte unconventionally finding the first body while answering a call of nature. This was just one of many examples of the wry, pithy humour on display and while some of the connections in the story seem either contrived or coincidental, my enjoyment wasn't dulled too much.

I liked the acting too, especially Dicte and the detective, who also has a scene-stealing Bolshie young female assistant too. I hope future episodes concentrate on the criminal reporting side rather than the temptation to fall into "Sex and the City" territory, but for now this was an encouraging start to a series I'll return to for my latest subtitled cop-show.